The Art of Social Reproduction

Horne, Victoria (2016) The Art of Social Reproduction. Journal of Visual Culture, 15 (2). pp. 179-202. ISSN 1470-4129

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Official URL: http://dx.doi.org/10.1177/1470412916632284

Abstract

This article considers how the museum produces knowledge about the past and present of feminist politics through its framing of marginal, activist artworks that have engaged the sphere of social reproduction or care labour. It is contended that neoliberalism’s assault on social reproduction in our current ‘age of austerity’ – which sees responsibility displaced from the state onto individuals – has sparked a reengagement with earlier socialist–feminist discourse and, as a result, we are perceptibly enmeshed within a new age of social reproduction debates. The Hackney Flashers’ germinal photographic project Who’s Holding the Baby? (1976–1978), acquired by Madrid’s Reina Sofia in 2010, is taken as a case study to explore a range of contextual, temporal and historical contradictions in further detail. Examining the ambiguous relocation of this photographic project provokes vital questions about the contribution of culture to the troubled terrains of art, property and care labour in the 21st century.

Item Type: Article
Uncontrolled Keywords: art, art history, feminism, institutional critique, motherhood, public museum, social reproduction
Subjects: V100 History by period
W100 Fine Art
Department: Faculties > Arts, Design and Social Sciences > School of Arts and Social Sciences > Arts
Depositing User: Victoria Horne
Date Deposited: 19 Oct 2016 14:02
Last Modified: 01 Aug 2017 03:30
URI: http://nrl.northumbria.ac.uk/id/eprint/28088

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