Crafted Futures: a craft/technology collaboration

Gaston, Elizabeth (2017) Crafted Futures: a craft/technology collaboration. In: Proceedings of Intersections: Collaborations in Textile Design Research Conference. Loughborough University, Loughborough, pp. 1-12.

[img]
Preview
Text
Gaston_INTERSECTIONS2017.pdf - Published Version
Available under License Creative Commons Attribution Non-commercial 4.0.

Download (9MB) | Preview
Official URL: https://www.lboro.ac.uk/departments/aed/staff-rese...

Abstract

Crafted Futures is a craft/technology visual response to William Gott’s Dyehouse Pattern Book produced in 1815 whilst Gott was an apprentice in his father’s woollen mill. The work utilised craft practice to explore theories of colour contrast, assimilation and optical mixing in colour production. In collaboration with print technologist Muriel Rigout, applied craft thinking was employed in the development of the work, tacit knowledge of materials and skill were employed with formal colour theory, using textile craft processes and digital print as a modelling tool. The project was important as an example of a craft/technology collaboration, identified as a driver for commercial growth. The success of the project was discussed in terms of individual research outcomes, the success of the visual response and the success of the collaborative process. The work was exhibited at Leeds Industrial Museum, Armley Mills, Leeds, 14 October to 27 November 2016.

Item Type: Book Section
Uncontrolled Keywords: Collaboration, craft, digital, technology, colour
Subjects: W200 Design studies
Department: Faculties > Arts, Design and Social Sciences > Design
Depositing User: John Coen
Date Deposited: 09 Jul 2020 14:45
Last Modified: 10 Jul 2020 08:30
URI: http://nrl.northumbria.ac.uk/id/eprint/43723

Actions (login required)

View Item View Item

Downloads

Downloads per month over past year

View more statistics