Items where Subject is "W300 Music"

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Number of items at this level: 95.

B

Barron, Lee (2010) Camp transitions: genre adaptation and the HI-NRG/dance cover version. In: Play It again : cover songs in popular music. Ashgate Popular and Folk Music Series . Ashgate, Farnham, pp. 213-220. ISBN 978-0754668091

Barron, Lee (2009) Droogs, electro-voodoo and kyborgs: pastiche, postmodernism and Kylie Minogue live. Nebula, 6 (1). pp. 78-92. ISSN 1449-7751

Barron, Lee (2012) Fantasy meets electronica: legend and the music of Tangerine Dream. In: The Music of Fantasy Cinema. Genre, Music and Sound . Equinox Publishing, Sheffield, UK, pp. 79-94. ISBN 978-1845535322

Barron, Lee (2015) Pulling down barriers: Neil Peart, autobiographical confession and negotiated rock celebrity. Celebrity Studies, 7 (3). pp. 323-338. ISSN 1939-2397

Barron, Lee (2013) The sound of street corner society: UK grime music as ethnography. European Journal of Cultural Studies, 16 (5). pp. 531-547. ISSN 1367-5494

Bone, Martyn, Ward, Brian and Link, William (2015) Creating and consuming the American South. University Press of Florida, Gainesville, Florida. ISBN 9780813060699

C

Caldwell, George and Riby, Leigh (2007) The effects of music exposure and own genre preference on conscious and unconscious cognitive processes: A pilot ERP study. Consciousness and Cognition, 16 (4). pp. 992-996. ISSN 1053-8100

Cameron, Colin (2009) Tragic but brave or just crips with chips? Songs and their lyrics in the Disability Arts Movement in Britain. Popular Music, 28 (3). pp. 381-396. ISSN 0261-1430

Coburn, Ann, MacPherson, Fiona and Pavey, Liz (2014) Get Up and Tie Your Fingers (2014 tour). [Performance]

D

Davis, Joshua, Benforado, Adam, Esrock, Ellen, Turner, Alasdair, Dalton, Ruth, van Noorden, Leon and Leman, Marc (2012) Four applications of embodied cognition. Topics in Cognitive Science, 4 (4). pp. 786-793. ISSN 1756-8757

Dorsett, Chris (2012) Synaesthetic Presences: new sights from old sound objects. In: Making Sound Objects: Cultures of hearing, Creating and Circulation, British Forum for Ethnomusicology Conference, 24 November 2012, Pitt Rivers Museum, Oxford..

Dorsett, Chris (2015) singlesingles. [Show/Exhibition]

G

Gaye, Lalya, Holmquist, Lars Erik, Behrendt, Frauke and Tanaka, Atau (2017) 2006: Mobile Music Technology: Report on an Emerging Community. In: A NIME Reader: Fifteen Years of New Interfaces for Musical Expression. Current Research in Systematic Musicology (3). Springer, pp. 253-265. ISBN 9783319472133

Gibson, Stephen (2011) Simulating Synaesthesia in Real-time Performance: Using Subjective User-Interaction Models in 3D Spatial Environments. In: ISEA 2011 Istanbul, 14-21 September 2011, Istanbul.

Gibson, Stephen (2011) Subjective User-Interaction Models in 3D Spatial Environments: Virtual DJ and Virtual VJ. In: CHI 2011 (ACM Conference on Human Factors in Computing Systems), 7-8 May 2011, Vancouver, Canada.

Gibson, Stephen and Love, Justin (2011) Advanced Media Control Through Drawing: Using a graphics tablet to control complex audio and video data in a live context. In: ISEA 2011 Istanbul, 14-21 September 2011, Istanbul.

Gibson, Stephen and Müller Arisona, Stefan (2015) Virtual VJ. [Show/Exhibition]

Gibson, Stephen, Müller Arisona, Stefan and Adams, Randy (2008) Transdisciplinary Digital Art: Sound, Vision and the New Screen. Communications in Computer and Information Science, 7 . Springer, London. ISBN 9783540794859

Good, James, Aggleton, John, Kentridge, Robert, Barker, Julian and Neave, Nick (1997) Measuring musical aptitude in children: On the role of age, handedness, scholastic achievement, and socioeconomic status. Psychology of Music, 25 (1). pp. 57-69. ISSN 0305 7356

Griffin, Naomi (2015) Understanding DIY punk as activism: realising DIY ethics through cultural production, community and everyday negotiations. Doctoral thesis, Northumbria University.

H

Hansen, Adam (2010) Shakespeare and popular music. Continuum International Publishing Group Ltd, London. ISBN 978-1441126986

Hearsum, Paula and Inglis, Ian (2010) ‘When two worlds collide’. Celebrity Studies, 1 (2). pp. 239-241. ISSN 1939-2397

Holland, Simon, Marshall, Paul, Bird, Jon, Dalton, Nick, Morris, Richard, Pantidi, Nadia, Rogers, Yvonne and Clark, Andy (2009) Running up Blueberry Hill: Prototyping whole body interaction in harmony space. In: Proceedings of the 3rd International Conference on Tangible and Embedded Interaction. ACM, New York, pp. 93-98. ISBN 978-1-60558-493-5

I

Inglis, Ian (2013) The Beatles and McLuhan: Understanding the Electric Age [book review]. Popular Music, 32 (3). pp. 523-525. ISSN 1474-0095

Inglis, Ian (2009) Cover story: magic, myth and music. In: Sgt Pepper & The Beatles: It Was Forty Years Ago Today. Ashgate, Farnham, pp. 91-102. ISBN 978-0754667087

Inglis, Ian (2003) George Harrison 1943-2001. Popular Music and Society, 26 (2). pp. 225-226. ISSN 0300 7766

Inglis, Ian (2009) Historical approaches to Merseybeat. Popular Music History, 4 (1). pp. 39-55. ISSN 1740-7133

Inglis, Ian (2010) “I Read the News Today, Oh Boy”: The British Press and the Beatles. Popular Music and Society, 33 (4). pp. 549-562. ISSN 0300-7766

Inglis, Ian (2005) John Peel 1939-2004. Popular Music and Society, 28 (3). pp. 407-410. ISSN 0300 7766

Inglis, Ian (2012) Music into Movies: The Film of the Song. In: A Companion to Literature, Film, and Adaptation. Wiley-Blackwell, Oxford, pp. 312-329. ISBN 9781444334975

Inglis, Ian (2010) Popular Music and Television in Britain. Ashgate, Farnham. ISBN 9780754668640

Inglis, Ian (2009) Revolution. In: The Cambridge Companion To The Beatles. Cambridge University Press, Cambridge, pp. 112-124. ISBN 978-0521869652

Inglis, Ian (2007) "Sex and drugs and rock'n'roll": Urban legends and popular music. Popular Music and Society, 30 (5). pp. 591-603. ISSN 0300 7766

Inglis, Ian (1996) Synergies and reciprocities: The dynamics of musical and professional interaction between the Beatles and Bob Dylan. Popular Music and Society, 20 (4). pp. 53-79. ISSN 0300 7766

Inglis, Ian (2004) A brief life: Broken hearts and sudden deaths. Popular Music and Society, 27 (4). pp. 477-488. ISSN 0300 7766

Inglis, Ian (2005) The continuing story of John Lennon. Critical Studies in Media Communication, 22 (5). pp. 451-455. ISSN 1529 5036

Inglis, Ian (2010) The words and music of George Harrison. Praeger singer-songwriter collection . Praeger, Santa Barbara. ISBN 9780313375323

J

Jackson, Mark (2014) This is a game called ‘Hello, hello, here is X.X.’. [Artefact]

Jones, Steve (2009) James Brown, Sample Culture, and the Permanent Distance of Glory. The Fibreculture Journal, 15. ISSN 1449 – 1443

K

King, Andrew (2005) Contingent learning for creative music technologists. Doctoral thesis, Northumbria University.

King, Andrew and Vickers, Paul (2008) Problem-solving with learning technology in the music studio. Music, Technology and Education, 1 (1). pp. 57-67. ISSN 1752-7066

L

Lampel, Joseph, Bhalla, Ajay and Jha, Pushkar (2008) Intellectual Property Rights and Industry Evolution: The Case of the Recorded Music Industry. In: The Creative Industries and Intellectual Property, 22 - 23 May 2008, London, UK.

Laney, Robin, Dobbyn, Chris, Xambó, Anna, Schirosa, Mattia, Miell, Dorothy, Littleton, Karen and Dalton, Nick (2010) Issues and techniques for collaborative music making on multi-touch surfaces. In: 7th Sound and Music Computing Conference, 21-24 July 2010, Barcelona.

Laqua, Daniel (2014) Exhibiting, Encountering and Studying Music in Interwar Europe: Between National and International Community. In: European Encounters: Intellectual Exchange and the Rethinking of Europe 1914-1945. European Studies: An Interdisciplinary Series in European Culture, History and Politics (32). Rodopi, pp. 207-223. ISBN 978-90-420-3832-5

M

McCullough, Elisabeth (2006) I don't know anything about music : an exploration of primary teachers' knowledge about music in education. Doctoral thesis, Northumbria University.

McIntyre, Keith (2004) New constellations for wind, sole and drawing instruments. [Show/Exhibition]

McIntyre, Keith and Wimhurst, Karen (2009) Darwin's barnacle. [Performance] (Unpublished)

McLaughlin, Noel (2014) Another Green World?: Eno, Ireland and U2. Popular Music History, 9 (2). pp. 173-194. ISSN 1740-7133

McLaughlin, Noel (2016) Another Green World?: Eno, Ireland and U2. In: Brian Eno: Oblique Music. Bloomsbury, London, pp. 235-256. ISBN 9781441117458

McLaughlin, Noel (2009) Bono! Do you ever take those wretched sunglasses off?: U2 and the performance of Irishness. Popular Music History, 4 (3). pp. 309-331. ISSN 1740-7133

McLaughlin, Noel (2014) Post-Punk Industrial Cyber Opera: The Ambivalent and Disruptive Hybridity of Early 1990s' U2. In: Music and Identity in Ireland and Beyond. Ashgate, Farnham. ISBN 978-1472409669

McLaughlin, Noel (2011) Rattling out of control: A comparison of U2 and Joy Division on film. Film, Fashion & Consumption, 1 (1). pp. 101-120. ISSN 2044-2823

McLaughlin, Noel (2009) Rock, fashion and performativity. In: The Men's fashion reader. Berg Publishers, London. ISBN 978-1845207878

McLaughlin, Noel and McLoone, Martin (2014) From men to boys: masculinity, politics and the Irish boy band. In: Masculinity and Irish Popular Culture: Tiger's Tales. Palgrave Macmillan, Basingstoke. ISBN 9781137300232

McLaughlin, Noel and McLoone, Martin (2012) Rock and popular music in Ireland: before and after U2. Irish Academic Press, Dublin. ISBN 9780716530770

Mudd, Tom, Dalton, Nick, Holland, Simon and Mulholland, Paul (2014) Dynamical Systems in Interaction Design for Improvisation. In: Workshop on Human Computer Improvisation at 2014 ACM conference on Designing Interactive Systems, 21-25 June 2014, Vancouver.

Mudd, Tom, Holland, Simon, Mulholland, Paul and Dalton, Nick (2014) Dynamical Interactions with Electronic Instruments. In: Proceedings of the International Conference on New Interfaces for Musical Expression. Goldsmiths, University of London, pp. 126-129. ISBN 978-1-906897-29-­1

Mudd, Tom, Holland, Simon, Mulholland, Paul and Dalton, Nick (2015) Investigating the effects of introducing nonlinear dynamical processes into digital musical interfaces. In: SMC15 Proceedings. Sound and Music Computing Network. ISBN 9-7809-92746629

Mudd, Tom, Holland, Simon, Mulholland, Paul and Dalton, Nick (2014) Nonlinear Dynamical Systems as Enablers of Exploratory Engagement with Musical Instruments. In: INTER-FACE: International Conference on Live Interfaces 2014, 20-23 November 2014, Lisbon.

Murphy, Judith (2007) Folk on Tyne : Tyneside culture and the second folk revival, 1950-1975. Doctoral thesis, Northumbria University.

Murphy, Judith (2007) Pipedreaming : Northumbrian music from the smallpipes to Alex Glasgow. In: Northumbria: history and identity: 547-2000. Phillimore, Chichester, UK. ISBN 978-11860774713

R

Roberts, Helen (2012) Not musical enough: student teachers' musical self and identity for teaching children aged 3 to 11. LAP Lambert Academic Publishing, Saarbrücken. ISBN 9783846589243

S

Sewell, Trevor (2013) Bridge Of Spies (Instrumental). [Composition]

Sewell, Trevor (2014) Calling Me Home. [Composition]

Sewell, Trevor (2014) Face To Face. [Composition]

Sewell, Trevor (2014) Fade To Grey. [Composition]

Sewell, Trevor (2014) Home Alone. [Composition]

Sewell, Trevor (2014) How Does That Work. [Composition]

Sewell, Trevor (2014) How to succeed in the Music Industry. In: Hottest New Artist. FriesenPress, Canada, pp. 47-49. ISBN 978-1460223499

Sewell, Trevor (2014) Hundred Years. [Composition]

Sewell, Trevor (2013) Independence. [Composition]

Sewell, Trevor (2012) It's the music business Jim - but not as we know it. In: Northumbria Research Conference, 16-17 May 2012, Northumbria University, Newcastle upon Tyne.

Sewell, Trevor (2014) Live Performance at The Indie Music Channel Awards 2014 Whisky a Go Go Hollywood. [Performance]

Sewell, Trevor (2014) Living The Dream (We're Going To Rio). [Composition]

Sewell, Trevor (2012) Surf, Spies and Film Noir. [Composition]

Sewell, Trevor (2013) The Train. [Composition]

Sewell, Trevor (2014) Where The Wild Ones Go. [Composition]

Sewell, Trevor and Nickerson, Brooke (2013) Take These Chains - Brooke Nickerson Gotham Records. [Composition]

Sewell, Trevor and O Halloran, William (2014) Hate Me For A Reason. [Composition]

Sexton, Jamie (2008) Digital music: production, distribution and consumption. In: Digital culture: understanding new media. Open University Press, Maidenhead, UK, pp. 92-106. ISBN 978-0335221974

Sexton, Jamie (2014) Excavating Authenticity: Surveying the Indie Rock-Doc. In: Music and Sound in Documentary Film. Routledge Music and Screen Media Series . Routledge, London, pp. 151-165. ISBN 9780415728614

Sexton, Jamie (2016) Independent Intersections: Indie Music Cultures and American Indie Cinema. In: A Companion to American Indie Film. Wiley-Blackwell, Malden, pp. 106-128. ISBN 978-1-118-75832-8

Stephens, Randall (2012) No Sympathy for the Devil: Christian pop music and the transformation of American evangelicalism (book review). Journal of Southern History. p. 1040. ISSN 0022-4642

Stephens, Randall (2017) Pentecostalism and Popular Culture in Britain and America from the Early Twentieth Century to the 1970s. In: Secularization and Religious Innovation in the North Atlantic World. Oxford University Press, Oxford, pp. 175-194. ISBN 9780198798071

Street, Joe (2014) The Stax/Volt Revue and Soul Music Fandom in 1960s Britain. In: Subcultures, Popular Music, and Social Change. Cambridge Scholars, pp. 195-218. ISBN 978-1-4438-5945-5

T

Taylor, Helen Vivienne (2008) Not musical enough: primary school student teachers' 'situated self referencing' of a musical self for teaching. Doctoral thesis, Northumbria University.

V

Vickers, Paul (2016) Sonification and Music, Music and Sonification. In: The Routledge Companion to Sounding Art. Routledge, London, pp. 135-144. ISBN 978-1-13-878061-3

Vickers, Paul (2012) Ways of listening and modes of being: electroacoustic auditory display. Journal of Sonic Studies, 2 (1). pp. 1-23. ISSN 2212-6252

Vickers, Paul, Hogg, Bennett and Worrall, David (2017) Aesthetics of sonification: Taking the subject-position. In: Body, Sound and Space in Music and Beyond: Multimodal Explorations. SEMPRE Studies in The Psychology of Music . Routledge, Oxford, UK. ISBN 9781472485403

W

Ward, Brian (2012) “The ‘C’ is for Christ”: Arthur Unger, Datebook Magazine and the Beatles. Popular Music and Society, 35 (4). pp. 541-560. ISSN 0300-7766

Ward, Brian (1998) Just My Soul Responding: Rhythm and Blues, Black Consciousness and Race Relations. University of California Press/University College London Press, Berkeley/London. ISBN 9780520212985

Ward, Brian (2014) “Music, Musical Theater and the Imagined South in Interwar Britain”. Journal of Southern History, 80 (1). pp. 39-72. ISSN 0022-4642

Ward, Brian (2015) Sounds and Silences: Music and the March on Washington. Bulletin of the German Historical Institute, S11. pp. 25-48. ISSN 1048-9134

Ward, Brian (2012) That white man, Burdon: The Animals, race, and the American south in the British blues boom. In: Transatlantic roots music: folk, blues, and national identities. American made music series . University Press of Mississippi, Jackson, USA, pp. 153-178. ISBN 978-1617032882

Watson, Jonathan Paul (2010) 'Beats apart': a comparative history of youth culture and popular music in Liverpool and Newcastle upon Tyne, 1956 - 1965. Doctoral thesis, Northumbria University.

This list was generated on Wed Sep 20 19:51:59 2017 UTC.

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