Items where Subject is "W300 Music"

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Number of items at this level: 133.

B

Barron, Lee (2010) Camp transitions: genre adaptation and the HI-NRG/dance cover version. In: Play It again : cover songs in popular music. Ashgate Popular and Folk Music Series . Ashgate, Farnham, pp. 213-220. ISBN 978-0754668091

Barron, Lee (2009) Droogs, electro-voodoo and kyborgs: pastiche, postmodernism and Kylie Minogue live. Nebula, 6 (1). pp. 78-92. ISSN 1449-7751

Barron, Lee (2012) Fantasy meets electronica: legend and the music of Tangerine Dream. In: The Music of Fantasy Cinema. Genre, Music and Sound . Equinox Publishing, Sheffield, UK, pp. 79-94. ISBN 978-1845535322

Barron, Lee (2016) Pulling down barriers: Neil Peart, autobiographical confession and negotiated rock celebrity. Celebrity Studies, 7 (3). pp. 323-338. ISSN 1939-2397

Barron, Lee (2013) The sound of street corner society: UK grime music as ethnography. European Journal of Cultural Studies, 16 (5). pp. 531-547. ISSN 1367-5494

Bone, Martyn, Ward, Brian and Link, William (2015) Creating and consuming the American South. University Press of Florida, Gainesville, Florida. ISBN 9780813060699

Butler, Katherine (2012) “By Instruments her Powers Appeare”: Music and Authority in the Reign of Queen Elizabeth I. Renaissance Quarterly, 65 (2). pp. 353-384. ISSN 0034-4338

Butler, Katherine (2016) Changing Attitudes Towards Classical Mythology and their Impact on Notions of the Powers of Music in Early Modern England. Music and Letters, 97 (1). pp. 42-60. ISSN 0027-4224

Butler, Katherine (2015) Death songs and elegies: singing about death in Elizabethan England. Early Music, 43 (2). pp. 269-280. ISSN 0306-1078

Butler, Katherine (2019) From Liturgy and the Education of Choirboys to Protestant Domestic Music-Making: The History of the ‘Hamond’ Partbooks (GB-Lbl: Add MSS 30480-4). RMA Research Chronicle. ISSN 2167-4027 (In Press)

Butler, Katherine (2017) In praise of music: motets, inscriptions and musical philosophy in Robert Dow’s partbooks. Early Music, 45 (1). pp. 89-101. ISSN 0306-1078

Butler, Katherine (2015) Music in Elizabethan Court Politics. Studies in Medieval and Renaissance Music . Boydell and Brewer. ISBN 9781843839811

Butler, Katherine (2018) Musical Transformations of the City Soundscape: King James I’s Entry into London in 1604. In: Civic Performance: Pageantry and Entertainments in Early Modern London. Studies in Performance and Early Modern Drama . Routledge. ISBN 9781138228399 (In Press)

Butler, Katherine (2015) Myth, Science, and the Power of Music in the Early Decades of the Royal Society. Journal of the History of Ideas, 76 (1). pp. 47-68. ISSN 1086-3222

Butler, Katherine (2019) Origin Myths, Genealogies, and Inventors: Defining the Nature of Music in Early Modern England. In: Music, Myth and Story in Medieval and Early Modern Culture. Studies in Medieval and Renaissance Music . Boydell and Brewer, Woodbridge, pp. 124-138. ISBN 9781783273713

Butler, Katherine (2018) Printed Borders for Sixteenth-Century Music or Music Paper and the Early Career of Music Printer Thomas East. The Library, 19 (2). pp. 174-202. ISSN 0024-2160

Butler, Katherine and Bassler, Samantha (2019) Music, Myth, and Story in Medieval and Early Modern Culture. Studies in Medieval and Renaissance Music . Boydell and Brewer. ISBN 9781783273713 (In Press)

C

Caldwell, George and Riby, Leigh (2007) The effects of music exposure and own genre preference on conscious and unconscious cognitive processes: A pilot ERP study. Consciousness and Cognition, 16 (4). pp. 992-996. ISSN 1053-8100

Cameron, Colin (2009) Tragic but brave or just crips with chips? Songs and their lyrics in the Disability Arts Movement in Britain. Popular Music, 28 (3). pp. 381-396. ISSN 0261-1430

Coburn, Ann, MacPherson, Fiona and Pavey, Liz (2014) Get Up and Tie Your Fingers (2014 tour). [Performance]

D

Davis, Joshua, Benforado, Adam, Esrock, Ellen, Turner, Alasdair, Dalton, Ruth, van Noorden, Leon and Leman, Marc (2012) Four applications of embodied cognition. Topics in Cognitive Science, 4 (4). pp. 786-793. ISSN 1756-8757

Dorsett, Chris (2012) Synaesthetic Presences: new sights from old sound objects. In: Making Sound Objects: Cultures of hearing, Creating and Circulation, British Forum for Ethnomusicology Conference, 24 November 2012, Pitt Rivers Museum, Oxford..

Dorsett, Chris (2015) singlesingles. [Show/Exhibition]

Durkin, Rachael (2017) The Adventure of the Stradivari: Victorian Violin Forgery and Literary Influence in the Sherlock Canon. In: Captivating Criminality 4: Crime Fiction: Detection, Public and Private, Past and Present, 29 June - 1 July 2017, Bath.

Durkin, Rachael (2019) The Adventure of the Stradivarius: Victorian Violins, Forgery and Literary Influence in the Sherlock Holmes Canon. Journal of Victorian Culture. ISSN 1355-5502 (In Press)

Durkin, Rachael (2017) The Dancing-Master's Toolkit: a Summary of the Pochette of the Seventeenth and Eighteenth Centuries and its Role in Society. The Galpin Society Journal, LXX. pp. 65-79. ISSN 0072-0127

Durkin, Rachael (2018) Early English Viols: Instruments, Makers and Music. By Michael Fleming and John Bryan [Book review]. Music and Letters, 99 (3). pp. 477-478. ISSN 0027-4224

Durkin, Rachael (2013) Neither English nor a viola — the Englische Violet undressed. In: Musical Instruments – History, Science and Culture, 25th - 29th July 2013, Oxford, UK.

Durkin, Rachael (2017) She's a Straddle Vawrious at least! The Spurious Stradivari Violin and its Role in the Contextualisation of George MacDonald's Robert Falconer. In: George MacDonald's Scotland 2017, 19-21 July 2017, Aberdeen.

Durkin, Rachael (2017) Sherlock Holmes and the case of the forged Stradivari: did we miss a vital clue for 130 years? The Conversation.

Durkin, Rachael (2012) Towards a New Perspective on the History of the Viola d’Amore. In: Internationale Viola d'amore Congresse, 14th - 17th June 2012, Innsbruck, Austria.

Durkin, Rachael (2016) Towards a new perspective on the history of the viola d'amore. In: Die so lieblich klinget: Beiträge zum Instrument, zur Musik für Viola d'amore und zu ihrer Geschichte. Helbling Verlag, pp. 267-276. ISBN 978-3-85061-909-7

Durkin, Rachael (2013) The Viola d'Amore - its heritage reconsidered. The Galpin Society Journal, 66. pp. 139-147. ISSN 0072-0127

Durkin, Rachael (2018) Westworld’s player piano is the great character that keeps getting overlooked. The Conversation.

Durkin, Rachael (2017) What I discovered inside Edinburgh’s museum of musical instruments. The Conversation.

Durkin, Rachael (2014) A barretone, an instrumentt of musicke: its history, influences and development pre-1750. The Galpin Society Journal, 67. pp. 85-107. ISSN 0072-0127

Durkin, Rachael (2014) The mystery of item 333: an examination of an unidentified instrument. In: Objects of Sound, 27th May 2014, Edinburgh, UK.

Durkin, Rachael and Poulopoulos, Panagiotis (2013) A very mistaken identification: The history of the 'sultana' or 'cither viol'. In: Musical Instruments – History, Science and Culture, 25th - 29th July 2013, Oxford, UK.

F

Frayn, Andrew and Durkin, Rachael (2017) David Bowie’s late revival belongs to a grand tradition dating back to Beethoven. The Conversation.

Fusco, Maria (2018) ECZEMA! - vinyl record and publication. [Composition]

G

Gaye, Lalya, Holmquist, Lars, Behrendt, Frauke and Tanaka, Atau (2017) 2006: Mobile Music Technology: Report on an Emerging Community. In: A NIME Reader: Fifteen Years of New Interfaces for Musical Expression. Current Research in Systematic Musicology (3). Springer, pp. 253-265. ISBN 9783319472133

Gibson, Stephen (2011) Simulating Synaesthesia in Real-time Performance: Using Subjective User-Interaction Models in 3D Spatial Environments. In: ISEA 2011 Istanbul, 14-21 September 2011, Istanbul.

Gibson, Stephen (2011) Subjective User-Interaction Models in 3D Spatial Environments: Virtual DJ and Virtual VJ. In: CHI 2011 (ACM Conference on Human Factors in Computing Systems), 7-8 May 2011, Vancouver, Canada.

Gibson, Stephen and Love, Justin (2011) Advanced Media Control Through Drawing: Using a graphics tablet to control complex audio and video data in a live context. In: ISEA 2011 Istanbul, 14-21 September 2011, Istanbul.

Gibson, Stephen and Müller Arisona, Stefan (2015) Virtual VJ. [Show/Exhibition]

Gibson, Stephen, Müller Arisona, Stefan and Adams, Randy (2008) Transdisciplinary Digital Art: Sound, Vision and the New Screen. Communications in Computer and Information Science, 7 . Springer, London. ISBN 9783540794859

Good, James, Aggleton, John, Kentridge, Robert, Barker, Julian and Neave, Nick (1997) Measuring musical aptitude in children: On the role of age, handedness, scholastic achievement, and socioeconomic status. Psychology of Music, 25 (1). pp. 57-69. ISSN 0305 7356

Griffin, Naomi (2015) Understanding DIY punk as activism: realising DIY ethics through cultural production, community and everyday negotiations. Doctoral thesis, Northumbria University.

H

Hansen, Adam (2017) The Politics of Popular Music in Contemporary Shakespearean Performance. In: Shakespeare, Music and Performance. Cambridge University Press, pp. 223-238. ISBN 9781107139336

Hansen, Adam (2010) Shakespeare and popular music. Continuum International Publishing Group Ltd, London. ISBN 978-1441126986

Hearsum, Paula and Inglis, Ian (2010) ‘When two worlds collide’. Celebrity Studies, 1 (2). pp. 239-241. ISSN 1939-2397

Holland, Simon, Marshall, Paul, Bird, Jon, Dalton, Nick, Morris, Richard, Pantidi, Nadia, Rogers, Yvonne and Clark, Andy (2009) Running up Blueberry Hill: Prototyping whole body interaction in harmony space. In: Proceedings of the 3rd International Conference on Tangible and Embedded Interaction. Association for Computing Machinery, New York, pp. 93-98. ISBN 978-1-60558-493-5

I

Inglis, Ian (2013) The Beatles and McLuhan: Understanding the Electric Age [book review]. Popular Music, 32 (3). pp. 523-525. ISSN 1474-0095

Inglis, Ian (2009) Cover story: magic, myth and music. In: Sgt Pepper & The Beatles: It Was Forty Years Ago Today. Ashgate, Farnham, pp. 91-102. ISBN 978-0754667087

Inglis, Ian (2003) George Harrison 1943-2001. Popular Music and Society, 26 (2). pp. 225-226. ISSN 0300 7766

Inglis, Ian (2009) Historical approaches to Merseybeat. Popular Music History, 4 (1). pp. 39-55. ISSN 1740-7133

Inglis, Ian (2010) “I Read the News Today, Oh Boy”: The British Press and the Beatles. Popular Music and Society, 33 (4). pp. 549-562. ISSN 0300-7766

Inglis, Ian (2005) John Peel 1939-2004. Popular Music and Society, 28 (3). pp. 407-410. ISSN 0300 7766

Inglis, Ian (2012) Music into Movies: The Film of the Song. In: A Companion to Literature, Film, and Adaptation. Wiley-Blackwell, Oxford, pp. 312-329. ISBN 9781444334975

Inglis, Ian (2010) Popular Music and Television in Britain. Ashgate, Farnham. ISBN 9780754668640

Inglis, Ian (2009) Revolution. In: The Cambridge Companion To The Beatles. Cambridge University Press, Cambridge, pp. 112-124. ISBN 978-0521869652

Inglis, Ian (2007) "Sex and drugs and rock'n'roll": Urban legends and popular music. Popular Music and Society, 30 (5). pp. 591-603. ISSN 0300 7766

Inglis, Ian (1996) Synergies and reciprocities: The dynamics of musical and professional interaction between the Beatles and Bob Dylan. Popular Music and Society, 20 (4). pp. 53-79. ISSN 0300 7766

Inglis, Ian (2004) A brief life: Broken hearts and sudden deaths. Popular Music and Society, 27 (4). pp. 477-488. ISSN 0300 7766

Inglis, Ian (2005) The continuing story of John Lennon. Critical Studies in Media Communication, 22 (5). pp. 451-455. ISSN 1529 5036

Inglis, Ian (2010) The words and music of George Harrison. Praeger singer-songwriter collection . Praeger, Santa Barbara. ISBN 9780313375323

J

Jackson, Mark (2014) This is a game called ‘Hello, hello, here is X.X.’. [Artefact]

Jones, Steve (2009) James Brown, Sample Culture, and the Permanent Distance of Glory. The Fibreculture Journal, 15. ISSN 1449 – 1443

K

King, Andrew (2005) Contingent learning for creative music technologists. Doctoral thesis, Northumbria University.

King, Andrew and Vickers, Paul (2008) Problem-solving with learning technology in the music studio. Music, Technology and Education, 1 (1). pp. 57-67. ISSN 1752-7066

L

Lampel, Joseph, Bhalla, Ajay and Jha, Pushkar (2008) Intellectual Property Rights and Industry Evolution: The Case of the Recorded Music Industry. In: The Creative Industries and Intellectual Property, 22 - 23 May 2008, London, UK.

Laney, Robin, Dobbyn, Chris, Xambó, Anna, Schirosa, Mattia, Miell, Dorothy, Littleton, Karen and Dalton, Nick (2010) Issues and techniques for collaborative music making on multi-touch surfaces. In: 7th Sound and Music Computing Conference, 21-24 July 2010, Barcelona.

Laqua, Daniel (2014) Exhibiting, Encountering and Studying Music in Interwar Europe: Between National and International Community. In: European Encounters: Intellectual Exchange and the Rethinking of Europe 1914-1945. European Studies: An Interdisciplinary Series in European Culture, History and Politics (32). Rodopi, pp. 207-223. ISBN 978-90-420-3832-5

Leggott, James (2017) From Newcastle to Nashville: the Northern Soul of Jimmy Nail. In: Social Class and Television Drama in Contemporary Britain. Palgrave, pp. 135-148. ISBN 9781137555052

M

McCullough, Elisabeth (2006) I don't know anything about music : an exploration of primary teachers' knowledge about music in education. Doctoral thesis, Northumbria University.

McIntyre, Keith (2004) New constellations for wind, sole and drawing instruments. [Show/Exhibition]

McIntyre, Keith and Wimhurst, Karen (2009) Darwin's barnacle. [Performance] (Unpublished)

McLaughlin, Noel (2014) Another Green World?: Eno, Ireland and U2. Popular Music History, 9 (2). pp. 173-194. ISSN 1740-7133

McLaughlin, Noel (2016) Another Green World?: Eno, Ireland and U2. In: Brian Eno: Oblique Music. Bloomsbury, London, pp. 235-256. ISBN 9781441117458

McLaughlin, Noel (2009) Bono! Do you ever take those wretched sunglasses off?: U2 and the performance of Irishness. Popular Music History, 4 (3). pp. 309-331. ISSN 1740-7133

McLaughlin, Noel (2014) Post-Punk Industrial Cyber Opera: The Ambivalent and Disruptive Hybridity of Early 1990s' U2. In: Music and Identity in Ireland and Beyond. Ashgate, Farnham. ISBN 978-1472409669

McLaughlin, Noel (2011) Rattling out of control: A comparison of U2 and Joy Division on film. Film, Fashion & Consumption, 1 (1). pp. 101-120. ISSN 2044-2823

McLaughlin, Noel (2009) Rock, fashion and performativity. In: The Men's fashion reader. Berg Publishers, London. ISBN 978-1845207878

McLaughlin, Noel and Braniff, Joanna (2015) ‘How Belfast got the blues’: Towards an alternative history. Popular Music History, 10 (3). pp. 207-240. ISSN 1740-7133

McLaughlin, Noel and McLoone, Martin (2014) From men to boys: masculinity, politics and the Irish boy band. In: Masculinity and Irish Popular Culture: Tiger's Tales. Palgrave Macmillan, Basingstoke. ISBN 9781137300232

McLaughlin, Noel and McLoone, Martin (2012) Rock and popular music in Ireland: before and after U2. Irish Academic Press, Dublin. ISBN 9780716530770

Mudd, Tom, Dalton, Nick, Holland, Simon and Mulholland, Paul (2014) Dynamical Systems in Interaction Design for Improvisation. In: Workshop on Human Computer Improvisation at 2014 ACM conference on Designing Interactive Systems, 21-25 June 2014, Vancouver.

Mudd, Tom, Holland, Simon, Mulholland, Paul and Dalton, Nick (2014) Dynamical Interactions with Electronic Instruments. In: Proceedings of the International Conference on New Interfaces for Musical Expression. Goldsmiths, University of London, pp. 126-129. ISBN 978-1-906897-29-­1

Mudd, Tom, Holland, Simon, Mulholland, Paul and Dalton, Nick (2015) Investigating the effects of introducing nonlinear dynamical processes into digital musical interfaces. In: SMC15 Proceedings. Sound and Music Computing Network. ISBN 9-7809-92746629

Mudd, Tom, Holland, Simon, Mulholland, Paul and Dalton, Nick (2014) Nonlinear Dynamical Systems as Enablers of Exploratory Engagement with Musical Instruments. In: INTER-FACE: International Conference on Live Interfaces 2014, 20-23 November 2014, Lisbon.

Murphy, Judith (2007) Folk on Tyne : Tyneside culture and the second folk revival, 1950-1975. Doctoral thesis, Northumbria University.

Murphy, Judith (2007) Pipedreaming : Northumbrian music from the smallpipes to Alex Glasgow. In: Northumbria: history and identity: 547-2000. Phillimore, Chichester, UK. ISBN 978-11860774713

P

Poulopoulos, Panagiotis and Durkin, Rachael (2016) ‘A very mistaken identification’: the ‘sultana’ or ‘cither viol’ and its links to the bowed psaltery, viola d’amore and guittar. Early Music, 44 (2). pp. 307-331. ISSN 0306-1078

R

Roberts, Helen (2012) Not musical enough: student teachers' musical self and identity for teaching children aged 3 to 11. LAP Lambert Academic Publishing, Saarbrücken. ISBN 9783846589243

S

Sewell, Trevor (2013) Bridge Of Spies (Instrumental). [Composition]

Sewell, Trevor (2014) Calling Me Home. [Composition]

Sewell, Trevor (2014) Face To Face. [Composition]

Sewell, Trevor (2014) Fade To Grey. [Composition]

Sewell, Trevor (2014) Home Alone. [Composition]

Sewell, Trevor (2014) How Does That Work. [Composition]

Sewell, Trevor (2014) How to succeed in the Music Industry. In: Hottest New Artist. FriesenPress, Canada, pp. 47-49. ISBN 978-1460223499

Sewell, Trevor (2014) Hundred Years. [Composition]

Sewell, Trevor (2013) Independence. [Composition]

Sewell, Trevor (2012) It's the music business Jim - but not as we know it. In: Northumbria Research Conference, 16-17 May 2012, Northumbria University, Newcastle upon Tyne.

Sewell, Trevor (2014) Live Performance at The Indie Music Channel Awards 2014 Whisky a Go Go Hollywood. [Performance]

Sewell, Trevor (2014) Living The Dream (We're Going To Rio). [Composition]

Sewell, Trevor (2012) Surf, Spies and Film Noir. [Composition]

Sewell, Trevor (2013) The Train. [Composition]

Sewell, Trevor (2014) Where The Wild Ones Go. [Composition]

Sewell, Trevor and Nickerson, Brooke (2013) Take These Chains - Brooke Nickerson Gotham Records. [Composition]

Sewell, Trevor and O Halloran, William (2014) Hate Me For A Reason. [Composition]

Sexton, Jamie (2008) Digital music: production, distribution and consumption. In: Digital culture: understanding new media. Open University Press, Maidenhead, UK, pp. 92-106. ISBN 978-0335221974

Sexton, Jamie (2014) Excavating Authenticity: Surveying the Indie Rock-Doc. In: Music and Sound in Documentary Film. Routledge Music and Screen Media Series . Routledge, London, pp. 151-165. ISBN 9780415728614

Sexton, Jamie (2016) Independent Intersections: Indie Music Cultures and American Indie Cinema. In: A Companion to American Indie Film. Wiley-Blackwell, Malden, pp. 106-128. ISBN 978-1-118-75832-8

Smith, David (2017) Exiled: Music by Philips and Dering. [Composition]

Smith, David J. (2017) Philips and Dering: Consort Music. Musica Britannica, 101 . Stainer and Bell, London. ISBN 9780852499481

Stephens, Randall (2018) The Devil’s Music: How Christians Inspired, Condemned, and Embraced Rock ’n’ Roll. Harvard University Press. ISBN 9780674980846

Stephens, Randall (2012) No Sympathy for the Devil: Christian pop music and the transformation of American evangelicalism (book review). Journal of Southern History. p. 1040. ISSN 0022-4642

Stephens, Randall (2017) Pentecostalism and Popular Culture in Britain and America from the Early Twentieth Century to the 1970s. In: Secularization and Religious Innovation in the North Atlantic World. Oxford University Press, Oxford, pp. 175-194. ISBN 9780198798071

Street, Joe (2019) Dave Godin and the Politics of the British Soul Community. In: The Northern Soul Scene. Equinox, pp. 120-141. ISBN 9781781795576

Street, Joe (2014) The Stax/Volt Revue and Soul Music Fandom in 1960s Britain. In: Subcultures, Popular Music, and Social Change. Cambridge Scholars, pp. 195-218. ISBN 978-1-4438-5945-5

Symons, Andrew Allan (2018) Male Control and Female Resistance in American Roots Music Recordings of the Interwar Period. Doctoral thesis, Northumbria University.

T

Taylor, Helen Vivienne (2008) Not musical enough: primary school student teachers' 'situated self referencing' of a musical self for teaching. Doctoral thesis, Northumbria University.

V

Vickers, Paul (2016) Sonification and Music, Music and Sonification. In: The Routledge Companion to Sounding Art. Routledge, London, pp. 135-144. ISBN 978-1-13-878061-3

Vickers, Paul (2012) Ways of listening and modes of being: electroacoustic auditory display. Journal of Sonic Studies, 2 (1). pp. 1-23. ISSN 2212-6252

Vickers, Paul, Hogg, Bennett and Worrall, David (2017) Aesthetics of sonification: Taking the subject-position. In: Body, Sound and Space in Music and Beyond: Multimodal Explorations. SEMPRE Studies in The Psychology of Music . Routledge, Oxford, UK, pp. 89-109. ISBN 9781472485403

W

Ward, Brian (2012) “The ‘C’ is for Christ”: Arthur Unger, Datebook Magazine and the Beatles. Popular Music and Society, 35 (4). pp. 541-560. ISSN 0300-7766

Ward, Brian (1998) Just My Soul Responding: Rhythm and Blues, Black Consciousness and Race Relations. University of California Press/University College London Press, Berkeley/London. ISBN 9780520212985

Ward, Brian (2014) “Music, Musical Theater and the Imagined South in Interwar Britain”. Journal of Southern History, 80 (1). pp. 39-72. ISSN 0022-4642

Ward, Brian (2015) Sounds and Silences: Music and the March on Washington. Bulletin of the German Historical Institute, S11. pp. 25-48. ISSN 1048-9134

Ward, Brian (2012) That white man, Burdon: The Animals, race, and the American south in the British blues boom. In: Transatlantic roots music: folk, blues, and national identities. American made music series . University Press of Mississippi, Jackson, USA, pp. 153-178. ISBN 978-1617032882

Ward, Brian and Huber, Patrick (2018) A & R Pioneers: The Architects of American Roots Music on Record. Vanderbilt University Press. ISBN 978-0-8265-2175-0

Watson, Jonathan Paul (2010) 'Beats apart': a comparative history of youth culture and popular music in Liverpool and Newcastle upon Tyne, 1956 - 1965. Doctoral thesis, Northumbria University.

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