Items where Subject is "W100 Fine Art"

A

Aldington, Clair (2017) The Role of the Arts and Gifting in the Restorative Process. In: Restorative Imagination: Artistic Pathways. European Forum for Restorative Justice, Leuven, Belgium, pp. 54-63.

Ali, Caroline Ann (2020) Interpolation in fine art drawing: an investigation of drawing informed by strategies for retouching in conservation of fine art works on paper. Doctoral thesis, Northumbria University.

Alston, Charlotte (2010) Book Review: Robert Croskey, 'The Legacy of Tolstoy: Alexandra Tolstoy and the Soviet Regime in the 1920s'. Revolutionary Russia, 23 (2). pp. 221-247. ISSN 0954-6545

Arlington, Joanna, Dellow, José Mario, Kerr Jones, Mez, MacGregor, Lucie, McArdle, Claire, Sakula, Lily Ash, Scammell, Nick, Thomas, Judy, Wharton, Cathal and Wren, Amy (2022) make 22. [Show/Exhibition]

Armitage, John (2004) Embodiment and indoctrination. In: Under Fire 1 - The Organization and Representation of Violence. Witte de With Centre for Contemporary Art., Rotterdam. ISBN 9789073362611

Armitage, John (2009) In the cities of the beyond: an interview with Paul Virilio. Open: Cahier on Art and the Public Domain, 18.

Armitage, John (2010) Transaesthetics. In: The Baudrillard Dictionary. Edinburgh University Press, Edinburgh, pp. 219-221. ISBN 978-0748639212

Armitage, John and Garnett, Joy (2009) Radicalizing refamiliarization. Journal of Visual Culture, 8 (2). pp. 176-183. ISSN 1470-4129

Arnfield, Jane (2009) Tent. [Performance]

Ashby, Charlotte, Brockington, Grace, Laqua, Daniel and Turner, Sarah Victoria (2019) Imagined Cosmopolis: Internationalism and Cultural Exchange, 1870s–1920s. Internationalism and the Arts, 2 . Peter Lang, Oxford. ISBN 9783034318709, 9781788742795

Ashley, Susan and Frank, Sybille (2016) Introduction: Heritage-Outside-In [Editorial]. International Journal of Heritage Studies, 22 (7). pp. 501-503. ISSN 1352-7258

Ashmore, Rupert (2011) Landscape and Crisis in Northern England: The Representation of Communal Trauma in Film and Photography. Doctoral thesis, Northumbria University.

Askins, Kye and Pain, Rachel (2011) Contact zones: participation, materiality, and the messiness of interaction. Environment and Planning D: Society and Space, 29 (5). pp. 803-821. ISSN 0263-7758

B

Bakalarou, Angeliki and Theodorakopoulos, Charis (2013) Cleaning of water-gilded surfaces using hydro- and solvent-gels. e-conservation magazine, 25. pp. 89-105. ISSN 1646-9283

Bakalarou, Angeliki and Theodorakopoulos, Charis (2017) Combined solvent- emulsion- and polyacrylate gel- cleaning of an over-cleaned, injured egg tempera icon. eConservation Journal. ISSN 2183-1335

Bakalarou, Angeliki and Theodorakopoulos, Charis (2012) A flexible crossbar system for a 19th century panel painting. e-conservation magazine, 24. pp. 88-94. ISSN 1646-9283

Bakalarou, Angelina and Theodorakopoulos, Charis (2015) Traditional and modern gel-based cleaning procedures on two typical 19th century panel paintings coated with aged natural resin varnishes. In: Conservation of Cultural Heritage: Challenges and Reviews, 25 - 29 May 2015, Athens.

Baker-Alder, Helen (2010) 400 Women. [Show/Exhibition]

Baker-Alder, Helen (2010) Artist Teacher. [Show/Exhibition]

Baker-Alder, Helen (2012) Colour as material. [Show/Exhibition]

Baker-Alder, Helen (2008) Ex roma II. [Show/Exhibition]

Baker-Alder, Helen (2008) The Fall Of Rome. [Show/Exhibition]

Baker-Alder, Helen (2012) KATE SMITH. [Show/Exhibition]

Baker-Alder, Helen (2012) Malerei: Painting as Object. [Show/Exhibition]

Baker-Alder, Helen (2009) Performance Now and Then. [Show/Exhibition]

Baker-Alder, Helen (2009) Politics and people. [Show/Exhibition]

Baker-Alder, Helen (2011) Red Rag. [Show/Exhibition]

Baker-Alder, Helen (2009) Story time. [Show/Exhibition]

Baker-Alder, Helen (2010) Visibility Good [Exhibition catalogue]. School of Arts and Social Sciences Academic Press, Newcastle-upon-Tyne. ISBN 9780956120687

Baker-Alder, Helen (2011) Working Against the System. [Show/Exhibition]

Baker-Alder, Helen (2009) Works on paper. [Show/Exhibition]

Baker-Alder, Helen, Ball, Martin, Burton, Andrew, Dalton, Derek, Newton, Duncan, Senior, Gordon, Talbot, Neil, Ward, Gilbert, Watson, Fred, Wolland, Peter, Wood, Eleanor, Bowen, Sian, Chevalier, Annette, Close, Val, Easydorchik, Edwin, Goard, David, Knipe, Tony, Livsey, Julie, Lloyd, Nick, Ord, Brian, Rankin, Claudia, Robson, Gavin, Rose, Colin, Rowe, Liz, Thompson, Brian, Ward, Dick and Williams, Susan (2009) The Newcastle Group 1984-2009. [Show/Exhibition]

Baker-Alder, Helen, Bowen, Sian, Crisp, Fiona, Dorsett, Chris, McIntyre, Keith and Spark, Sue (2011) Unfinished Business – A Contemporary Response to William Bell Scott. [Show/Exhibition]

Baker-Alder, Helen and Hughes, Angela (2010) Christmas Exhibition. [Show/Exhibition]

Baker-Alder, Helen, Lomax, Cathy, Schwarbsky, Barrie and Sharma, Alli (2011) About Painting. Transition Editions, London. ISBN 9780956881403

Baker-Alder, Helen and Millican, Jane (2010) We love New York? [Show/Exhibition]

Banou, Penelope, Alexopoulou, Athena, Chranioti, Charikleia, Tsimogiannis, Dimitris, Terlixi, Agni-Vasileia, Zervos, Spiros and Singer, Brian (2016) The effect of oil binders on paper supports via VOC analysis. Journal of Cultural Heritage, 20. pp. 589-598. ISSN 1296-2074

Barlow, Paul (2011) The Aryan Blake: Hinduism, art and revelation in William Blake's Pitt and Nelson paintings. Visual Culture in Britain, 12 (3). pp. 277-292. ISSN 1471-4787

Barlow, Paul (2005) Imagining intimacy : rhetoric, love and the loss of Raphael. Visual Culture in Britain, 6 (1). pp. 15-36. ISSN 1471-4787

Barlow, Paul (2012) John Everett Millais (1829–96). In: Cambridge Companion to the Pre-Raphaelites. Cambridge Companions to Literature . Cambridge University Press, Cambridge, pp. 133-147. ISBN 978-0521719315

Barlow, Paul (2014) The Ordering and Disordering of Work. Visual Culture in Britain, 15 (3). pp. 258-276. ISSN 1471-4787

Barlow, Paul (2007) Tyneside modern Rome : the North East's image of its Roman past and its lost Englishness. In: Made in Newcastle: Visual Culture. Northumbria University Press, United Kingdom. ISBN 978-1904794264

Barlow, Paul (2013) A free market in mastery: Re-imagining Rembrandt and Raphael from Hogarth to Millais. In: The concept of the ‘Master’ in art education in Britain and Ireland, 1770 to the present. Ashgate, Farnham, pp. 47-62. ISBN 9781409435556

Barlow, Paul (2004) The pointless meaningfulness of Watts's work. In: Representations of G.F. Watts: art making in Victorian culture. Ashgate, Farnham, pp. 29-47. ISBN 0754605981

Baxter, Katherine and Auburn, Cat (2023) Introduction for Special Issue ‘Autotheory in Contemporary Visual Arts Practice’. Arts, 12 (1). p. 11. ISSN 2076-0752

Bellini, Chiara (2020) Surrounding the Sacred Space: Two Painted Scrolls from the Collection of Namgyal Monastery in Mustang, Nepal. Journal of the Royal Asiatic Society, 30 (4). pp. 635-678. ISSN 1356-1863

Bennes, Crystal J. (2021) Hermes & the veil: essais between art, feminism and physics. Doctoral thesis, Northumbria University.

Beresford, Andrew and Twomey, Lesley (2018) Christ, Mary, and the Saints: Reading Religious Subjects in Medieval and Renaissance Spain. The Medieval and Early Modern Iberian World, 66 . Brill. ISBN 9789004372450

Bergsten, Carl, Odlyha, Marianne, Jakiela, Slawomir, Slater, Jonathan, Cavicchioli, Andrea, de Faria, Dalva, Niklasson, Annika, Svensson, Jan-Erik, Bratasz, Łukasz, Camuffo, Dario, della Valle, Antonio, Baldini, Francesco, Falciai, Riccardo, Mencaglia, Andrea, Senesi, Folco and Theodorakopoulos, Charis (2010) Sensor system for detection of harmful environments for pipe organs (SENSORGAN). E-Preservation Science, 7. pp. 116-125. ISSN 1581-9280

Bilby, Charlotte and Ridley, Louise (2011) Insider Art Exhibition. [Show/Exhibition]

Birt, Verity (2024) Earthy Intimacies; Re-worlding as an Interdisciplinary and Feminist Art Practice. Doctoral thesis, Northumbria University.

Blacker, Denys (2018) Interconnection, Synchronicity and Consciousness in Improvised Performance Art Practices. Doctoral thesis, Northumbria University.

Blunt, Danielle, Duguay, Stefanie, Gillespie, Tarleton, Love, Sinnamon and Smith, Clarissa (2021) Deplatforming Sex: a roundtable conversation. Porn Studies, 8 (4). pp. 420-438. ISSN 2326-8743

Blythe, Mark, Briggs, Jo, Freeth, Ben and Olivier, Patrick (2013) Blue Jay Weeble: experiential approaches to iPad painting. In: Praxis and Poetics: Research Through Design Conference 2013. Northumbria University, Newcastle-upon-Tyne.

Blythe, Mark, Briggs, Jo, Hook, Jonathan, Wright, Peter and Olivier, Patrick (2013) Unlimited editions: three approaches to the dissemination and display of digital art. In: Proceedings of Human Factors in Computing Systems CHI13. Association for Computing Machinery, New York, pp. 139-148. ISBN 978-1-4503-1899-0

Blythe, Mark, Hook, Jonathan and Briggs, Jo (2018) From Evaluation to Crits and Conversation. In: Funology 2 : from usability to enjoyment. Human–Computer Interaction Series . Springer, Cham, pp. 241-254. ISBN 9783319682129, 9783319682136

Borland, Christine (2009) Air Heads. [Show/Exhibition]

Borland, Christine (2010) Cast from nature. [Show/Exhibition]

Borland, Christine (2011) Collection of the Migros Museum - Time to Act. [Show/Exhibition]

Borland, Christine (2008) Communication Suite. [Show/Exhibition]

Borland, Christine (2008) Darwin's Canopy. [Show/Exhibition]

Borland, Christine (2010) Death to Delawab. [Show/Exhibition]

Borland, Christine (2012) Divine Imperfect. [Show/Exhibition]

Borland, Christine (2010) Doppler effect: images in art and science. [Show/Exhibition]

Borland, Christine (2008) Genesis - The Art of Creation. [Show/Exhibition]

Borland, Christine (2009) Genipulation. [Show/Exhibition]

Borland, Christine (2009) The Greenroom: Reconsidering the Documentary and Contemporary Art. [Show/Exhibition]

Borland, Christine (2018) I Say Nothing. [Show/Exhibition]

Borland, Christine (2008) Imagining Science. [Show/Exhibition]

Borland, Christine (2008) Maternity: Images of Motherhood. [Show/Exhibition]

Borland, Christine (2009) Not for Sale. [Show/Exhibition]

Borland, Christine (2010) Pivot Points IV. [Show/Exhibition]

Borland, Christine (2016) Positive Pattern. [Show/Exhibition]

Borland, Christine (2011) Reflecting Glenfiddich, a selection of works from the Glenfiddich Artists in Residence. [Show/Exhibition]

Borland, Christine (2011) Royal Scottish Academy Annual Exhibition. [Show/Exhibition]

Borland, Christine (2010) SimBaby. [Show/Exhibition]

Borland, Christine (2009) SimBodies & NoBodies. [Show/Exhibition]

Borland, Christine (2010) SimWoman. [Show/Exhibition]

Borland, Christine (2009) The Unknown Girl. [Show/Exhibition]

Borland, Christine and Condon, Brody (2015) Circles of Focus. [Show/Exhibition]

Borland, Christine and Condon, Brody (2016) Circles of Focus: The Fall Experiment. [Show/Exhibition]

Borland, Christine and Condon, Brody (2013) Daughters of Decayed Tradesmen. [Show/Exhibition]

Borland, Christine, Crisp, Fiona, Dorsett, Chris and Lee, Rona (2014) Extraordinary Renditions (Stockholm): The Cultural Negotiation of Science. In: Extraordinary Renditions (Stockholm): The Cultural Negotiation of Science, 4 November 2014, The Royal Institute of Art, Kungl Konsthögskolan.

Borland, Christine, Fagen, Graham and Starling, Simon (2008) What is Life? [Show/Exhibition]

Borland, Christine, Hunter, Kenny, Halperin, Ilana, Hewitt, Brian and Rivers, Ben (2009) An Entangled Bank: Darwin & Edinburgh. [Show/Exhibition]

Bosch, Johanna Titia (2009) The strategic studio: how to access and assess decision-making in visual art practice. Doctoral thesis, Northumbria University.

Bowen, Sian (2009) 40 artists, 40 drawings. [Show/Exhibition]

Bowen, Sian (2009) 40 artists, 80 drawings. [Show/Exhibition]

Bowen, Sian (2009) Artists in archaeology. [Show/Exhibition]

Bowen, Sian (2011) Capturing the Ephemeral: Sian Bowen and Nova Zembla. [Show/Exhibition]

Bowen, Sian (2010) Dust in the mirror. [Show/Exhibition]

Bowen, Sian (2009) In between the lines: recent British drawings. [Show/Exhibition]

Bowen, Sian (2009) Northern Print Biennale. [Show/Exhibition]

Bowen, Sian (2008) Of dust, An exhibition comprising 20 works. [Show/Exhibition]

Bowen, Sian (2000) Ream. [Show/Exhibition]

Bowen, Sian (2009) Recent British drawings. [Show/Exhibition]

Bowen, Sian (2008) Refractions / Shadows : a critics choice. [Show/Exhibition]

Bowen, Sian (2006) Shift. [Show/Exhibition]

Bowen, Sian (2012) Sian Bowen and Nova Zembla: Suspending the Ephemeral. [Show/Exhibition]

Bowen, Sian (2007) Siân Bowen : gaze (drawing, context and the collection). [Show/Exhibition]

Bowen, Sian (2004) Siân Bowen : new works. [Show/Exhibition]

Bowen, Sian (2010) Wrapped stone drawings. [Show/Exhibition]

Bowen, Sian, Brooks, James, Cook, Christopher, David, Susie, Derges, Susan, Dorsett, Chris and Maltby, Sean (2011) Dust on the Mirror [part 3]. [Show/Exhibition]

Bowen, Sian, Cook, Christopher, Ong, Donna and Tsai, Charwei (2011) Artist Symposium: Dust on the Mirror. In: Dust on the Mirror, 1st February 2011, Institute of Contemporary Arts, La Salle University, Singapore. (Unpublished)

Bowen, Sian, de Hond, Jan and Fruehsorge, Jan-Philipp (2012) Sian Bowen and Nova Zembla: Suspending the Ephemeral. Research Group for Artists Publications, Derby. ISBN 9780956902405

Bowman, Sarah (2019) Developing a liminality competency for promotional work: Using process philosophy to understand the traits necessary in an age of liquid professionalism. In: Complexity, hybridity, liminality: Challenges of researching contemporary promotional cultures workshop, 21st February 2020, LSE, London, UK. (Unpublished)

Bowman, Sarah and Yaxley, Heather (2021) Using a meta-modernist and ecological lens to underpin professionalism: Establishing communications as a reflective and sustainable practice. In: A post-conference of the 2021 Annual Meeting of the International Communication Association: Opening Up the Meanings of 'The Professional', Professional Organisations, and Professionalism in Communication Studies, 1-2 Jun 2021, Virtual. (Unpublished)

Bradbury, Sarah and Thomas, Judy (2022) A Spirit of Place. In: NAFAE Annual Conference 2022: Making Communities and Making with Communities, 29 Apr 2022, Birmingham. (Unpublished)

Brettle, Jane (2003) Airside : contemporary portraits. [Show/Exhibition]

Brettle, Jane (2006) Venus rising. [Show/Exhibition]

Briggs, Jo and Blythe, Mark (2013) Apps for art’s sake: resistance and innovation. In: Proceedings of 15th International Conference on Human-Computer Interaction with Mobile Devices and Services, MobileHCI 2013. Association for Computing Machinery, New York, pp. 45-54. ISBN 9781450322737

Briggs, Jo and Blythe, Mark (2013) Crafting Collaboratively in Cross-sectoral Art Practice. In: CHI 2013 (ACM SIGCHI Conference on Human Factors in Computing Systems), 27 April – 2 May 2013, Paris.

Briggs, Jo and Blythe, Mark (2012) Post Anxiety Art: economies and cultures of digital painting. In: Post Digital Art: Proceedings of the 3rd Computer Art Congress 26-28 November 2012 Le Centquatre, Paris France. Art . Europia Productions, Paris, France, pp. 161-168. ISBN 979-1090094123

Briggs, Jo, Lury, Celia and Teasley, Sarah (2015) Creative Temporal Costings: A ProtoPublics Research Project with Leeds Creative Timebank. Project Report. UNSPECIFIED.

Brock, Anke, Truillet, Phillipe, Oriola, Bernard, Picard, Delphine, Jouffrais, Christophe, Wintergerst, Götz, Jagodzinski, Ron, Giles, Peter, Choi, Sangwon, Gu, Jiseong, Han, Jaehyun, Heo, Seongkook, Kim, Sunjun, Lee, Geehyuk, Ronchi, Gloria and Benghi, Claudio (2013) Demo hour. interactions, 20 (1). pp. 10-11. ISSN 1072-5520

Brown, Jean (2000) Approaches to the Conservation of Large Format Works of Art on Paper. In: Big Pictures: Problems and Solutions for Treating Outsize Paintings, 4 December 2000, Tate Modern.

Brown, Jean (1994) Basic Dyes used in Lithographic Inks. In: IPC Conference, 3-5 March 1994, London.

Brown, Jean (2017) Conservation now. Journal of the Institute of Conservation, 40 (2). pp. 133-151. ISSN 1945-5224

Brown, Jean (1995) Conservation of Large Format Works of Art on Paper. In: The Society of Archivists Conference, 1995, University of Hertfordshire.

Brown, Jean (2007) Creating a Virtual Classroom for online Delivery of the Preventive Conservation MA. In: ICOM-CC Interim Meeting of the Education & Training Group, 2007, Vienna.

Brown, Jean (1996) The Development of International Conservation Training Programmes. In: Erice 96, International Conference on Conservation and Restoration of Archive and Library Materials. CCSEM, pp. 55-67.

Brown, Jean (1996) The History and Design of 1920's German Film Posters in the Collection of the Central Saint Martin’s School of Art. In: Object Lessons : Central Saint Martins Art and Design Archive. Lund Humphries, pp. 47-51. ISBN 978-0853317128

Brown, Jean (2013) Interactive Global Map of Conservation Education & Training Programs Around the World 2013. Northumbria University.

Brown, Jean (2013) Introduction. In: The Science of Preventive Conservation: Preservation and Collection Management. Times Heritage Publications, Athens.

Brown, Jean (2001) The Iron Gall Ink Meeting Postprints: 1st Triennial Conservation Conference. Northumbria University. ISBN 978-0954116507

Brown, Jean (2000) Perspectives on image re-integration: a look at the highly subjective topic of image re-integration and the cultural, ethical and practical parameters which determine its practice. In: Conference on Toning, 5-6 June 2000, London.

Brown, Jean (2007) The Postprints of the Image Re-integration Conference 15th-17th September 2003. Northumbria University Press. ISBN 978-1904794233

Brown, Jean (2015) What museums must do to ensure art is protected. The Conversation.

Brown, Jean (2016) The legalities of authenticity and contemporary art. In: Authenticity in Transition. Archetype Books, London, pp. 95-104. ISBN 9781909492363

Brown, Jean and Bacon, Anne (2004) Approaches to Sharing & Exchanging best practice in the Conservation of Fine Art. In: ICOM-CC Education & Working Group Interim meeting, 2004, Vantaa.

Brown, Jean and Bacon, Anne (2002) Conservation Education and Training. In: Brazilian Association of Conservators Conference, 2002, Rio de Janeiro.

Brown, Jean and Bacon, Anne (1995) A Qualified Community; towards Internationally agreed Standards of Qualification for Conservation. In: Interim Meeting of the ICOM-CC Working Group on Education & Training, 1995, Maastricht.

Brown, Jean and Danby, Charles (2016) The Legalities of Authenticity 
and Performance Art. In: Collecting and Conserving Performance Art, 9-11 June 2016, Wolfsburg.

Brown, Jean and Karydis, Christos (2013) From Education to the Practice. In: The Science of Preventive Conservation: Preservation and Collection Management. Times Heritage Publications, Athens.

Brown, Jean and Mulholland, Richard (2002) The Watermark Archive - Recording Watermarks by Radiography and other means for the creation of a Digital Watermarks Database. In: IIC 19th Triennial Congress, 1-6 September 2002, Baltimore.

Brown, Jean, Mulholland, Richard, Graham, Margaret, Riley, Jon, Vassilev, Vassil, Eakins, John and Furness, Karen (2002) When images work faster than words: The integration of content-based image retrieval with the Northumbria Watermark Archive. Restaurator, 23 (3). pp. 187-203. ISSN 0034-5806

Brown, Michelle, Gough, Julie, Johnston, Sandra, Kneebone, Sue, Scarce, Yhonnie and Thorpe, Dominic (2016) Border Crossings. [Show/Exhibition]

Buckley, Cheryl (2008) From York to New Earswick: reforming working-class homes, 1899-1914. Studies in Decorative Arts, 16 (1). pp. 92-107. ISSN 1069-8825

Buckley, Cheryl (2010) Modernity, Tradition and the Design of the 'Industrial Village' of Dormanstown 1917-1923. Journal of Design History, 23 (1). pp. 21-41. ISSN 0952-4649

Buckley, Cheryl (2005) Subject of history? Anna Wetherill Olmsted and the ceramic national exhibitions in 1930s USA. Art History, 28 (4). pp. 497-423. ISSN 0141-6790

Bunn, Leanne (2010) Changing landscapes: Norman Cornish and North East regional identity. Doctoral thesis, Northumbria University.

Burrows, David, Jackson, Mark, O'Sullivan, Simon and Tait, Stuart (2015) Monarch Drone Communique: Evolution of the eyes (in the sky, head and hand). Culture Machine, 16. ISSN 1465-4121

Burrows, David, Marzeta, Alex, Page, Vanessa, Jackson, Mark and Motsonian, (2016) Bit Coin Fairy, Fairy Fairy Bit Coin (Where is your coin? Where is your head?). [Show/Exhibition]

Burrows, David, O'Sullivan, Simon, Jackson, Mark, Leamen, Lawrence and Motsonian, (2016) Summoning the Bit Coin Fairy (full title: Plastique Fantastique Protocols for the Society for Cutting Up Mun-knee-snakers (S.C.U.M.): I-Valerie-Solaris-AKA-@32ACP-Amazon.co.uk-recommends-‘Pacific-Rim’ shoot b1t-c0in-f@iry). [Show/Exhibition]

Butt, Gavin (2019) Bedsit Art in the Leeds Experiment. In: bauhaus imaginista, Berlin, 15th March - 10th June 2019, Berlin, Germany.

Butt, Gavin (2019) Polytechnics and Punks: The 1970s After-Life of the Bauhaus. In: Bauhaus Imaginista: A School in the World. Thames and Hudson, London & New York, pp. 278-282. ISBN 9780500021934

Butt, Gavin (2014) Welcome to the TV Party. In: Take It or Leave It: Institution, Image, Ideology. Prestel, pp. 216-221. ISBN 9783791353425

Butt, Gavin (2020) Without Walls: Performance Art and Pedagogy at the ‘Bauhaus of the North’. Theatre, Dance and Performance Training, 11 (2). pp. 126-144. ISSN 1944-3927

Butt, Gavin, Heathfield, Adrian and Keidan, Lois (2014) Performance Matters: Gavin Butt, Lois Keidan and Adrian Heathfield in Conversation. Contemporary Theatre Review, 24 (1). pp. 102-114. ISSN 1048-6801

C

Cameron, Colin (2022) Disability, Normality and Absurdity: A Reflection on Stuckist Disability Art. Disability & Society, 37 (2). pp. 338-344. ISSN 0968-7599

Campbell, Cath and Thurlow, Miles (2007) No No No No No. [Artefact]

Campbell, David (2009) Adorno's Disco. [Show/Exhibition]

Campbell, David (2014) Colin Darke, Grotesque Mediocrity. In: Colin Darke, Grotesque Mediocrity. The MAC, Belfast, The MAC, Belfast, pp. 1-6.

Campbell, David (2011) Common Culture- El Dorado and the Common. In: Trashing Performance, 29 October 2011, Goldsmiths, University of London, Univeristy of Roehampton and the Live Development Agency.

Campbell, David (2011) Counter-Culture II - Common Culture. [Show/Exhibition]

Campbell, David (2014) David Campbell - Common Culture: recent projects and comic engagement. In: Research/KU, 27th October 2014, The Royal Institute of Art, Flaggmansvägen 1, Skeppsholmen, Stockholm..

Campbell, David (2011) Dead Eyes. [Show/Exhibition]

Campbell, David (2012) Jim Shaw's Imaginarium. In: Jim Shaw's Imaginarium, 10 November 2012, BxNU Institute of Contemporary Art.

Campbell, David (2012) The New El Dorado (Common Culture) If you look like your passport photo you’re too ill to travel. [Show/Exhibition]

Campbell, David (2011) The New El Dorado. [Show/Exhibition]

Campbell, David (2010) The New El Dorado- Common Culture - Black & Common Culture. [Show/Exhibition]

Campbell, David (2011) Variable Capital: A conversation with Common Culture. In: Critical Dictionary. Black Dog Publishing, London, pp. 139-143. ISBN 978-1907317491

Campbell, David (2011) ‘Warhol’s Commodity Ogling’. Every Real Moment – Time in Andy Warhol’s Art. In: Every Real Moment— Time in Andy Warhol’s Art One-Day Symposium, 20 May 2011, John Hansard Gallery, University of Southampton..

Campbell, David (2003) White Cube / Light Cube. In: White Cube - Artemis Potamianou. Ghikas Gallery, Hellenic American Union, Athens, Greece.

Campbell, David, Cuddon, Katie, Dobnig, Dorina Sylvia, Dougan, Brian, Golding, Johnny, Johansson, Kathrine Elizabeth Lorena, Ion, Meyer, Smith Oliver, Jo, Opsahl, Trine and Walker, Brendan (2013) Healing. In: Human Silver Halo Seats of the Muses. eatingapples, London. ISBN 9780957560406

Campbell, David and Durden, Mark (2006) Artists Projects: Common Culture. Pavilion (8). pp. 106-113. ISSN 1841-7337

Campbell, David and Durden, Mark (2019) ‘Beautiful World, Where Are You?’ The Tenth Liverpool Biennial, July 14–October 28 2018. Visual Culture in Britain, 20 (1). pp. 94-97. ISSN 1471-4787

Campbell, David and Durden, Mark (2006) Common Culture - Bouncers. Pavilion 8 Magazine, 8. pp. 106-109. ISSN 1841-7337

Campbell, David and Durden, Mark (2013) Common Culture on Film. In: Common Culture on Film, 21 November 2013 (6.30 - 8.00pm), New Art Exchange 39-41 Gregory Boulevard Nottingham NG7 6BE.

Campbell, David and Durden, Mark (2004) Dancing to the music of the till— John Goto’s Ukadia. PARACHUTE, June (2004).

Campbell, David and Durden, Mark (2016) Double Act: Art & Comedy, (MAC, Belfast). [Show/Exhibition]

Campbell, David and Durden, Mark (2016) Double Act: Art and Comedy. Bluecoat, Liverpool, UK. ISBN 9780953899654

Campbell, David and Durden, Mark (2012) Double Act: Art and Comedy – Bluecoat, Liverpool. [Show/Exhibition]

Campbell, David and Durden, Mark (2015) Jason Rhodes / Deviant Paths -The fetishism of Commodities and the Secret thereof. In: BxNU Symposium: Jason Rhodes / Deviant Paths, 21 April 2015, Baltic Centre For ContemporaryArt, Gateshead.

Campbell, David and Durden, Mark (2015) On the Use of Comedy in Art as a Form of Social Critique. In: Politics and Humour: Theory and Practice, 16th - 17th January 2015., The University of Kent.

Campbell, David and Durden, Mark (2006) VIDEOTASTIC. [Show/Exhibition]

Campbell, David and Durden, Mark (2008) Variable Capital. [Show/Exhibition]

Campbell, David and Durden, Mark (2008) Variable Capital. Liverpool University Press / University of Chicago Press, Liverpool / Chicago. ISBN 9781846311260

Campbell, David and Durden, Mark (2006) Video Weekend Nonstop. [Show/Exhibition]

Campbell, David and Durden, Mark (2006) "WALK ON” - A Liverpool exhibition for the 6th Shanghai Biennale. [Show/Exhibition]

Campbell, David and Durden, Mark (2005) ‘identity_factories'. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2017) 'Artists Tips (number 10) included in the exhibition 'Public View'. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2010) Bad Faith. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2008) Binge. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2009) Book Launch (2006). [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2008) Comic Battle. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2016) Common Culture Cabaret. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2012) Common Culture’s Tips For Artists in “Now I Gotta Reason”. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2010) Exhibition of 'Private Dance' in "In View". [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2011) The FACE: evolution of the portrait in photography. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2013) The Future of Art: peripheries use value and social change. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2009) Grin & Bear It: Cruel humour in art and life. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2016) I Can’t Go On, I’ll Go On, 'I Can’t Go On, I’ll Go On. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2011) Manifesta 8 Flashback. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2011) The New El Dorado - Common Culture. Endlos Umstritten, Ewig Schon. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2010) The New El Dorado commissioned by the Manifesta Foundation for Manifesta 8, The 8th edition of Manifesta, the European Biennial of Contemporary Art, Murcia and Cartagena, Spain. Opening date 02-10-2010
 Closing date 09-01-2011. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2010) The New El Dorado. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2010) The New El Dorado. Prefix Photo, 22. ISSN 1492-4137

Campbell, David, Durden, Mark and Brown, Ian (2013) Not Necessarily In The Right Order, An Exhibition by Common Culture. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2014) PIGDOGANDMONKEYFESTOS. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2006) Pop Trauma: Common Culture. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2010) Private Dance - Common Culture. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2012) Public Domain. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2015) Public Domain - Binge. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2013) Tips for Artists by Common Culture. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2015) Transit. [Show/Exhibition]

Campbell, David, Durden, Mark, Brown, Ian and Kidd, Melanie (2013) Common Culture in Conversation. In: COMMON CULTURE IN CONVERSATION at New Art Exchange, Nottingham., 26 September 2013, New Art Exchange, Nottingham.

Campbell, David, Durden, Mark, Brown, Ian and Pooke, Grant (2013) Critical Cultures Re-envisioned: The British Photography, Film & Installation Collective Common Culture Interviewed by Grant Pooke. Take On Art - Photography, III (12). pp. 52-55.

Campbell, David, Durden, Mark, Brown, Ian, Pooke, Grant and Kidd, Melanie (2013) Not Necessarily in the Right Order: Common Culture. New Art Exchange, Nottingham, UK. ISBN 978-0956025333

Campbell, David, Durden, Mark and Rowley, Alison (2006) Pop Trauma. Void Gallery, Derry, Northern Ireland. ISBN 978-0955176319

Campbell, David, Durden, Mark and Smith (USW), Andy (2012) Verbatim Theatre and Common Culture, European Centre for Photographic Research, University of Wales, Newport. In: Verbatim Theatre and Common Culture, April 25th 2012, European Centre for Photographic Research, University of Wales, Newport.

Carpenter, Laurel Jay (2021) This is she: tracing potentials of the alterself experience in durational visual art performance. Doctoral thesis, Northumbria University.

Chaplin, Tracey, Clark, Robin and Singer, Brian (2014) Early 20th C Russian painting? Raman identification of modern pigments on a pastel supposedly Painted by the renowned artist Natalia Goncharova. Journal of Raman Spectroscopy, 45 (11-12). pp. 1322-1325. ISSN 0377-0486

Cheang, Sarah and Kramer, Elizabeth (2021) Global Connections and Fashion Histories: East Asian Embroidered Garments. In: Rethinking Fashion Globalization. Bloomsbury, London, pp. 37-66. ISBN 9781350180062, 9781350180055, 9781350181304, 9781350180079

Chille, Chiara (2021) Er:YAG laser interactions with natural and synthetic varnishes for paintings. Doctoral thesis, Northumbria University.

Chillè, Chiara, Papadakis, Vassilis M. and Theodorakopoulos, Charis (2020) An analytical evaluation of Er:YAG laser cleaning tests on a nineteenth century varnished painting. Microchemical Journal, 158. p. 105086. ISSN 0026-265X

Clarke, Rachel E., Briggs, Jo, Light, Ann, Heitlinger, Sara and Crivellaro, Clara (2014) Socially Engaged Arts Practice in HCI. In: Proceedings of CHI '14 Extended Abstracts on Human Factors in Computing Systems. Association for Computing Machinery, New York, pp. 69-74. ISBN 978-1450324748

Clarke, Rachel E., Briggs, Jo, Light, Ann and Wright, Peter (2016) Situated Encounters with Socially Engaged Art in Community-Based Design. In: DIS '16: Proceedings of the 2016 ACM Conference on Designing Interactive Systems. Association for Computing Machinery, New York, pp. 521-532. ISBN 9781450340311

Coburn, Ann, MacPherson, Fiona and Pavey, Liz (2014) Get Up and Tie Your Fingers (2014 tour). [Performance]

Colbourne, Jane (2011) A critical survey of the materials and techniques of Charles Henry Sims RA (1873-1928) with special reference to egg tempera media and works of art on paper. Doctoral thesis, Northumbria University.

Colbourne, Jane and Hori, Manami (2015) Modern machine–made washi and the implications for contemporary conservation practice. In: Adapt & Evolve 2015: East Asian Materials and Techniques in Western Conservation, 8th - 10th April 2015, London, UK.

Colbourne, Jane and Singer, Brian (2009) The removal of natural resin varnishes from hand-coloured oil printed media. In: Research in book and paper conservation in Europe : a state of the art. Verlag Berger Horn, Vienna. ISBN 978-3850284905

Collard, Helen (2019) Finding prāṇa: digital and performative experiments in search of a technology of the self. Doctoral thesis, Northumbria University.

Craddock, Kate (2011) Action Relay: mouth to mouth/Kate Craddock. [Performance]

Craddock, Kate (2011) Wish you were here. [Performance]

Crawshaw, Julie (2020) Artist-led building: farming organic knowing. Journal of Visual Art Practice, 19 (4). pp. 310-327. ISSN 1470-2029

Crawshaw, Julie (2018) Drawn Together: Stories of Holy Island. In: Visual Culture and the Northern British Archipelago: Imagining Islands. Taylor & Francis, New York. ISBN 9781351187701

Crawshaw, Julie (2016) Getting to know the island: Artistic experiments in rural community development. Journal of Rural Studies, 43. pp. 134-144. ISSN 0743-0167

Crawshaw, Julie (2018) Island Making: Planning artistic collaboration. Landscape Research, 43 (2). pp. 211-221. ISSN 0142-6397

Crawshaw, Julie (2015) Working Together: Tracing the Making of Public Art as Part of Regeneration Practice. Anthropological Journal of European Cultures, 24 (2). pp. 76-96. ISSN 1755-2923

Crawshaw, Julie, Rowe, Frances and Hudson, Martyn (2015) Translations in Practice: The multiple roles of the researcher in arts-based knowledge exchange. Journal of Arts & Communities, 7 (1-2). pp. 101-115. ISSN 1757-1936

Crisp, Fiona (2011) 3° of Separation – Site and Context [essay contribution]. In: 3° of Separation – Site and Context, May 2011, Gateshead, UK.

Crisp, Fiona (2011) Aide Memoire. Unfinished Business at Wallington (National Trust). [Show/Exhibition]

Crisp, Fiona (2010) Architectural Fictions. [Show/Exhibition]

Crisp, Fiona (2008) Back to the future. [Show/Exhibition]

Crisp, Fiona (2008) Essay and interview. In: The Berwick Gymnasium Fellowships: an archival record. English Heritage & Art Editions North, London, UK, pp. 62-64. ISBN 978-0955747816

Crisp, Fiona (2010) Extra-ordinary: alternative perspectives of the everyday. [Show/Exhibition]

Crisp, Fiona (2009) Hyper passive. Matt's Gallery. ISBN 9780907623656

Crisp, Fiona (2013) Looking at the View. [Show/Exhibition]

Crisp, Fiona (2020) Material Sight: A Sensorium for Fundamental Physics. Artnodes (25). ISSN 1695-5951

Crisp, Fiona (2013) 'Negative Capability' at 'Extraordinary Renditions:The Cultural Negotiation of Science' symposium. In: Extraordinary Renditions: The Cultural Negotiation of Science, 9th September 2013, BALTIC Centre for Contemporary Art.

Crisp, Fiona (2015) Negative Capability: Imaging and Imagining Fundamental Science Through Productive Doubt. GeoHumanities, 1 (1). pp. 188-197. ISSN 2373-566X

Crisp, Fiona (2012) Negative Capability: The Stourhead Cycle. [Show/Exhibition]

Crisp, Fiona (2003) Santa Maria. [Show/Exhibition]

Crisp, Fiona (2006) Stourhead series. [Show/Exhibition]

Crisp, Fiona (2009) Subterrania : Solo tour. [Show/Exhibition]

Crisp, Fiona (2016) The Work of Fiona Crisp. This is Tomorrow.

Crisp, Fiona (2006) You shall know our velocity. [Show/Exhibition]

Crisp, Fiona, Danby, Charles, Hughes, Allan, Jackson, Mark, McCrea, Ronan, O'Sullivan, Tom and Tatham, Joanne (2015) Das Traüman. [Show/Exhibition]

Crisp, Fiona, Danby, Charles, Hughes, Allan, Jackson, Mark, McCrea, Ronan, O'Sullivan, Tom and Tatham, Joanne (2015) In Conversation. In: Artists’ Books: Collaborations, 20th March 2015, London, UK.

Crisp, Fiona, Danby, Charles, Hughes, Allan, Jackson, Mark, McCrea, Ronan, O'Sullivan, Tom and Tatham, Joanne (2015) NEUSCHLOSS. [Show/Exhibition]

Crisp, Fiona, Danby, Charles, Hughes, Allan, Jackson, Mark, McCrea, Ronan, O'Sullivan, Tom and Tatham, Joanne (2015) The Place of Dead Rhoades. IMT Press, London. ISBN 9780955144974

Crisp, Fiona, Danby, Charles, Hughes, Allan, Jackson, Mark, McCrea, Ronan, O'Sullivan, Tom and Tatham, Joanne (2015) The University Gallery. In: sluice 2015, 16th - 18th October 2015, London, UK.

Crisp, Fiona, Danby, Charles, Hughes, Allan, Jackson, Mark, McCrea, Ronan, O'Sullivan, Tom and Tatham, Joanne (2014) Various pieces. [Show/Exhibition]

Crisp, Fiona, Fulton, Hamish and Prouvost, Laure (2016) -Scape: Constructing Nature. [Show/Exhibition]

Cull, Laura (2011) Attention Training Immanence and ontological participation in Kaprow, Deleuze and Bergson. Performance Research, 16 (4). pp. 80-91. ISSN 1352-8165

Cull, Laura (2009) Taking part in it all. In: Performance now and then: Gallery North northumbria University. Northumbria University, Newcastle-upon-Tyne, pp. 15-19. ISBN 978-0956120656

Cull, Laura and Gritzner, Karoline (2011) Editorial. Performance Research, 16 (4). pp. 1-6. ISSN 1352-8165

Cwiertnia, Elke (2014) Using analytical techniques for the study and authentication of works of art attributed to Francis bacon (1909-1992). Doctoral thesis, Northumbria University.

D

Danby, Charles (2011) Epilogues: It Started With A Car Crash. [Show/Exhibition]

Danby, Charles (2010) Grand National: Art from Britain. [Show/Exhibition]

Danby, Charles (2010) Michelle McKeown. In: The Drowning World: Dan Davis, Michelle McKeown, Terry Shave. AirSpace Publications, Stoke on Trent, pp. 6-11. ISBN 987-0956145734

Danby, Charles (2014) White Lies - Estelle Thompson. [Show/Exhibition]

Danby, Charles and Birch, Rebecca (2009) LANSKIP: language under construction. [Show/Exhibition]

Danby, Charles, Lee, Joanne and de Boever, Arne (2010) The Drowning World: Dan Davis, Michelle McKeown, Terry Shave. AirSpace Publications, Stoke on Trent. ISBN 9780956145734

Danby, Charles and Smith, Rob (2016) Limelight Apparatus. [Artefact]

Danby, Charles and Smith, Rob (2016) Limelight: Cardiff Contemporary & Llangattock Lime Kiln. [Show/Exhibition]

Danby, Charles and Smith, Rob (2016) Limelight: Polyspace, The NewBridge Project. [Show/Exhibition]

Danby, Charles and Smith, Rob (2017) Limestone Microphone Apparatus. [Artefact]

Danby, Charles and Smith, Rob (2017) Limestone Player Apparatus. [Artefact]

Danby, Charles and Smith, Rob (2016) Limestone/Hum/Server Apparatus. [Artefact]

Danby, Charles and Smith, Rob (2016) Parallel Cipher. [Show/Exhibition]

Danby, Charles and Smith, Rob (2014) The Quarry. In: Revisiting the Quarry: Excavation, Legacy, Return. Approaches to the histories and sites of Land Art, 15 May 2014, Yorkshire Sculpture Park. (Unpublished)

Davis, Joshua, Benforado, Adam, Esrock, Ellen, Turner, Alasdair, Dalton, Ruth, van Noorden, Leon and Leman, Marc (2012) Four applications of embodied cognition. Topics in Cognitive Science, 4 (4). pp. 786-793. ISSN 1756-8757

Dawson, Jane (2016) Visceral and Behavioural Responses to Modern Art: Influence of Expertise, Type of Art and Context. Doctoral thesis, Northumbria University.

Dolan, Paul (2018) In Silico: A practice-based exploration of computer simulations in art. Doctoral thesis, Northumbria University.

Dolan, Paul (2017) Records and Wireframes: NEON Festival, CentreSpace, Dundee Contemporary Arts, Dundee. [Show/Exhibition]

Donkin, Hazel, Hudson, Martyn and Arnold, Lily (2019) TESTT: Experimenting, Inspiring, Changing. Durham University, online.

Dorsett, Chris (2002) Arts and healthcare : undercurrents and H'exhibitions. [Show/Exhibition]

Dorsett, Chris (2013) At a moment’s notice: according to the pleasure of the holder: the semiotics of paper. In: DeSForM 2013, 22-25 September 2013, Jiangnan University, Wuxi, China..

Dorsett, Chris (2010) Audience-free practices and the art school panopticon. In: Art Schools: Inventions, Invective and Radical Possibilities, 11-12 June 2010, UCL Art Collections, University College London. (Unpublished)

Dorsett, Chris (2013) Becoming an artist-in-residence: the ‘mobilities’ of Christopher Jones. In: Unmonumental. Northern Print, Newcastle Upon Tyne, pp. 3-9.

Dorsett, Chris (2011) Cast Contemporaries: sculptural presence and plaster casts in art schools. In: The Cast Conference, 31st August - 2nd September 2011, Edinburgh College of Art, University of Edinburgh. (Unpublished)

Dorsett, Chris (2014) Commute-Converse 1: curated conversations on Northern Rail commuter trains. [Show/Exhibition]

Dorsett, Chris (2007) Exhibitions and their prerequisites. In: Issues in Curating Contemporary Art and Performance. Intellect, Bristol, pp. 77-87. ISBN 978-1841501628

Dorsett, Chris (2004) Front and Back of House: an artist-curator engages with botanical fieldwork. In: Curatorial Strategy as Critical Intervention - One day symposium, 25 November 2004, Kent Institute of Art and Design, Canterbury. (Unpublished)

Dorsett, Chris (2007) Glimpsing the archive. In: Per-forming the Archive: Consensus Contention, 22-23 June 2007, University of Ulster.

Dorsett, Chris (2010) Making meaning beyond display. In: Museum materialities: objects, engagements, interpretations. Routledge, London, pp. 241-259. ISBN 978-0415492188

Dorsett, Chris (2014) Museum stores, genetic junk, experimental art – conversations on a train. In: ASA14 Decennial: Anthropology and Enlightenment, 19-22 June 2014, University of Edinburgh.

Dorsett, Chris (2014) Negotiating the Icebox: cold collections, dark museums and contemporary art. In: Art Out of Time, 26-27 June, 2014, Institute of Visual Research, University of Oxford..

Dorsett, Chris (2008) Objects, knowledge and practice-led research. In: International Material Worlds conference, 15-17 December 2008, University of Leicester.

Dorsett, Chris (2017) On waking up, say a spell backwards. UNSPECIFIED.

Dorsett, Chris (2012) Safe houses on enchanted ground. In: Sian Bowen and Nova Zembla: Suspending the Ephemeral. RGAP (Research Group for Artists Publications), Derby, pp. 107-113. ISBN 978-0956902405

Dorsett, Chris (2011) Semiotic Uncertainty and Resonant Presence. In: Transformations in Art and Culture: Culture and the Market, 26th May 2011, Scheltema Complex, University of Leiden. (Unpublished)

Dorsett, Chris (2015) Stilling the flow of signs: creative action and the discontinuity of the museum archive. In: Semiotics and Hermeneutics of the Everyday. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 176-192. ISBN 9781443871921

Dorsett, Chris (2015) Studio Ruins: narrating “unfinishedness”. In: Material Culture in Action: Practices of making, collecting and re-enacting art and design, 7 - 8 September 2015, The Glasgow School of Art.

Dorsett, Chris (2012) Synaesthetic Presences: new sights from old sound objects. In: Making Sound Objects: Cultures of hearing, Creating and Circulation, British Forum for Ethnomusicology Conference, 24 November 2012, Pitt Rivers Museum, Oxford..

Dorsett, Chris (2012) Things and theories: the unstable presence of exhibited objects. In: The Thing About Museums: objects and experience, representation and contestation. Routledge, London, pp. 100-116. ISBN 978-0-415-67904-6

Dorsett, Chris (2004) Trees walking. [Show/Exhibition]

Dorsett, Chris (2016) The pleasure of the holder: media art, museum collections and paper money. International Journal of Arts and Technology, 9 (2). pp. 173-186. ISSN 1754-8853

Dorsett, Chris (2015) singlesingles. [Show/Exhibition]

Dorsett, Chris, Borland, Christine and Crisp, Fiona (2013) Extraordinary Renditions: the cultural negotiation of science. [Show/Exhibition]

Dorsett, Chris and Bourgignon, Annick (2002) Creativity: can artistic perspectives contribute to management? In: 9th EIASM Workshop on Managerial and Organisational Cognition, 12-14 June 2002, Brussels.

Dorsett, Chris and Bowen, Sian (2015) Paper, table, wall & after. [Show/Exhibition]

Dorsett, Chris and Gee, Malcolm (2010) Delay: delayed by illness. [Show/Exhibition]

Dorsett, Chris and Goda, Sachiyo (2011) Stilling the flow of signs: creative action and the discontinuity of the museum archive. In: Royal Geographic Society-IBG Annual International: Exhibitionary Geographies and the Post-Museum, 31st August - 2nd September 2011, Royal Geographic Society, London. (Unpublished)

Dorsett, Chris and Goda, Sachiyo (2010) Stilling the flow of signs: creative action and the discontinuity of the museum archive. In: Colloque le Quotidien -The Everyday Conference, 5 - 7 November 2010, University of Cyprus. (Unpublished)

Dorsett, Chris, Kolaiti, Christina, Longstaff, Brenda, Tsuchiya, Ikuko and Welfare, Mark (2012) Contemporary healthcare through the lens of the photographic arts. In: 2012 Combined Royal Colleges Medal Lecture, 22 November 2012, Royal College of Physicians, London.

Dorsett, Chris and Longstaff, Brenda (2007) Hospital Practices, Art School Research. In: Critical Connections Summit: Through the Looking Glass: Investigating perspectives on arts and health, 30 November 2007, Carriageworks Theatre, Leeds.

Dorsett, Chris and Mulvihill, Michael (2011) Cloud Chamber. [Show/Exhibition]

Dorsett, Chris and Nair, Janaki (2015) Revisiting Tantra: a contemporary British and Indian response to the “seductiveness” of Tantric museum objects. In: 2nd International Conference & Exhibition on Semiotics and Visual Communication, 2nd - 4th October 2015, Cyprus University of Technology, Lemesos, Cyprus.

Dorsett, Chris and Stewart, Margaret (2012) Cast Contemporaries: artists respond to the completion of the Cast Collection Project at Edinburgh College of Art. [Show/Exhibition]

Durden, Mark and Campbell, David (2008) Richard Prince: Armchair Romanticism. Photoworks, 10. pp. 18-21. ISSN 1742-1659

Dye, David (2007) Alumni : St Martin's College of Art. [Show/Exhibition]

Dye, David (2010) Backwards into the Future : an exploration into revisiting , representing and rewriting art of the late 1960s and early 1970s. Doctoral thesis, Northumbria University.

Dye, David (2001) Live in your head : concept and experiment in Britain, 1965-75. [Show/Exhibition]

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Eakins, John, Brown, Jean, Riley, Jon and Mulholland, Richard (2001) Evaluating a Shape Retrieval System for Watermark Images. In: Digital Art History - A Subject in Transition: Opportunities and Problems, 27-28 November 2001, British Academy.

Eakins, John, Brown, Jean, Riley, Jon and Mulholland, Richard (2002) Evaluating a Shape Retrieval System for Watermark Images. CHArt Conference Proceedings. ISSN 1473-2157

Ebert, Bettina, Singer, Brian and Grimaldi, Nicky (2012) Aquazol as a consolidant for matte paint on Vietnamese paintings. Journal of the Institute of Conservation, 35 (1). pp. 62-76. ISSN 1945-5224

Egan, Kate (2017) The criterion collection, cult-art films and Japanese horror: DVD labels as transnational mediators? Transnational Cinemas, 8 (1). pp. 65-79. ISSN 2040-3526

Elliott, Sandra M. (2020) In his nature to be so: holiness in the life of Saint Aldhelm included in middle English versions of the Legenda Aurea. Doctoral thesis, Northumbria University.

Else, Jane, Ellis, Jason and Orme, Elizabeth (2015) Art expertise modulates the emotional response to modern art, especially abstract: An ERP investigation. Frontiers in Human Neuroscience, 9 (525). ISSN 1662-5161

Estaban, Marta, Friend, Lindsay and Jackson, Mark (2017) you were high when I was doomed. [Show/Exhibition]

Evans, Chris (2018) Spastic Logic: Artwork as intervention in social relationships, formed in retrograde through writing. Doctoral thesis, Northumbria University.

Evans, Nicholas Francis (2020) Remodelling the vital image: negotiating between Herbert Read’s vitalist aesthetics and contemporary sculpture’s vital materialism. Doctoral thesis, Northumbria University.

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Fay, Brian (2014) States of transience in drawing practices and the conservation of muserum artworks. Doctoral thesis, Northumbria University.

Feliz-Oliver, Laura and Colbourne, Jane (2016) El blanqueo solar aplicado a la restauración del documento gráfico (solar bleaching applied to the restoration of graphical documents). In: Conservación de Arte Contemporáneo. 17ª Jornada. Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain, pp. 141-151. ISBN 9788480265447

Fisher, Elizabeth (2019) Andrea Gregson: Seeing Through the Ground. Arts Council England.

Fisher, Elizabeth (2021) Ethics into Aesthetics: Gustav Metzger and the Question of Beauty. In: Becoming Gustav Metzger: the early years: 1945-1960. Ben Uri Research Unit, London. ISBN 9789900157707

Fisher, Elizabeth (2021) Kurt Schwitters and the Lake District. Echtrai, Pilot. pp. 94-97. ISSN 2754-0472

Fisher, Elizabeth (2020) What can Kurt Schwitters tell us about the Lake District? What can the Lake District tell us about Kurt Schwitters? Journal of the Kurt Schwitters Society (8). pp. 21-33. ISSN 2047-1971

Freese, Silvia, Diraoui, Samar, Mateescu, Anca, Frank, Petra, Theodorakopoulos, Charis and Jonas, Ulrich (2019) Polyolefin-Supported Hydrogels for Selective Cleaning Treatments of Paintings. Gels, 6 (1). p. 1. ISSN 2310-2861

Frost, Alex (2020) Gh0stSpace: living and working through an ideology of privatisation. Doctoral thesis, Northumbria University.

Fusco, Maria (2014) Glasgow International 2014. Frieze (164). ISSN 0962-0672

Fusco, Maria (2009) The Incunabulum and the Plastic Bag. In: A Manual for the 21st Century Art Institution. Walther Koenig Books. ISBN 9783865606181

Fusco, Maria (2019) La Caixa Collection of Contemporary Art - curated exhibition. [Show/Exhibition]

Fusco, Maria (2016) Med A Bao A Qu en läsning av When Attitudes Become Form. Kritiker.

Fusco, Maria (2019) Nine Qwerty Bells: Fiction for Live Voice. Whitechapel Gallery, London, London & Barcelona. ISBN 9780854882748

Fusco, Maria (2015) Thirty-five Hundred Years of Consecrated Objects. In: The Persistence of Objects. The Common Guild. ISBN 9780955122491

Fusco, Maria (2013) With A Bao A Qu: Reading When Attitudes Become Form. New Documents. ISBN 9781927354148

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Galatis, Panagiotis, Boyatzis, Stamatis and Theodorakopoulos, Charis (2012) Removal of a synthetic soiling mixture on mastic, shellac & Laropal® K80 coatings using two hydrogels. e-Preservation Science, 9. pp. 72-83. ISSN 1854-3928

Gameson, Richard, Nicholson, Kate and Beeby, Andrew (2020) The Admiral, the Virgin, and the Spectrometer: Observations on the Coëtivy Hours (Dublin, Chester Beatty Library, MS W082). Gesta, 59 (2). pp. 203-231. ISSN 0016-920X

Garratt, Peter (2009) Ruskin's modern painters and the visual language of reality. Journal of Victorian Culture, 14 (1). pp. 53-71. ISSN 1355-5502

Geary, Angela (2008) Marking the terrain. [Show/Exhibition]

Geary, Angela (2008) Summer Exhibition. [Show/Exhibition]

Geary, Angela (2009) Turbiner 21- Celeste international prize for contemporary arts finalists exhibition. [Show/Exhibition]

Geary, Angela (2008) United artists fair. [Show/Exhibition]

Geary, Angela (2008) The new year exhibition. [Show/Exhibition]

Geary, Angela and Howe, Emily (2009) Three-dimensional documentation and virtual restoration of the Lichfield Angel. Journal of the Institute of Conservation, 32 (2). pp. 165-179. ISSN 1945-5224

Gee, Malcolm (2012) Contemporary Art in Boom and Crisis. France and Germany 1918-1933. In: The Challenge of the Object/Die Herausforderung des Objekts: 33rd Congress of the International Committee of the History of Art Congress proceedings. German National Museum, Nurenberg, pp. 712-713. ISBN 9783936688658

Gee, Malcolm (2011) Defining the modern art collector in the Weimar years. In: Geschmacksgeschichte(n): öffentliches und privates Kunstsammeln in Deutschland 1871-1933. Ludwig, Kiel, pp. 115-130. ISBN 9783869351339

Gee, Malcolm (2008) Heinrich Zille and the politics of caricature in Germany 1903-1929. Etudes Balkaniques, 44 (4). pp. 107-129. ISSN 0324-1645

Gee, Malcolm (2014) The Rise of the Modern Art Market in London, 1850–1939, Fletcher, Pamela & Helmreich, Anne (eds) [Book review]. Visual Culture in Britain, 15 (1). pp. 126-128. ISSN 1471-4787

Gee, Malcolm (2013) Rome as the Enemy: Anti-clerical themes in the work of the Surrealists. In: Southern Horrors. Northern Visions of the Mediterranean World. Cambridge Scholars Publishing, Newcastle upon Tyne, p. 27. ISBN 1-4438-5030-6

Gee, Malcolm (2012) Vicky the Britisher. Visual Culture in Britain, 13 (2). pp. 191-206. ISSN 1471-4787

Gibson, Stephen (2012) Dadaist Game Art: The Digital Ready-Made and Absurdist Appropriation. Media-N: Journal of the New Media Caucus, 8 (2). pp. 49-56. ISSN 1942-017X

Gibson, Stephen (2017) Repurposed Interface, Repurposed Medium, Repurposed Content. Proceedings of the 3rd Biennial Research Through Design Conference. pp. 535-551.

Gibson, Stephen (2011) Simulating Synaesthesia in Real-time Performance: Using Subjective User-Interaction Models in 3D Spatial Environments. In: ISEA 2011 Istanbul, 14-21 September 2011, Istanbul.

Gibson, Stephen (2011) Subjective User-Interaction Models in 3D Spatial Environments: Virtual DJ and Virtual VJ. In: CHI 2011 (ACM Conference on Human Factors in Computing Systems), 7-8 May 2011, Vancouver, Canada.

Gibson, Stephen and Love, Justin (2011) Advanced Media Control Through Drawing: Using a graphics tablet to control complex audio and video data in a live context. In: ISEA 2011 Istanbul, 14-21 September 2011, Istanbul.

Gibson, Stephen, Love, Justin and Olson, Jim (2017) Grand Theft Bicycle. [Show/Exhibition]

Gibson, Stephen, Müller Arisona, Stefan and Adams, Randy (2008) Transdisciplinary Digital Art: Sound, Vision and the New Screen. Communications in Computer and Information Science, 7 . Springer, London. ISBN 9783540794859

Gibson, Steve (2021) Being Formal Without Being a Formalist. Leonardo, 54 (6). pp. 625-630. ISSN 0024-094X

Gkartzios, Menelaos and Crawshaw, Julie (2019) Researching Rural Housing: with an Artist in Residence. Sociologia Ruralis, 59 (4). pp. 589-611. ISSN 0038-0199

Glover, Catherine (2023) Fashion storytelling through Dress and Lego Mini-Figures: Mary, Queen of Scots. In: Fashion Heritage: Narrative and knowledge creation. Palgrave Macmillan, Cham, Switzerland, pp. 25-53. ISBN 9783031068850, 9783031068867

Goda, Sachiyo (2011) An investigation into the Japanese Notion of 'Ma': Practising Sculpture within Space-Time Dialogues. Doctoral thesis, Northumbria University.

Goeing, Anja-Silvia (1996) Masaccio? Die Zuschreibung des Triptychons von San Giovenale. Studien zur Kunstgeschichte, 102 . Olms, Hildesheim. ISBN 978-3487102351

Golding, Mike (2008) Impostures. [Show/Exhibition]

Golding, Mike (2009) In the woods. [Show/Exhibition]

Goodfellow, Paul (2018) Art as a Distributed Ecosystem: mapping the limits of systems-based art. Doctoral thesis, Northumbria University.

Goodfellow, Paul (2012) BLEED & BLEND. [Show/Exhibition]

Goodfellow, Paul (2013) DIGITAL SENSATION. [Show/Exhibition]

Goodfellow, Paul (2014) Drawing in the Multiverse. In: Realtime Visuals (RTV) Conference, 24-25 January, 2014, Northumbria University; Tyneside Cinema; Culture Lab, Newcastle University.

Goodfellow, Paul (2019) Eerie Systems and Saudade for a Lost Nature. Arts, 8 (4). p. 124. ISSN 2076-0752

Goodfellow, Paul (2012) FABLED EYE ACCOMMODATES REVELATION. [Artefact]

Goodfellow, Paul (2011) FEAR [Free Experimentation Aids Revelation]. [Show/Exhibition]

Goodfellow, Paul (2014) LIFE/FORMS. [Artefact]

Goodfellow, Paul (2014) A Machine Aesthetic. [Show/Exhibition]

Goodfellow, Paul (2014) Mapping art to systems thinking. Journal of Professional Communication, 3 (2). pp. 103-123. ISSN 1920-6852

Goodfellow, Paul (2014) Painting the Pixel. [Show/Exhibition]

Goodfellow, Paul (2014) Presencing Place. [Show/Exhibition]

Goodfellow, Paul (2019) Reframing the Horizon within the Algorithmic Landscape of Northern Britain. Arts, 8 (3). ISSN 2076-0752

Goodfellow, Paul (2014) Remote Sensing, Installation. [Show/Exhibition]

Goodfellow, Paul (2013) Senefelderplatz to Kino Babylon via Rosa-­Luxemburg-­Platz, 2011-­ 2013. [Show/Exhibition]

Goodfellow, Paul (2011) Sly Lost Games. In: About Painting. Transition Editions, London, pp. 68-71. ISBN 9780956881403

Goodfellow, Paul (2011) Sly Lost Games Installation. [Artefact]

Goodfellow, Paul (2014) The Spectrum of Authorship. Garageland (XVI). pp. 32-33. ISSN 1749-9267

Goodfellow, Paul (2014) System Walk/System Drawing/Prenzlaur Berg/Berlin. [Show/Exhibition]

Goodfellow, Paul (2014) System Walks and Sampling Colour. In: Selected essays from the On-Walking conference. Art Editions North, Sunderland, pp. 95-109. ISBN 9781906832186

Goodfellow, Paul (2013) Terra Incognita. [Show/Exhibition]

Goodfellow, Paul (2013) The sampling of photographs and the 'Spectrum of Authorship'. In: Behind the Eyes: Making Pictures. Research Group for Artists Publications, Derby, pp. 52-55. ISBN 9780956902474

Grennan, Penny (2015) Your Trash, My Treasure: An assessment of the value of souvenirs. Doctoral thesis, Northumbria University.

Grimaldi, Nicky and Capadose, Jeremy (2011) 'Disrobing Suky': One Mistress but Two Masters? The examination of a portrait of Susanna Trevelyan. British Art Journal, 12 (3). pp. 9-19. ISSN 1467-2006

Grimaldi, Nicky, Singer, Brian and Richards, Natalie (2009) Testing limonene as a possible alternative solvent to petroleum based aromatic hydrocarbons for use in conservation. In: Going green: towards sustainability in conservation, 24 April 2009, British Museum, London, U.K..

Guégan, Xavier (2009) Samuel Bourne and Indian natives : aesthetics, exoticism and imperialism. Doctoral thesis, Northumbria University.

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Hallett, K., Roberts, Z., Julien-Lees, S. and Geary, Angela (2008) High-resolution 3D laser digitisation of the Maiano terracotta roundels for documentation and condition monitoring. In: Lasers in the conservation of artworks: Proceedings of the International Conference LACONA VII. CRC Press, Boca Raton, FL, pp. 413-418. ISBN 978-0415475969

Hamano, Toshihiro, Dollhopf, Gunter and Oshima, Hiroko (2006) The poles of civilisation. [Show/Exhibition]

Hamano, Toshihiro and Oshima, Hiroko (2007) Toshihiro Hamano : recent work. [Show/Exhibition]

Hamano, Toshihiro and Oshima, Hiroko (2005) Toshihiro Hamano : the beauty of Chugu-ji. [Show/Exhibition]

Hamano, Toshihiro and Oshima, Hiroko (2001) Zen : Toshihiro Hamano. [Show/Exhibition]

Hann, Rachel (2021) At the borders of scenography. In: Scenography and Art History: Performance Design and Visual Culture. Bloomsbury, London, xvi-xviv. ISBN 9781350204447, 9781350204461, 9781350204454

Hann, Rachel (2022) The New Meyerhold Theatre: Visualising A Lost Architectural Experiment. In: The Routledge Companion to Vsevolod Meyerhold. Routledge Companions . Taylor & Francis, London, pp. 453-470. ISBN 9780367627843, 9781003110804

Hann, Rachel (2021) Painting Scenographics. In: Silke Otto-Knapp: In the Waiting Room. The Renaissance Society at the University of Chicago, Chicago, pp. 73-79. ISBN 9780941548816

Harrington, Laura (2022) Upstream Consciousness: exploring artists’ fieldwork through geomorphing, spiralling and co-productive ecologies. Doctoral thesis, Northumbria University.

Harvey, Paul (2012) Stuckism, Punk Attitude and Fine Art Practice: Parallels and Similarities. Doctoral thesis, Northumbria University.

Helmreich, Anne and Holt, Ysanne (2010) Marketing Bohemia: the Chenil Gallery in Chelsea, 1905-1926. Oxford Art Journal, 33 (1). pp. 43-61. ISSN 0142-6540

Hepplewhite, Kay (2022) Curious About Theatre: Finding the human connection in a digital learning project collaboration with Curious Monkey Theatre Company for applied theatre university students. Research in Drama Education: The Journal of Applied Theatre and Performance, 27 (2). pp. 253-269. ISSN 1356-9783

Hipkin, Ashley (2006) Formal dining. [Show/Exhibition]

Hipkin, Ashley and Hobday, Dorian (2003) Domain field project, Antony Gormley. [Show/Exhibition]

Holmes, H. Cecilia (2005) 'A bright memory to remain' : the life and works of Charles Sims RA (1873-1928). Doctoral thesis, Northumbria University.

Holt, Ysanne (2017) The Case of F.C.B Cadell: Periodisation, Taste and Professional Identity. In: Edwardian Culture: Beyond the Garden Party. Among the Victorians and Modernists . Taylor & Francis, London, pp. 92-115. ISBN 9781138506329

Holt, Ysanne (2005) Eddie Marsh: a picture collector's 'lust for possession'. Visual Culture in Britain, 6 (2). pp. 125-137. ISSN 1471-4787

Holt, Ysanne (1998) The English landscape, modernity and the rural scene 1890-1914. Doctoral thesis, University of Northumbria at Newcastle.

Holt, Ysanne (2010) Introduction. Visual Culture in Britain, 11 (3). pp. 323-327. ISSN 1471-4787

Holt, Ysanne (2017) Islandness and Visual Culture between the Wars. In: Visual Culture in the Northern British Archipelago: Imagining Islands. Taylor & Francis. ISBN 9780815374275

Holt, Ysanne (2008) Landscapes of the 1920's. In: A continuous line : Ben Nicholson in England. Tate publishing. ISBN 978-1854377401

Holt, Ysanne (2013) New York, London, Ireland: Collector John Quinn's Transatlantic Network, c. 1900–1917. Visual Culture in Britain, 14 (1). pp. 55-67. ISSN 1471-4787

Holt, Ysanne (2019) On Watery Borders, Borderlands, and Tania Kovats’ Head to Mouth. Arts, 8 (3). p. 104. ISSN 2076-0752

Holt, Ysanne (2011) The call of commerce: The studio magazine in the 1920s. In: The rise of the modern art market in London, 1850 - 1939. Manchester University Press, Manchester, pp. 151-173. ISBN 978-0719084607

Holt, Ysanne (2011) The open air. In: Into the light : French and British painting from Impressionism to the early 1920s. Sansom and Co. Ltd, Bristol, pp. 25-35. ISBN 978-1906593773

Holt, Ysanne and Ashmore, Rupert (2020) Introduction: Layered Landscapes. Arts, 9 (1). p. 31. ISSN 2076-0752

Holt, Ysanne and Hearn, Matthew (2022) Sally Madge: Acts of reclamation and renewal between site, studio, archive and gallery. Journal of Visual Art Practice, 21 (3). pp. 259-281. ISSN 1470-2029

Holt, Ysanne, Martin-Jones, David and Jones, Owain (2017) Visual Culture in the Northern British Archipelago: Imagining Islands. Taylor & Francis. ISBN 9780815374275

Holt, Ysanne and McClanahan, Angela (2013) Northern peripheries. Visual Studies, 28 (3). pp. 203-206. ISSN 1472-586X

Hook, Jonathan, Briggs, Jo, Blythe, Mark, Walsh, Nathan and Olivier, Patrick (2013) Repentir: Digital exploration beneath the surface of an oil painting. In: CHI '13 Extended Abstracts on Human Factors in Computing Systems. Association for Computing Machinery, New York, pp. 2947-2950. ISBN 978-1-4503-1952-2

Horne, Victoria (2016) The Art of Social Reproduction. Journal of Visual Culture, 15 (2). pp. 179-202. ISSN 1470-4129

Horne, Victoria (2015) Kate Davis: re-visioning art history after modernism and postmodernism. Feminist Review, 110 (1). pp. 34-54. ISSN 0141-7789

Horne, Victoria (2018) ‘Our project is not to add to art history as we know it, but to change it.’ The establishment of the Association of Art Historians and the emergence of feminist interventions, 1974-1990. Journal of Art Historiography, 18. ISSN 2042-4752

Horne, Victoria (2020) ‘the personal clutter… the painterly mess…’ Tracing a History of Carolee Schneemann's Interior Scroll. Art History, 43 (5). pp. 984-1006. ISSN 0141-6790

Horne, Victoria, Lloyd, Kirsten, Richards, Jenny and Spencer, Catherine (2016) Taking Care: Feminist Curatorial Pasts, Presents and Futures. On Curating, 29. pp. 116-128.

Horne, Victoria and Perry, Lara (2017) Feminism and Art History Now: Radical Critiques of Theory and Practice. I.B. Tauris, London. ISBN 9781784533250

Hsieh, Su-Lien (2010) Buddhist meditation as art practice: art practice as Buddhist meditation. Doctoral thesis, Northumbria University.

Hudson, Martyn (2015) Desire Lines: Open Educational Collections, Memory and the Social Machine. Online Educational Research Journal, 6 (5).

Hudson, Martyn (2022) ‘The half I keep’: John Berger’s Booker Prize speech fifty years later. Race and Class, 64 (2). pp. 107-111. ISSN 0306-3968

Hughes, Allan (2011) After The Fall: Tulca 2011. [Show/Exhibition]

Hughes, Allan (2011) Askeaton Contemporary Arts: Welcome To The Neighbourhood. [Show/Exhibition]

Hughes, Allan (2012) Enemy Blue [solo exhibition]. [Show/Exhibition]

Hughes, Allan (2012) Interplanetary Revolution. [Show/Exhibition]

Hughes, Allan (2012) Lights, Camera, Action! [Show/Exhibition]

Hughes, Allan (2014) MAP Screen | READING IN THE DARK. MAP, http://mapmagazine.co.uk/.

Hughes, Allan (2013) Pallas Periodical Review II. [Show/Exhibition]

Hughes, Allan (2015) The Pyramids of Mars [Borderlands]. [Artefact]

Hughes, Allan (2015) The Pyramids of Mars [Seachange]. [Artefact]

Hughes, Allan (2014) The Pyramids of Mars [W I L D S C A P E S]. [Artefact]

Hughes, Allan (2012) Regressions [solo exhibition]. [Show/Exhibition]

Hughes, Allan (2015) Vanishing Futures: Collective Histories of Northern Irish Art. [Show/Exhibition]

Hughes, Allan and Jackson, Mark (2017) Blue Mountain Equals Arcturus. [Show/Exhibition]

Hughes, Allan and Jackson, Mark (2017) Blue Mountain Equals Arcturus (revisited). [Show/Exhibition]

Hughes, Angela (2012) Artists at Work. [Show/Exhibition]

Hughes, Angela (2001) Divining. [Show/Exhibition]

Hughes, Angela (2012) Gilchrist Fisher Awards - 21 Years. [Show/Exhibition]

Hughes, Angela (2012) Royal Academy Alumni Exhibition. [Show/Exhibition]

Hughes, Angela (2014) Royal Academy Alumni Exhibition. [Show/Exhibition]

Hughes, Angela (2011) Transitions. [Show/Exhibition]

Hughes, Angela (2012) Transitions. [Show/Exhibition]

Hughes, Angela (2005) Works on paper. [Show/Exhibition]

Hughes, Dean (2014) Calico Shaped works. [Artefact]

Hughes, Dean (2018) Drawing. [Artefact]

Hughes, Dean (2014) Dwelling as an approach to creative pedagogy. Art, Design & Communication in Higher Education, 13 (1). pp. 73-87. ISSN 1474-273X

Hughes, Dean (2014) Ideas in things. [Show/Exhibition]

Hughes, Dean (2014) Making knots. [Show/Exhibition]

Hughes, Dean (2015) On Being an Artist, by Michael Craig-Martin [Book review]. Visual Culture in Britain, 16 (3). pp. 352-355. ISSN 1471-4787

Hughes, Dean (2015) Teaching Allegorically. In: Roger Ackling: Between the Lines. Occasional Papers, London, pp. 231-235. ISBN 9780992903961

Hughes, Dean (2015) What function does professional practice occupy within the Fine Art curriculum in Higher Education? In: paradox - European Fine Art Forum, 09/09/2015-12-09-2015, Poznan, Poland.

Hughes, Dean (2016) The temperature of an envelope (contribution to Imprint 93). [Artefact]

Hugonin, James (2006) James Hugonin and Ian Stephenson. [Show/Exhibition]

Hugonin, James (2007) Kenneth Martin : a spare austerity. [Show/Exhibition]

Hugonin, James, Gunn, Wendy and Ingold, Tim (2005) Fieldnotes and sketchbooks : challenging the boundaries between descriptions and processes of describing. [Show/Exhibition]

Huxtable, Sally-Anne (2009) Biografías: Dante Gabriel Rossetti, Frederic Leighton, Sir John Everett Millais, William Holman Hunt, Thomas Seddon & Sir Edward Coley Burne-Jones. In: La bella durmiente : pintura victoriana del Museo de Arte de Ponce. Museo Nacional del Prado : El Viso, Madrid, pp. 58-60. ISBN 978-8495241641

Huxtable, Sally-Anne (2010) Contributions [exhibition catalogue]. In: Gustav Stickley and the American Arts & Crafts Movement. Dallas Museum of Art publications . Yale University Press. ISBN 978-0300118025

Huxtable, Sally-Anne (2011) Inside the Venusberg : Myth and the Queer Aesthetic Interior 1860-1900. In: Northumbria Research Conference, 5-6 May 2011, Northumbria University, Newcastle-upon-Tyne.

Huxtable, Sally-Anne (2011) Order and Disarray: Two Watercolours by Frederick Walker. In: Life, Legend, Landscape : Victorian drawings & watercolours. The Courtauld Gallery in association with Paul Holberton Publishing, London, pp. 32-35. ISBN 978-1907372209

Huxtable, Sally-Anne (2010) Re-reading the Green Dining Room. In: Rethinking the Interior, c.1867-1896: Aestheticism and Arts and Crafts. Ashgate, Farnham, pp. 25-40. ISBN 978-0754668176

Huxtable, Sally-Anne, Hartup, Cheryl, Aste, Richard, Birchall, Heather and Smith, Alison (2009) La bella durmiente: pintura Victoriana del Museo de Arte de Ponce [The sleeping beauty: Victorian paintings from the Museo de Arte de Ponce]. Museo Nacional del Prado : El Viso, Madrid. ISBN 9788495241641

Huxtable, Sally-Anne, Smith, Alison, Hartup, Cheryl and Birchall, Heather (2013) Museo de Arte de Ponce: The British Collection. Marquand Books, Seattle WA. ISBN 9780983020882

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Innocenti, Perla (2004) Corrado Ricci e gli Uffizi. Istituto Nazionale d' Archeologia e Storia dell'Arte. Rivista, 26 (58). pp. 323-374. ISSN 0392-5285

Innocenti, Perla (2013) Keeping the bits alive: authenticity and longevity for digital art. In: Preservation of Digital Art: Theory and Practice: The digital art conservation project. Springer, Vienna, pp. 217-230. ISBN 9783709114698

Innocenti, Perla (2001) La Pinacoteca Vaticana nella storia della museografia: dalle origini al progetto di Luca Beltrami. Accademia Clementina. Atti e Memorie, 40. pp. 95-184. ISSN 0394-7157

Innocenti, Perla (2015) Migrating Heritage: Cultural Dialogue, Identity and Citizenship in Europe. Acta Museologica Lithuanica, 2. pp. 9-40. ISSN 2352-5112

Innocenti, Perla (2017) Museums and migrations in a changing Europe / Museés et migrations dans une Europe en mouvement. In: Museé National de l’Histoire de l’Immigration – Les Assise de Réseau, Atelier L’histoire des migrations depuis l’étranger, 13 October 2017, Paris.

Innocenti, Perla (2012) Rethinking authenticity in digital art preservation. In: iPRES 2012 – 9th International Conference on Preservation of Digital Objects, 1-5 Oct 2012, University of Toronto Faculty of Information, Toronto, Canada.

Innocenti, Perla (2016) Shall we connect? Cultural networks, intercultural dialogue and Jewish museums in a changing Europe. In: Association of European Jewish Museums (AEJM) Annual Conference 2016. Staying Relevant – Future Audiences of Jewish Museums in a Changing Europe, 19th -22th November 2016, Copenaghen.

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Jackson, Mark (2014) Alternative 23. [Show/Exhibition]

Jackson, Mark (2018) Cześć, Pani Ciarska. [Show/Exhibition]

Jackson, Mark (2018) Dialogues 2018. [Show/Exhibition]

Jackson, Mark (2016) Feeling Safer. [Show/Exhibition]

Jackson, Mark (2016) Feeling Safer: Bugging Out. [Show/Exhibition]

Jackson, Mark (2017) Rolling Thunder. In: Orangerie Bei Nacht. Newcastle upon Tyne, Backnang, pp. 6-24. ISBN 9783981358995

Jackson, Mark (2014) This is a game called ‘Hello, hello, here is X.X.’. [Artefact]

Jackson, Mark and Davies, Daniel (2016) A Bad Policeman is Always Busy. [Show/Exhibition]

Jackson, Mark, Friend, Lindsay, Kjær Skau, Lotte Rose, McCreadie, Luke, Moser-Clark, Matt, Roberts, Maggie, Seitz, Dallas and Shrigley, Gordon (2016) IMT Gallery at Manchester Contemporary 2016. [Show/Exhibition]

Jackson, Mark and Schrat, Henrik (2017) Orangerie Bei Nacht. Newcastle upon Tyne, Backnang. ISBN 9783981358995

Jarvis, Mike (2007) Articulating the tacit dimension in artmaking. Journal of Visual Arts Practice, 6 (3). pp. 201-214. ISSN 1470-2029

Jarvis, Mike (2014) Finding a space for art. International Journal of Education Through Art, 10 (1). pp. 85-98. ISSN 17435234

Jarvis, Mike (2012) Michael Jarvis - solo show. [Show/Exhibition]

Jarvis, Mike (2011) What Teachers Can Learn from the Practice of Artists. International Journal of Art & Design Education, 30 (2). pp. 307-317. ISSN 1476-8062

Jeffries, Mike, Messer, Sebastian and Swords, Jon (2016) en_counter. [Show/Exhibition]

Jespersen, Andrea (2015) Mind Circles: on conceptual deliberation − Hanne Darboven and the trace of the artist's hand. Doctoral thesis, Northumbria University.

Johnson, Michael (2020) Completing Pugin’s Vision: Dunn And Hansom’s Contribution to St Mary’s Cathedral, Newcastle. Northern Catholic History (61). pp. 28-38. ISSN 0307-4455

Johnston, Sandra (2010) Archiving place & time. [Show/Exhibition]

Johnston, Sandra (2018) Beside You. [Show/Exhibition]

Johnston, Sandra (2018) Cleave to. [Show/Exhibition]

Johnston, Sandra (2018) Considerations on Infinity: Minimal, Poor, Present. [Show/Exhibition]

Johnston, Sandra (2011) Disclosures. [Show/Exhibition]

Johnston, Sandra (2019) Explain. [Show/Exhibition]

Johnston, Sandra (2019) Here-to-Here, Notwithstanding. [Show/Exhibition]

Johnston, Sandra (2014) Interakcje 2014 – International Art Festival, Spaces of Dispute/Spaces of Negotiation. [Show/Exhibition]

Johnston, Sandra (2018) Light Rain. [Show/Exhibition]

Johnston, Sandra (2018) More Sign Than Sound. [Show/Exhibition]

Johnston, Sandra (2014) Neglect to Silence. [Show/Exhibition]

Johnston, Sandra (2018) Nit de Performance. [Show/Exhibition]

Johnston, Sandra (2018) Offering. [Show/Exhibition]

Johnston, Sandra (2019) Open Season. [Show/Exhibition]

Johnston, Sandra (2012) The shadow of a doubt. [Show/Exhibition]

Johnston, Sandra, Bonelli, Selina, Bricco, Lucia, Bullmann, Marita, Gages, Benjamin, Ibsch, Anja, Obermayr, Christiane and Leonhard, Constantin (2019) Pre, Per, Post Performance. [Show/Exhibition]

Johnston, Sandra, Borland, Christine and Arnfield, Jane (2014) BxNU Symposium: Cloudscape Responding to the theme of memory in the work of Lorna Simpson. [Show/Exhibition]

Johnston, Sandra and Mezzetti, Frances (2019) I Don’t Know You. [Show/Exhibition]

Johnston, Sandra and Thorpe, Dominic (2016) Difference Fostered. [Show/Exhibition]

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Kabitsis, Nikolaos (2009) A practice-led exploration into the relationship between art and psychosis. Doctoral thesis, Northumbria University.

Katsibiri, Olga (2003) Investigation of the technique and materials used for mordant gilding on byzantine and post-byzantine icons and wall paintings. Doctoral thesis, Northumbria University.

Kelsey, Thomas and Theodorakopoulos, Charis (2019) Recent studies of the Hexham Abbey painting collection. Hexham Historian, 29. pp. 23-34.

Kolokytha, Chara (2016) Formalism and Ideology in 20th century Art: Cahiers d’Art, magazine, gallery, and publishing house (1926-1960). Doctoral thesis, Northumbria University.

Kolokytha, Chara (2013) The art press and visual culture in paris during the great depression: Cahiers d'art, Minotaure, and Verve. Visual Resources, 29 (3). pp. 184-215. ISSN 01973762

Kozlowska, Agnieszka (2014) Taking Photographs Beyond the Visual: Paper as a Material Signifier in Photographic Indexicality. Doctoral thesis, Northumbria University.

Kramer, Elizabeth (2014) Japonisme and British Women’s Art Embroidery for the Victorian Interior, 1870-1900. In: Japonisme in Design - Its Formation of the Idea and Execution in the Occident, January 2014, Tokyo, Japan.

Krukar, Jakub and Dalton, Ruth (2013) Walk, look, remember: Art galleries as spaces facilitating attention and memory. In: 9th International Symposium, 31 October - 3 November 2013, Seoul, South Korea.

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Laqua, Daniel (2009) Transnational endeavours and the 'totality of knowledge': Paul Otlet and Henri La Fontaine as 'integral internationalists' in fin-de-siècle Europe. In: Internationalism and the Arts in Britain and Europe at the Fin de Siècle. Cultural Interactions: Studies in the Relationship Between the Arts (4). Peter Lang, Oxford, pp. 247-271. ISBN 9783039111282

Larkin, Fiona (2018) Empathic Attention; Feeling Into and Intimacy in Contemporary Art Practice. Doctoral thesis, Northumbria University.

Larsen, Rene, Poulsen, Dorte, Juchauld, Frédérique, Jerosch, Heike, Odlyha, Marianne, de Groot, Jaco, Wang, Quanyu, Theodorakopoulos, Charis, Wess, Tim, Hiller, Jennifer, Kennedy, Craig, Della Gatta, Giuseppe, Badea, Elena, Mašić, Admir, Boghosian, Soghomon and Fessas, Dimitrios (2005) Damage assessment of parchment: complexity and relations at different structural levels. In: ICOM-CC, 14th Triennial Meeting, 12-16 September 2005, The Hague.

Lavell, John (2011) ‘The Power of Naming’ : Co-option in Fine Art practice. Doctoral thesis, Northumbria University.

Lawlor, Clark (2014) The Dark Side of Genius: The Melancholic Persona in Art, ca. 1500–1700 [Book review]. Bulletin of the History of Medicine, 88 (4). pp. 750-752. ISSN 1086-3176

Lawson, Jenny (2009) Variations on a Theme: Recipes for Essays (Attempts 1-3). Essaying Essays: An Assembling #1.

Lea, Sharron (2009) Politics and People. [Show/Exhibition]

Lee, Rona (2015) ABSTRACTED VISIONS: Information Mapping from Mystic Diagrams to Data Visualizations. [Show/Exhibition]

Lee, Rona (2013) The Artist/Researcher? In: For the Love of It, 15 May 2013, London.

Lee, Rona (2012) Cutting the Cake. In: Practice-based research and REF2014, 23 October 2012, Rose Theatre, Kingston upon Thames.

Lee, Rona (2011) Entering the field. In: Land Use Poetics. Swedish University of Agricultural Sciences, Lund, pp. 60-67. ISBN 978-9157690111

Lee, Rona (2010) Envisaging the Deep. In: Engaging Geography, 22 June 2010, Exeter University.

Lee, Rona (2015) Guidance on Ensuring the Safety and Security of Seafarers and Rescued Persons - Second Edition 2015. [Performance]

Lee, Rona (2016) Guidance on Ensuring the Safety and Security of Seafarers and Rescued Persons - Second Edition 2015. [Show/Exhibition]

Lee, Rona (2014) Live Art Development Agency Study Room Guide: Live Art and Feminism Map. [Artefact]

Lee, Rona (2017) Modern Nature I. In: Postcards from the Anthropocene, 22-24 June 2017, Edinburgh.

Lee, Rona (2017) A Necessary Darkness. [Show/Exhibition]

Lee, Rona (2011) One More Time. [Show/Exhibition]

Lee, Rona (2013) “Our boats become our women; our women, vessels of magic, become our boats.”. In: Fourth International and Interdisciplinary Conference on Emotional Geographies, 1-3 July 2013, University of Groningen, The Netherlands.

Lee, Rona (2014) Power of the Sea. [Show/Exhibition]

Lee, Rona (2012) That Oceanic Feeling. In: That Oceanic Feeling. John Hansard Gallery, Southampton, pp. 12-25. ISBN 9780854329489

Lee, Rona (2017) That Oceanic Feeling. In: Deep Time, Deep Waters, 12-13 June 2017, Edinburgh.

Lee, Rona (2013) That Oceanic Feeling - imagining a relational geography of the deep sea. In: Art and Geography – Aesthetics and practices of spatial knowledges, 11-13 Feb 2013, Lyon, France.

Lee, Rona (2010) Truthing Gap - imagining a relational geography of the uninhabitable. In: Emerging Landscapes - between Production and Representation, 25-27 June 2010, University of Westminster.

Lee, Rona (2014) Truthing Gap – Imagining a Relational Geography of the Sub-maritime. In: Emerging Landscapes Between Production and Representation. Ashgate, Farnham, pp. 67-74. ISBN 978-1409467052

Lee, Rona (2011) Truthing gap: imagining a relational geography of the uninhabitable. arq: Architectural Research Quarterly, 15 (03). pp. 216-230. ISSN 1359-1355

Lee, Rona (2014) Wet Geographies III - Water-worlds: art practices and wet ecologies. In: RGS-IBG Annual International Conference 2015, 1 - 4 September 2015, Exeter. (Unpublished)

Lee, Rona (2014) The encircling of a shadow - coastal geographies of loss and return, physical and social transition. In: 12th Symposium Waddenacademie: Sense of Place, 11-12 June 2014, Terschelling, Holland.

Lee, Rona (2018) The lines no longer hold. [Show/Exhibition]

Lee, Rona, Borland, Christine, Arnfield, Jane and Johnston, Sandra (2015) A Perfect and Absolute Blank. Gateshead, BALTIC Centre for Contemporary Art.

Leishman, Donna, Coover, Roderick and Baldwin, Sandy (2020) Interview: The Metamorphoses of Front as a Narrative Told through Social Media Interface: A Conversation with Donna Leishman. In: The Digital Imaginary. Bloomsbury, pp. 117-130. ISBN 9781501347566

Ling, Wessie (2016) Holy Chic, solo exhibition, Newcastle Upon Tyne: Saint Dominic's Priory, May - July 2016. [Show/Exhibition]

Ling, Wessie (2015) Labels of Desire, WSL, WESSIELING in Wastelands, group exhibition, Oxford: Oxfordshire Visual Arts Development Agency (OVADA), Jul - Aug 2015. [Show/Exhibition]

Ling, Wessie (2014) "WSL" Print and Installation by WESSIELING, solo exhibition, Hong Kong: Soho Gallery, June, 2014. [Show/Exhibition]

Ling, Wessie, Lorusso, Mariella and Segre Reinach, Simona (2019) Critical Studies in Global Fashion [Editorial]. Zone Moda Journal, 9 (2). V-VXI. ISSN 2283-7043

Ling, Wessie and Van Dartel, Daan (2019) Global Fashion as a Tool in the Ethnographic Museum. Zone Moda Journal, 9 (2). pp. 71-88. ISSN 2283-7043

Liston, Kate (2018) Feel after the New See. [Show/Exhibition]

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Macedo-Lamb, Silvana Barbosa (2003) From fine art to natural science through allegory. Doctoral thesis, University of Northumbria at Newcastle.

Mackenzie, Louise (2017) Evolution of the Subject – Synthetic Biology in Fine Art Practice. Doctoral thesis, Northumbria University.

Mackenzie, Louise (2017) Wishful thinking. Technoetic Arts, 15 (2). pp. 181-193. ISSN 1477-965X

Mackenzie, Louise, Thompson, Richard and Vickers, Paul (2016) Alchemical Sensing: Creating an Embodied Experience of the Unseen Organism. In: Sonic Environments — ACMC2016, Proceedings of the 2016 Conference of the Australasian Computer Music Association, 10-11 July, Brisbane, Australia.

Mateescu, Anca, Freese, Silvia, Frank, Petra, Jonas, Ulrich and Theodorakopoulos, Charis (2017) Novel surface-attached gels from photo-crosslinkable polyacrylamides for the cleaning of works of art. In: Gels in the conservation of art. Archetype Books, London, pp. 237-244. ISBN 9781909492509

McIntyre, Keith (2016) 'Moladh Elephantus' - Eulogies for the Elephant Rock: a solo Exhibition at mima (Middlesbrough Institute of Modern Art). [Show/Exhibition]

McIntyre, Keith (2013) Moladh Marsden Rock. [Show/Exhibition]

McIntyre, Keith (2015) 'Moylley Yn Burroo' - Immortalising the Isle of Man 'Drinking Dragon' - ink, paper and and the geology of drawing. A solo exhibition in the Market Hall, Douglas. [Show/Exhibition]

McIntyre, Keith (2004) New constellations for wind, sole and drawing instruments. [Show/Exhibition]

McIntyre, Keith (2007) Oh no he didn't, oh yes he did. [Show/Exhibition]

McIntyre, Keith (2012) Orbicular Nebulosae. [Show/Exhibition]

McIntyre, Keith (2013) Telford Studio Project. [Artefact]

McIntyre, Keith (2011) Wee timorous beasties. [Show/Exhibition]

McIntyre, Keith (2011) The Withdrawing Room - Unfinished Business. [Show/Exhibition]

McIntyre, Keith and Wimhurst, Karen (2008) Fragility of flight. [Show/Exhibition]

McKelvey, Kathryn, Raeside-Elliott, Fiona, Sewell, Trevor and Steane, Jamie (2004) Saltwell Park interpretation : touchscreen and video diary. Gateshead Council.

McMorran, Susan Mary (2007) Interactive painting: an investigation of interactive art and its introduction into a traditional art practice. Doctoral thesis, Northumbria University.

McNiven, Andrew (2010) ‘Monkey Business’ : an artist’s action research into the parameters of temporary gallery installation through reflexive formal and informal documentary practice. Doctoral thesis, Northumbria University.

Mulholland, Richard (2014) ‘And I know damned-well what he wanted!’ Deliberate Alteration and Interpretations of Intent in Several Late Sculptures by David Smith. Archetype Books, London. ISBN 9781904982999

Mulholland, Richard (2023) Culture, Education and Conflict: The Relevance of Critical Conservation Pedagogies for Post-Conflict Afghanistan. Studies in Conservation, 68 (3). pp. 283-297. ISSN 0039-3630

Mulholland, Richard, Howell, David, Beeby, Andrew, Nicholson, Kate and Domoney, Kelly (2017) Identifying eighteenth century pigments at the Bodleian library using in situ Raman spectroscopy, XRF and hyperspectral imaging. Heritage Science, 5. p. 43. ISSN 2050-7445

Mundy, Jennifer, Bonnett, Helena, Furness, Tom, Hall, Diane, Holt, Ysanne and Pilcher, Alex (2012) The Camden Town Group in Context [online research publication]. Tate.

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Nolan, Lucille Marie (2009) Vision science and the visual arts: an enquiry into the science of perception and the art of immersion. Doctoral thesis, Northumbria University.

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O'Sullivan, Tom (2018) A Glasgow Spectacular (or the experience being an experience like the experience you just had). [Show/Exhibition]

O'Sullivan, Tom and Tatham, Joanne (2015) Alternative 23. [Show/Exhibition]

O'Sullivan, Tom and Tatham, Joanne (2015) Are we LOCATIONALIZED. [Show/Exhibition]

O'Sullivan, Tom and Tatham, Joanne (2017) Is this what brings things into focus? [Show/Exhibition]

O'Sullivan, Tom and Tatham, Joanne (2018) A Proposal To Ask Where Does A Threshold Begin & End. [Show/Exhibition]

O'Sullivan, Tom and Tatham, Joanne (2018) A Successful Proposition for the Great North Exhibition. [Show/Exhibition]

O'Sullivan, Tom and Tatham, Joanne (2011) You, me, something else. [Show/Exhibition]

O'Sullivan, Tom and Tatham, Joanne (2011) The indirect exchange of uncertain value. [Show/Exhibition]

O'Sullivan, Tom and Tatham, Joanne (2016) A petition for an enquiry into a condition of anxiety. [Show/Exhibition]

Odlyha, Marianne, Groot, Jaco de, Theodorakopoulos, Charis, Bozec, Laurent and Horton, Michael (2008) Damage Assessment of archival parchment by scanning probe microscopy, spectroscopic and thermal techniques. In: CHRESP: 8th EC Conference on Sustaining Europe’s Cultural Heritage, 10-14 November 2008, Ljubljana, Slovenia.

Odlyha, Marianne, Jakiela, Slawomir, Slater, Jonathan, Campana, Roberto, Theodorakopoulos, Charis, Bergsten, Carl, Cavicchioli, Andrea, de Faria, Dalva, Niklasson, Annika, Svensson, Jan-Erik, Grontoft, Terje, Dahlin, Elin and Scharff, Mikkel (2008) The monitoring of indoor museum environments and the impact of their corrosivity on complex organic materials. In: CHRESP: 8th EC Conference on Sustaining Europe’s Cultural Heritage, 10-14 November 2008, Ljubljana, Slovenia.

Odlyha, Marianne, Jakiela, Slawomir, Slater, Jonathan, Theodorakopoulos, Charis, Bozec, Laurent, Horton, Michael, Larsen, Rene, Bergsten, Carl, Dahlin, Elin, Grontoft, Terje, Thickett, David and Hackney, Stephen (2010) Microclimates in Museums, Churches, and their impact on Heritage. In: COST Action D42 – Impact of the Indoor Environment on the Preservation of our moveable Cultural Heritage, 8-9 November 2010, Trinity College Dublin, Ireland.

Odlyha, Marianne, Theodorakopoulos, Charis and Campana, Roberto (2006) Damage assessment in model and historical tapestries by Fourier Transform Infra-Red Spectroscopy (ATR-FTIR). In: 7th European conference 'SAUVEUR' safeguarded cultural heritage, May 31 June 3 2006, Prague.

Odlyha, Marianne, Theodorakopoulos, Charis and Campana, Roberto (2007) Studies on Woolen Threads from Historical Tapestries. AUTEX Research Journal, 7 (1). pp. 9-18. ISSN 1470-9589

Odlyha, Marianne, Theodorakopoulos, Charis, Thickett, David, Ryhl-Svendsen, Morten, Slater, Jonathan and Campana, Roberto (2007) Dosimeters for indoor microclimate monitoring for cultural heritage. In: Museum Microclimates. Contributions to the Copenhagen conference, 19 - 23 November 2007, The National Museum of Denmark, Copenhagen.

Odlyha, Marianne, Theodorakopoulos, Charis, Wade, N., Campana, Roberto, Slater, Jonathan, de Santis, F., Smith, V. A., Bullock, L., Rhyl Svendsen, Morten, Padfield, T., Boon, Jaap and Ferreira, E. (2006) Microclimate indoor monitoring for cultural heritage. In: 7th European conference 'SAUVEUR' safeguarded cultural heritage, May 31 - June 3 2006, Prague.

Odlyha, Marianne, Theodorakopoulos, Charis, de Groot, Jaco, Bozec, Laurent and Horton, Michael (2009) Fourier transform infra-red spectroscopy (ATR/FTIR) and scanning probe microscopy of parchment. e-Preservation Science, 6. pp. 138-144. ISSN 1854-3928

Odlyha, Marianne, Theodorakopoulos, Charis, de Groot, Jaco, Bozec, Laurent and Horton, Michael (2007) Thermoanalytical (macro to nano-scale) techniques and non-invasive spectroscopic analysis for damage assessment of parchment. In: Improved Damage Assessment of Parchment. European Commission, Brussels, pp. 73-87. ISBN 978-9279053788

Odlyha, Marianne, Theodorakopoulos, Charis, de Groot, Jaco, Bozec, Laurent, Horton, Michael, Wang, Quanyu, Foster, G. M. and Campana, Roberto (2006) Damage assessment of parchment: thermoanalytical (macro to nanoscale) and non-invasive spectroscopic analysis. In: 7th European conference 'SAUVEUR' safeguarded cultural heritage, May 31 - June 3 2006, Prague.

Ogilvie, Sara (2004) Hither and thither. [Show/Exhibition]

Ogilvie, Sara (2009) Inkubator II. [Show/Exhibition]

Ogilvie, Sara (2007) Stone - plate - grease - water. [Show/Exhibition]

Ogilvie, Sara, Ackroyd, Norman, Bowen, Sian and Chambers, Stephen (2006) Making a mark. [Show/Exhibition]

Ogilvie, Sara, Bracchitta, Sandro, Menco, Bert and Hiratsuka, Yuji (2003) Seven paint artists from around the world. [Show/Exhibition]

Oshima, Hiroko (2010) Artists' groups in Japan and the UK and their impact on the creative individual. Doctoral thesis, Northumbria University.

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Painter, Colin Seaward (1986) The uses of art. Doctoral thesis, Newcastle Polytechnic.

Patel, Daksha (2018) The concept of noise in medical visualisations perceived through a contemporary drawing practice. Doctoral thesis, Northumbria University.

Pencak, Claire and Pavey, Liz (2012) Pollination Project. [Show/Exhibition]

Phillips, Andrea (2015) Art and the Colonisation of Value. In: Curating and Politics Beyond the Curator: Initial Reflections. Hatje Cantz, Hamburg. ISBN 9783775740791

Phillips, Andrea (2020) Art organisations, education institutions and the collaborative imperative. In: Institution as Praxis. Sternberg Press, Berlin, pp. 214-226. ISBN 9783956795060

Phillips, Andrea (2019) A Conversation as a Map: Interview with Fernando García-Dory by Andrea Phillips. In: Along Ecological Lines - Contemporary Art and Climate Crisis. Gaia Projects. ISBN 9780993219252

Phillips, Andrea (2015) Devaluation. PARSE, 1 (2). ISSN 2002-0953

Phillips, Andrea (2014) How to work together. [Show/Exhibition]

Phillips, Andrea (2016) In Service: Art, Value, Merit, and the Making of Publics. In: Public Servants: Art and the Crisis of the Common Good. The MIT Press. ISBN 9780262034814

Phillips, Andrea (2016) Introduction: Community Arts? Learning from the Legacy of Artists' Social Initiatives. Stages: Liverpool Biennial Journal, 1 (5). ISSN 2399-9675

Phillips, Andrea (2015) Making the Public. In: When Site Lost the Plot. Urbanomic, pp. 77-83. ISBN 9780957529564

Phillips, Andrea (2017) Where is the “Former” in Neocoloniality. In: Former West: Art and the Contemporary after 1989. The MIT Press. ISBN 9780262533836

Pholprasert, Apichart (2006) The rural based artist in Britain and Thailand : an investigation into the creative processes by which artists have rejected the metropolitan context of contemporary art. Doctoral thesis, Northumbria University.

Potter, Matthew (2017) The ‘Abysmal inexcusable middle class’, Painting, Commemoration, and the First World War. In: The Edinburgh Companion to the First World War and the Arts. Edinburgh University Press. ISBN 9781474401630

Potter, Matthew (2019) ‘Bold liberals who fought for the cause of freedom’: the German Reception of the Graphic Satires of James Gillray and Thomas Rowlandson at the Fin de Siècle (1895-1908). Visual Culture in Britain, 20 (2). pp. 172-193. ISSN 1471-4787

Potter, Matthew (2019) British Art for Australia, 1860-1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries. British Art: Histories and Interpretations since 1700 . Taylor & Francis. ISBN 9781472426369

Potter, Matthew (2009) Cambridge University and the Germanist Bridge: the aesthetics and politics of internationalism at the Fin de Siècle. In: Internationalism and the Arts in Britain and Europe at the Fin de Siècle. Cultural Interactions: Studies in the Relationship Between the Arts (4). Peter Lang, Oxford, pp. 157-176. ISBN 978-3039111282

Potter, Matthew (2014) Fostering in the people the purest types of beauty: Ford Madox Brown and democratic art education. Visual Culture in Britain, 15 (3). pp. 313-333. ISSN 1941 8361

Potter, Matthew (2018) National intelligence, spiritual rapprochement, and mystic beefsteak/Nationalcharakter, geistige Annäherung und mystisches Beefsteak. In: London 1938 - Defending ‘degenerate’ art. NIMBUS, Wädenswil, pp. 42-57. ISBN 9783038500490

Potter, Matthew (2010) Orientalism and its visual regimes: Lovis Corinth and imperialism in the art of the Kaiserreich. In: A History of Visual Culture: Western civilisation from the 18th to the 21st century. Berg, Oxford, pp. 243-254. ISBN 978-1-84520-492-1

Potter, Matthew (2013) The concept of the ‘Master’ in art education in Britain and Ireland, 1770 to the present. Ashgate, Farnham. ISBN 9781409435556

Potter, Matthew (2012) The inspirational genius of Germany: British art and Germanism, 1850-1939. Manchester University Press, Manchester. ISBN 9780719087127

Power, Cormac (2009) Art, performance and participation. In: Performance now and then. Arts & Social Sciences Press, Northumbria University, Newcastle upon Tyne, UK, pp. 26-33. ISBN 978-0956120656

Pratt, Mike (2011) Good mourning bell. [Show/Exhibition]

Purdue, Bill (2011) Heald, Henrietta, William Armstrong: Magician of the North, Northumbria Press, 2010 [book review]. Northern History, 48 (2). pp. 395-396. ISSN 0078-172X

Purdue, Bill (2011) Morden, Barbara C., John Martin: Apocalypse Now, Northumbria Press, 2010 [book review]. Northern History, 48 (2). pp. 388-389. ISSN 0078-172X

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Radley, Emma (2011) Subversive Teaching, Resolving the Artist Teacher Dilemma : A Study of the Merging Practices of an Artist Teacher. Doctoral thesis, Northumbria University.

Reed, Ginny (2009) Desaturated. [Show/Exhibition]

Reed, Ginny (2008) Dis/enchantment. [Show/Exhibition]

Reed, Ginny (2014) Error_Graceful_Disconnect. [Show/Exhibition]

Reed, Ginny (2009) Space-time. [Show/Exhibition]

Reed, Ginny (2009) Tiny Shiny. [Show/Exhibition]

Reed, Ginny (2009) The dream of fluxus : fluxus inspired performances. [Performance] (Unpublished)

Reed, Ginny and Rigg, Richard (2008) Draw a line, follow it. [Show/Exhibition]

Reid, Anna (2018) The Nest of Wild Stones: Paul Nash’s Geological Realism. Visual Culture in Britain, 19 (2). pp. 189-215. ISSN 1471-4787

Richardson, Andrew, Collier, Mike and Cowdon, Jeff (2014) Walking Poets: Wordsworth and Basho. [Show/Exhibition]

Richardson, Craig (2010) Contemporary Scottish Art and the Landscape of Abandonment. Visual Culture in Britain, 11 (3). pp. 391-405. ISSN 1471-4787

Richardson, Craig (2014) England ‘Ghosts’: British Art – a frieze. The Drouth, 50. pp. 50-67.

Richardson, Craig (2011) Monuments to the period we live in. In: Northumbria Research Conference, 5-6 May 2011, Northumbria University, Newcastle-upon-Tyne.

Richardson, Craig (2008) Pale rider. In: Shifts: Wong Hoy Cheong, 2002-2007. NUS Museum/Galeri Petronas. ISBN 978-9810812812

Richardson, Craig (2011) The Portable John Latham: Documents from the John Latham Archive, edited by Antony Hudek and Athanasios Velios [Book review]. Visual Culture in Britain, 12 (3). pp. 387-389. ISSN 1471-4787

Richardson, Craig (2011) Scottish Art since 1960 [Craig Richardson & Dominic Paterson in conversation]. In: Scottish Art since 1960 book launch, 19 May 2011, Glasgow Sculpture Studios. (Unpublished)

Richardson, Craig (2011) Scottish Art since 1960 [Research seminar]. In: ECA Research Seminar Series, 9 March 2011, Hunter Lecture Theatre, Edinburgh College of Art. (Unpublished)

Richardson, Craig (2011) Scottish art since 1960: historical reflections and contemporary overviews. Ashgate, Farnham. ISBN 9780754661245

Richardson, Craig (2012) Sealand. In: We ♥ Real Life Scotland: art, history and place: a reader exploring the heritage of Huntly's Gordons and other Scottish incidences. Deveron Arts, Huntly, pp. 132-163. ISBN 978-1907115097

Richardson, Craig (2011) Some musings on Britishness in art: Englishness Defined. In: Great British Art Debate, 3rd December 2011, Tate Britain, London.

Richardson, Craig (2012) Waste to Monument: John Latham’s Niddrie Woman. Tate Papers, 17. ISSN 1753-9854

Richardson, Craig (2011) What are the contemporary benefits of the term ‘Irish Art’? In: 37th Annual Association of Art Historians Conference, 31 March - 2 April 2011, University of Warwick.

Richardson, Craig and Borland, Christine (2015) Talking about a Christine Borland sculpture: effective empathy in contemporary anatomy art (and an emerging counterpart in medical training?). Journal of Visual Art Practice, 14 (2). pp. 146-161. ISSN 1470-2029

Richardson, Craig, Leith, Murray, Holt, Ysanne, Corbett, David, Turner, Sarah, Harris, Jonathan, Anderson, David, Myrone, Martin and Arnold, Dana (2015) Wet Paint: Visual Culture in a Changing Britain – A Round Table Debate. Visual Culture in Britain, 16 (1). pp. 103-117. ISSN 1471-4787

Risdonne, Valentina (2022) Materials and techniques for coating of the nineteenth-century plaster casts. A scientific and archival investigation of the Victoria & Albert museum cast collection. Doctoral thesis, Northumbria University.

Risdonne, Valentina, Hubbard, Charlotte, López Borge, Victor Hugo and Theodorakopoulos, Charis (2022) Materials and Techniques for the Coating of Nineteenth Century Plaster Casts: A Review of Historical Sources. Studies in Conservation, 67 (4). pp. 186-208. ISSN 0039-3630

Robertson, Elaine, Thomas, Judy and Bailey, Mark (2022) Creativity and the Trauma of COVID-19: How do Foundation Level Art and Design Students Navigate a Liminal Journey during a Pandemic? International Journal of Art & Design Education, 41 (2). pp. 268-282. ISSN 1476-8062

Rundle, Simon, Robinson, Deborah, Strang, David and Wienroth, Matthias (2014) ATRIA: A Sound Installation Exploring the Interface between Art, Science and Technology by Remapping Cardiovascular Development. Leonardo, 47 (5). pp. 443-449. ISSN 0024-094X

Russell, Joanna (2010) A study of the materials and techniques of Francis Bacon (1909 - 1992). Doctoral thesis, Northumbria University.

Russell, Joanna, Singer, Brian, Perry, Justin and Bacon, Anne (2012) The materials and techniques used in the paintings of Francis Bacon (1909-1992). Studies in Conservation, 57 (4). pp. 207-217. ISSN 0039-3630

Rutherford, Helen (2017) "The Greatest man in Newcastle" Portraits of the Victorian Coroner for Newcastle upon Tyne. In: Through a Legal Lens: Images of Crime and Criminals, Law and Lawyers, 12th May 2017, Newcastle, UK.

Rutherford, Helen (2020) An opium dream...: Celebrating the end of a pandemic: ‘the magnificent but incongruous assemblages of an opium dream.’. Literary and Philosophical Society Newcastle.

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Sandford-Couch, Clare (2012) Divine and secular justice in Margarito of Arezzo's Madonna and Child Enthroned. In: History of Art Postgraduate Conference, 17- 18 May 2012, University of Edinburgh, Edinburgh, UK.

Sandford-Couch, Clare (2011) Hell on Earth? Changes in the depiction of hell in the art of central and northern Italy, 1200-1400. In: The 2nd Edinburgh Medieval Art Seminar, November 2011, University of Edinburgh, Edinburgh, UK.

Sandra, Johnston (2014) (Still) Pending. [Show/Exhibition]

Shobeirinejad, Seyed Abdolhadi (2010) Using deconstruction to advance traditional compositional and pictorial spaces in contemporary Iranian art. Doctoral thesis, Northumbria University.

Sim, Stuart, Higgins, Kathleen Marie, Hopkins, Robert, Stecker, Robert and Cooper, David E. (2009) Deconstruction. In: A Companion to Aesthetics [2nd edition]. Wiley-Blackwell, Oxford, pp. 229-230. ISBN 978-1405169226

Singer, Brian (2010) Tables, charts and microphotographs in analysis reports [contributions to 'Italian Renaissance frames at the V&A: a technical study']. In: Italian Renaissance frames at the V&A: a technical study. Butterworth-Heinemann, Oxford, UK. ISBN 978-0750686198

Singer, Brian and McGuigan, Ross (2007) The simultaneous analysis of proteins, lipids, and diterpenoid resins found in cultural objects. Annali di Chimica, 97 (7). pp. 405-417. ISSN 0003-4592

Singer, Brian, McMillan, Sally, Grimaldi, Nicky and Brown, Jean (2008) Analysis of Vietnamese oil paintings affected by sulphur dioxide pollution. In: Symposium on modern and contemporary Vietnamese art, 16 - 18 May 2008, Singapore Art Museum, Singapore.

Sloan, Kate (2016) Gestalt in Motion: Wholeness, Systems and Perception in Post-War British Art. Visual Culture in Britain, 17 (2). pp. 200-224. ISSN 1471-4787

Sloan, Kate (2019) Victor Pasmore’s Architectures of Form: Biology, Structure and Process in Post-War British Art. The Structurist (51/52). pp. 45-58. ISSN 0081-6027

Smith, Rob (2019) Composing Doggerland: How can the North Sea inform new approaches to situated arts practices in the context of the Anthropocene? Doctoral thesis, Northumbria University.

Soltan, Mohamed Abdeldayem Ahmed (2015) An investigation into the history of the airbrush and the impact of the conservation treatment of airbrushed canvas paintings. Doctoral thesis, Northumbria University.

Stephenson, Clare (2017) 'Girl Gets Drunk and Goes Swimming'. A Shift in Means for the Female Sculptor. Doctoral thesis, Northumbria University.

Stewart, David (2009) The Examiner, Robert Southey's print celebrity and the marketing of the Quarterly Review. Prose Studies, 31 (1). pp. 22-39. ISSN 0144-0357

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Tatham, Joanne and O'Sullivan, Tom (2016) An Anthology: (I’m sorry, I’m sorry, I’m so, so, so sorry). The Modern Institute, Glasgow. ISBN 9780993581601

Tatham, Joanne and O'Sullivan, Tom (2014) Are you LOCATIONALIZED. [Show/Exhibition]

Tatham, Joanne and O'Sullivan, Tom (2008) Are you feeling our meaning? [Show/Exhibition]

Tatham, Joanne and O'Sullivan, Tom (2009) Back of the head: some alternative approaches to portraiture. [Show/Exhibition]

Tatham, Joanne and O'Sullivan, Tom (2009) Blinding the Ears. [Performance]

Tatham, Joanne and O'Sullivan, Tom (2010) British Mythic. [Show/Exhibition]

Tatham, Joanne and O'Sullivan, Tom (2010) Direct serious action is therefore necessary. [Show/Exhibition]

Tatham, Joanne and O'Sullivan, Tom (2009) Does your contemplation of the situation fuck with the flow of circulation. [Show/Exhibition]

Tatham, Joanne and O'Sullivan, Tom (2008) The Great Transformation: Art and Tactical Magic. [Show/Exhibition]

Tatham, Joanne and O'Sullivan, Tom (2014) Is your tesserae really necessary? [Show/Exhibition]

Tatham, Joanne and O'Sullivan, Tom (2010) LOVE. [Show/Exhibition]

Tatham, Joanne and O'Sullivan, Tom (2009) The Mirror & The Masque. [Show/Exhibition]

Tatham, Joanne and O'Sullivan, Tom (2009) One of the things from Think Thingamajig and Other Things. [Show/Exhibition]

Tatham, Joanne and O'Sullivan, Tom (2013) The Reiterative Grimace. [Show/Exhibition]

Tatham, Joanne and O'Sullivan, Tom (2010) Rubble Stir. [Show/Exhibition]

Tatham, Joanne and O'Sullivan, Tom (2014) Shall we name it our shame or is our shame the same as it. [Show/Exhibition]

Tatham, Joanne and O'Sullivan, Tom (2009) Time has gone on and thinking has gone on about the thoughts we think we had about things that already happened before. [Show/Exhibition]

Tatham, Joanne and O'Sullivan, Tom (2009) The Vernacular, the Particular and the Perpendicular. [Show/Exhibition]

Tatham, Joanne and O'Sullivan, Tom (2008) We are seemingly leaning towards meaning. [Show/Exhibition]

Tatham, Joanne and O'Sullivan, Tom (2009) You can take it as a thing or you can take it as a thing. [Show/Exhibition]

Tatham, Joanne and O'Sullivan, Tom (2012) The default exchange adjusted. [Show/Exhibition]

Tatham, Joanne and O'Sullivan, Tom (2009) The story of how we came to be here, what we did before we got here, how you have forgotten why you asked us here and why we cannot remember why we came, or: Is this what brings things into focus? [Performance]

Theodorakopoulos, Charis and Boon, Jaap (2011) A high performance size exclusion chromatographic study on the depth-dependent gradient in the molecular weight of aged triterpenoid varnish films. Progress in Organic Coatings, 72 (4). pp. 778-783. ISSN 03009440

Theodorakopoulos, Charis, Boon, Jaap and Zafiropulos, Vassilis (2009) Direct temperature mass spectrometric study on the depth-dependent compositional gradients of aged triterpenoid varnishes. International Journal of Mass Spectrometry, 284 (1-3). pp. 98-107. ISSN 1387-3806

Theodorakopoulos, Charis, Boon, Jaap and Zafiropulos, Vassilis (2005) Molecular study of the depth-dependent oxidation and condensation gradients of aged dammar and mastic varnish films assisted by KrF excimer laser ablation. In: ICOM-CC Proceedings of the 14th Triennial Meeting, 12-16 September 2005, The Hague.

Theodorakopoulos, Charis and Colbourne, Jane (2016) The development of Northumbria University collections, materials and conservation research archive. Journal of the Institute of Conservation, 39 (2). pp. 170-175. ISSN 1945-5224

Theodorakopoulos, Charis and Zafiropulos, Vassilis (2009) Depth-profile investigations of triterpenoid varnishes by KrF excimer laser ablation and laser-induced breakdown spectroscopy. Applied Surface Science, 255 (20). pp. 8520-8526. ISSN 0169-4332

Theodorakopoulos, Charis and Zafiropulos, Vassilis (2005) Laser Cleaning Applications for Religious Objects. European Journal of Science and Theology, 1. pp. 63-76. ISSN 1842 - 8517

Theodorakopoulos, Charis and Zafiropulos, Vassilis (2003) Uncovering of scalar oxidation within naturally aged varnish layers. Journal of Cultural Heritage, 4 (1). pp. 216-222. ISSN 12962074

Theodorakopoulos, Charis, Zafiropulos, Vassilis and Boon, Jaap (2007) A final report on the oxidation and condensation gradients of aged painting varnishes studied with UV pulsed laser ablation. In: Springer Proceedings in Physics. Springer, London, pp. 249-256. ISBN 978-3540721307

Theodorakopoulos, Charis, Zafiropulos, Vassilis, Boon, Jaap and Boyatzis, Stamatis (2007) Spectroscopic investigations on the depth-dependent degradation gradients of aged triterpenoid varnishes. Applied Spectroscopy, 61 (10). pp. 1045-1051. ISSN 0096-8706

Theodorakopoulos, Charis, Zafiropulos, Vassilis, Fotakis, Costas, Boon, Jaap, van der Horst, Jerre, Dickmann, Klaus and Knapp, D. (2005) A study on the oxidative gradient of aged traditional triterpenoid resins using ‘optimum’ photoablation parameters. In: Lasers in the Conservation of Artworks: LACONA V Proceedings, Osnabrück, Germany, Sept. 15–18, 2003. Springer Proceedings in Physics, 100 . Springer, London, pp. 255-262. ISBN 978-3540229964

Thomas, Judy (2019) And Shift! A Review of Approaches That Support Transition from A-Level Art and Design to Fine Art Undergraduate Study. Arts, 8 (2). p. 46. ISSN 2076-0752

Thomas, Judy (2022) Delight in disruption: reflections on the pedagogic practice of multi-disciplinary artist, Sally Madge. In: London Conference in Critical Thought 2022: LCCT, 8-9 Jul 2022, London. (Unpublished)

Thomas, Judy (2014) Why make a case for the artist facilitator? Doctoral thesis, Northumbria University.

Thomas, Judy (2013) With artists you get what is going on…. In: Northumbria Research Conference 2013, 15/05/13-, Northumbria University.

Trackim, Alysia Anne (2019) Complicated grief: how orphanhood drives practice based research of an artist-inmourning. Doctoral thesis, Northumbria University.

Tsai, Charwei, Ong, Donna, Bowen, Sian, Derges, Susan and Cook, Christopher (2010) Dust on the Mirror [part 1]. [Show/Exhibition]

Tsai, Charwei, Ong, Donna, Bowen, Sian, Derges, Susan and Cook, Christopher (2011) Dust on the Mirror [part 2]. [Show/Exhibition]

Twomey, Lesley (2020) Juana of Castile’s Book of Hours: An Archduchess at Prayer. Religions, 11 (4). p. 201. ISSN 2077-1444

Tythacott, Louise (2017) Curating the Sacred: Exhibiting Buddhism at the World Museum Liverpool. Buddhist Studies Review, 34 (1). pp. 115-133. ISSN 0265-2897

Tythacott, Louise (2015) Trophies of War: Representing ‘Summer Palace’ Loot in Military Museums in the UK. Museum and Society, 13 (4). pp. 469-488. ISSN 1479-8360

Tythacott, Louise (2017) The Yuanmingyuan and its Objects. In: Collecting and Displaying China’s “Summer Palace” in the West: The Yuanmingyuan in Britain and France. Routledge, New York, NY, pp. 3-24. ISBN 9781138080553, 9781315113395

Tythacott, Louise (2016) The power of taste: the dispersal of the Berkeley Smith collection of Chinese ceramics at Cheltenham Art Gallery Museum (1921-1960). Journal of the History of Collections, 28 (2). pp. 327-343. ISSN 0954-6650

Tythacott, Louise and Bellini, Chiara (2020) Deity and Display: meanings, transformations, and exhibitions of Tibetan Buddhist Objects. Religions, 11 (3). p. 106. ISSN 2077-1444

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Usherwood, Paul (2004) Public art and collective amnesia. In: Art, money, parties : new institutions in the political economy of contemporary art. Tate Liverpool Critical Forum 7 . Liverpool University Press / Tate Liverpool, Liverpool, pp. 115-132. ISBN 0853237190

Usherwood, Paul (2007) Public art, cities and the new antiquarianism. In: The City in Art: Proceedings of the Seventh Joint Conference of Art Historians from Britain and Poland, Warsaw, September 2004. Institute of Art of the Polish Academy of Sciences. ISBN 978-8389101747

Usherwood, Paul (2001) The media success of Antony Gormley's Angel of the North. Visual Culture in Britain, 2 (1). pp. 35-45. ISSN 1471-4787

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Vallance, Sarah Louise (1997) The development and application of chromatographic techniques in the characterisation of artists' media. Doctoral thesis, University of Northumbria at Newcastle.

Vavoula, Giasemi and Mason, Marco (2017) Digital exhibition design: boundary crossing, Intermediary Design Deliverables and processes of consent. Museum Management and Curatorship, 32 (3). pp. 251-271. ISSN 0964-7775

van Hensbergen, Claudine (2015) 'Oldham, John'. In: The Encyclopedia of British Literature 1660 - 1789. Wiley-Blackwell. ISBN 9781444330205

van Hensbergen, Claudine (2016) Public Sculpture of Queen Anne: The Minehead Commission (1715). In: Court, Country, City: Essays on British Art and Architecture, 1660--1735. Yale University Press, pp. 241-262. ISBN 9780300214802

van Hensbergen, Claudine (2012) The Trompe l’Oeil Letter Rack. In: Still Life Painting in Britain 1660–1740. Tate Britain, London, UK, pp. 22-23.

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