No Oil Painting: digital originals and slow prints

Briggs, Jo and Blythe, Mark (2012) No Oil Painting: digital originals and slow prints. In: Slow Technology: Critical Reflection and Future Directions (in conjunction with DIS 2012), 12th Jun 2012, Newcastle upon Tyne, UK.

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Abstract

Slow technology is…in part a reaction against the impulses toward instantaneity afforded by digital technology.

This paper explores the slow work of a contemporary ‘analogue’ painter in the context of current research enquiry into digital art, authenticity and value. A group of artists were recruited to take part in in depth interviews conducted in their studios. The paper describes the artist’s resolutely non digital practice and outlines a concept design for a ‘slow print’ based on his work.

Item Type: Conference or Workshop Item (Paper)
Subjects: J900 Others in Technology
W200 Design studies
W900 Others in Creative Arts and Design
Department: Faculties > Arts, Design and Social Sciences > Design
Related URLs:
Depositing User: Jo Briggs
Date Deposited: 14 Aug 2017 11:00
Last Modified: 27 Oct 2017 05:20
URI: http://nrl.northumbria.ac.uk/id/eprint/31571

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  • No Oil Painting: digital originals and slow prints. (deposited 14 Aug 2017 11:00) [Currently Displayed]

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