The Ordering and Disordering of Work

Barlow, Paul (2014) The Ordering and Disordering of Work. Visual Culture in Britain, 15 (3). pp. 258-276. ISSN 1471-4787

Full text not available from this repository. (Request a copy)
Official URL: http://doi.org/10.1080/14714787.2014.945200

Abstract

This article asks why Brown’s Work (1852–65) has had such an ambiguous position in the history of art – repeatedly, even obsessively, discussed, but also regularly dismissed as a failure. This article argues that Brown’s critics have failed to understand his distinctive development of the traditions of Hogarth, which run counter to the stylistic devices that have typically been coded as ‘modern’ or ‘avant-garde’. Brown consciously reframes Hogarth’s compositional techniques and pictorial rhetoric in order to produce an image built around compressed and conflicting patterns of pictorial order. Brown generates multiple irreconcilable readings of the world he portrays and of his own methods of portraying it.

Item Type: Article
Subjects: V300 History by topic
W100 Fine Art
Department: Faculties > Arts, Design and Social Sciences > Arts
Depositing User: Ay Okpokam
Date Deposited: 02 Jul 2013 09:30
Last Modified: 30 Oct 2018 13:01
URI: http://nrl.northumbria.ac.uk/id/eprint/13149

Actions (login required)

View Item View Item

Downloads

Downloads per month over past year

View more statistics


Policies: NRL Policies | NRL University Deposit Policy | NRL Deposit Licence