‘Where else did they copy their styles but from church groups?’ Rock and Pentecostalism in the 1950s South

Stephens, Randall (2016) ‘Where else did they copy their styles but from church groups?’ Rock and Pentecostalism in the 1950s South. Church History, 85 (1). pp. 97-131. ISSN 0009-6407

[img]
Preview
Text (Article)
Stephens Edits CH article Oct 6 2015.pdf - Accepted Version

Download (212kB) | Preview
[img] Text (Article)
Stephens Edits CH article Oct 6 2015.docx - Accepted Version

Download (110kB)
Official URL: http://dx.doi.org/10.1017/S0009640715001365

Abstract

Church leaders and laypeople in the US went on the defensive shortly after rock and roll became a national youth craze in 1955 and 1956. Few of those religious critics would have been aware or capable of understanding that rock ‘n’ roll, in fact, had deep religious roots. Early rockers, all southerners—such as Elvis Presley, Johnny Cash, Little Richard, Jerry Lee Lewis, and James Brown—grew up in or regularly attended pentecostal churches. Pentecostalism, a vibrant religious movement that traced its origins to the early 20th century, broke with many of the formalities of traditional protestantism. Believers held mixed-race services during the height of Jim Crow segregation. The faithful spoke in tongues, practiced healing, and cultivated loud, revved-up, beat-driven music. These were not the sedate congregants of mainline churches. Some pentecostal churches incorporated drums, brass instruments, pianos, and even newly invented electric guitars. Rock ‘n’ roll performers looked back to the vibrant churches of their youth, their charismatic pastors, and to flashy singing itinerants for inspiration. In a region that novelist Flannery O'Connor called “Christ-haunted,” the line between secular and sacred, holy and profane was repeatedly crossed by rock musicians. This article traces the black and white pentecostal influence on rock ‘n’ roll in the American South, from performance style and music to dress and religious views. It also analyzes the vital ways that religion took center stage in arguments and debates about the new genre.

Item Type: Article
Subjects: T700 American studies
V100 History by period
V200 History by area
V300 History by topic
V600 Theology and Religious studies
Department: Faculties > Arts, Design and Social Sciences > School of Arts and Social Sciences > Humanities
Depositing User: Randall Stephens
Date Deposited: 14 Mar 2016 12:46
Last Modified: 08 May 2017 12:29
URI: http://nrl.northumbria.ac.uk/id/eprint/23741

Actions (login required)

View Item View Item

Downloads

Downloads per month over past year

View more statistics


Policies: NRL Policies | NRL University Deposit Policy | NRL Deposit Licence