Items where Subject is "W600 Cinematics and Photography"

A

Allum, Stefanie (2016) The new Catalan cinema: regional/national film production in a globalised context. Doctoral thesis, Northumbria University.

Armitage, John (2013) Flying into the unknown: cinematic cultures of war and the aesthetics of disappearance. In: From above: War, Violence and Verticality. Hurst, London. ISBN 9781849042987

Armitage, John (2012) Paul Virilio as twentieth-century military strategist: war, cinema, and the logistics of perception. In: The Edinburgh companion to twentieth-century British and American war literature. Edinburgh University Press, Edinburgh, pp. 406-412. ISBN 978-0748638741

Armstrong, Mark (2012) The Quentin Kind: visual narrative and The Naked Civil Servant. Doctoral thesis, Northumbria University.

Ashmore, Rupert (2011) Landscape and Crisis in Northern England: The Representation of Communal Trauma in Film and Photography. Doctoral thesis, Northumbria University.

Ashmore, Rupert (2013) 'Suddenly There Was Nothing’: foot and mouth, communal trauma and landscape photography. Photographies, 6 (2). pp. 289-306. ISSN 1754-0763

Ashmore, Rupert (2019) Time and Mobility in Photographs of the Northeast Industrial Landscape. Arts, 8 (3). ISSN 2076-0752

B

Baker-Alder, Helen (2009) Performance Now and Then. [Show/Exhibition]

Barron, Lee (2012) Fantasy meets electronica: legend and the music of Tangerine Dream. In: The Music of Fantasy Cinema. Genre, Music and Sound . Equinox Publishing, Sheffield, UK, pp. 79-94. ISBN 978-1845535322

Barron, Lee (2020) Ultraviolent Gothic Visions: Lucio Fulci's ‘Gates of Hell’ Trilogy as Derridean Cinematic Haunted Spaces. Gothic Studies, 22 (2). pp. 197-213. ISSN 1362-7937

Barron, Lee (2011) What if Zarathustra had not spoken? Alex North's counterfactual soundtrack to 2001: A Space Odyssey. New Review of Film and Television Studies, 9 (1). pp. 84-94. ISSN 1740-0309

Baxter, Katherine (2011) Memory and photography: Rethinking postcolonial trauma studies. Journal of Postcolonial Writing, 47 (1). pp. 18-29. ISSN 1744-9855

Beadle, Ron (2022) Book Review: The Cambridge Companion to the Circus by Gillian Arrighi and Jim Davis. Nineteenth Century Theatre and Film, 49 (1). pp. 93-96. ISSN 1748-3727

Blacker, Denys (2018) Interconnection, Synchronicity and Consciousness in Improvised Performance Art Practices. Doctoral thesis, Northumbria University.

Bosch, Johanna Titia (2009) The strategic studio: how to access and assess decision-making in visual art practice. Doctoral thesis, Northumbria University.

Bowen, Sian (2006) Shift. [Show/Exhibition]

Brettle, Jane (2007) Beyond black. [Show/Exhibition]

Brettle, Jane (2006) Everything is wrong. [Show/Exhibition]

C

Campbell, David and Durden, Mark (2013) Warhol always gives us more: The Chelsea Girls, Melodramatic Naturalism and Controlled Distraction. In: Warhol in Ten Takes. British Film Institute, London. ISBN 9781844574018

Campbell, David, Durden, Mark and Brown, Ian (2017) The Age of Chopping Off Heads. Common Culture, online.

Campbell, David, Durden, Mark and Brown, Ian (2010) Bad Faith. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2008) Different Dimension. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2008) OPEN/INVITED e v+ a 2008, Too Early for Vacation. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2009) Tales from the Trophy Room. [Show/Exhibition]

Chapman, Mark (2021) The documentary interior. Doctoral thesis, Northumbria University.

Chare, Nicholas and Williams, Dominic (2016) Questions of Filiation: From the Scrolls of Auschwitz to Son of Saul. Mémoires en jeu, 2. pp. 63-72. ISSN 2497-2711

Clark, Craig John (2022) Screening psychedelic aesthetics: film and television representations of the LSD experience. Doctoral thesis, Northumbria University.

Collin, Len (2017) Sanctuary. [Broadcast]

Collin, Leonard (2023) Changing Perspectives of Intellectual disability through the practice of film. Doctoral thesis, Northumbria University.

Cook, Tina and Hess, Elsa (2007) What the camera sees and from whose perspective? Childhood, 14 (1). pp. 29-46. ISSN 0907-5682

Cottage, Ian, Dillon, Peter, MacDonald, James and Jefferson, Robert (2019) The Ferns. Boxkite Ltd, Newcastle Upon Tyne.

Cottage, Ian and Jefferson, Robert (2019) Bosc. Boxkite Ltd.

Cottage, Ian, MacDonald, James and Jefferson, Robert (2013) Spin. Channel 4.

Crisp, Fiona (2009) Foto Grafia: international photography festival, Rome. [Show/Exhibition]

Crisp, Fiona (2009) Hyper passive. Matt's Gallery. ISBN 9780907623656

Crisp, Fiona (2015) Negative Capability: Imaging and Imagining Fundamental Science Through Productive Doubt. GeoHumanities, 1 (1). pp. 188-197. ISSN 2373-566X

Crisp, Fiona (2012) Research Methods. In: Behind the Image: Research in photography. Basics Creative Photography, 3 . AVA Publishing, Lausanne, Switzerland. ISBN 978-2940411665

Crisp, Fiona (2006) Stourhead series. [Show/Exhibition]

Crisp, Fiona and Wrigley, Richard (2008) Ruination : photographs of Rome. [Show/Exhibition]

Cullinane, Michael (2011) The memory of Theodore Roosevelt through motion pictures. In: A Companion to Theodore Roosevelt. Blackwell Companions to American History . Wiley-Blackwell, Oxford, pp. 502-520. ISBN 978-1-4443-3140-0

Cunningham, Iain, Mark-Lawson, Rebecca, Land, Ellie, Arthur, David, Cunningham, Liz and Tye, Chris (2018) Irene's Ghost. Forward Features, London.

D

Danby, Charles and Smith, Rob (2016) Limelight: Cardiff Contemporary & Llangattock Lime Kiln. [Show/Exhibition]

De Cristofaro, Diletta (2017) “Time, no arrow, no boomerang, but a concertina”:Cloud Atlasand the anti-apocalyptic critical temporalities of the contemporary post-apocalyptic novel. Critique: Studies in Contemporary Fiction, 59 (2). pp. 243-257. ISSN 0011-1619

Dillon, Peter (2011) ARRIVING. [Show/Exhibition]

Dillon, Peter (2011) LEAVING. [Show/Exhibition]

Dolan, Paul (2019) Expanded Animation, Convento Sao Pedro de Alcantara: 31st Society for Animation Studies. [Show/Exhibition]

Dolan, Paul (2019) From Silicon to Pixel: Exploring the material origins of the simulated image. In: SAS2019 - The 31st Conference of the Society for Animation Studies, 17th - 21st June 2019, Lisbon, Portugal.

Dolan, Paul (2017) Records and Wireframes: NEON Festival, CentreSpace, Dundee Contemporary Arts, Dundee. [Show/Exhibition]

Dolan, Paul (2018) Spruce Pine, North Carolina (2018) - 8 minute HD video. [Artefact]

Donachie, Jacqueline (2016) Illuminating Loss: a study of the Capacity for Artistic Practice to Shape Research and Care in the Field of Inherited Genetic Illness. Doctoral thesis, Northumbria University.

Donkin, Hazel (2010) Surrealism, photography and the periodical press: an investigation into the use of photography in surrealist publications (1924 - 1969) with specific reference to themes of sexuality and their interaction with commercial photographic images of the period. Doctoral thesis, Northumbria University.

Dye, David (2004) Legerdemain. [Show/Exhibition]

Dye, David (2003) A century of artist's film in Britain. [Show/Exhibition]

E

Egan, Kate (2022) Childhood Memories of Horror Films in the Home: Questions, Patterns and Contexts. In: Researching Historical Screen Audiences. Edinburgh University Press, Edinburgh, pp. 223-238. ISBN 9781474477819, 9781474477840, 9781474477833

Egan, Kate (2021) ‘The Film That’s Banned in Harrogate’: Monty Python’s Life of Brian (1979), Local Censorship, Comedy and Local Resistance. Historical Journal of Film, Radio and Television, 41 (1). pp. 152-171. ISSN 0143-9685

Egan, Kate (2020) Memories of Connecting: Fathers, Daughters and Intergenerational Monty Python Fandom. In: And Now for Something Completely Different: Critical Approaches to Monty Python. Edinburgh University Press, Edinburgh, pp. 207-226. ISBN 9781474475150, 9781474475181, 9781474475174

Egan, Kate (2015) Precious footage of the auteur at work: framing, accessing, using, and cultifying Vivian Kubrick's Making the Shining. New Review of Film and Television Studies, 13 (1). pp. 63-82. ISSN 1740-0309

Egan, Kate (2017) The criterion collection, cult-art films and Japanese horror: DVD labels as transnational mediators? Transnational Cinemas, 8 (1). pp. 65-79. ISSN 2040-3526

Egan, Kate, Smith, Martin and Terrill, Jamie (2019) Introduction to Themed Section: Researching past cinema audiences. Participations, 16 (1). pp. 680-686. ISSN 1749-8716

Elmansy, Rafiq (2017) Developing Professional iPhone Photography: Using Photoshop, Lightroom, and other iOS and Desktop Apps to Create and Edit Photos. Apress. ISBN 9781484231852

Erfani, Goran (2021) Visualising urban redevelopment: Photovoice as a narrative research method for investigating redevelopment processes and outcomes. Geoforum, 126. pp. 80-90. ISSN 0016-7185

F

Fisher, Austin and Walker, Johnny (2017) Italian horror cinema. Journal of Italian Cinema & Media Studies, 5 (2). pp. 153-157. ISSN 2047-7368

Freeman, Sophie (2018) Adaptation to Survive: British Horror Cinema of the 1960s and 1970s. Doctoral thesis, Northumbria University.

Fusco, Maria (2014) Punctum: Reflections on Photography. [Show/Exhibition]

Fusco, Maria (2013) Start the Revolution Without Me: notes on comic face. E.R.O.S. (MMXII).

Fusco, Maria and Birkett, Richard (2012) Cosey Complex. Walther Koenig Books. ISBN 9783863351526

Fusco, Maria and Mayer, Ursula (2012) Gonda. Sternberg Press. ISBN 9783943365320

G

Gilligan, Sarah (2017) Sun, Sex, and Style in Smart Cinema: Tilda Swinton in A Bigger Splash (Luca Guadagnino, 2015). Fashion Theory, 21 (6). pp. 667-687. ISSN 1362-704X

Gilligan, Sarah and Collins, Jacky (2019) Suits and subcultures: costuming and masculinities in the films of Pedro Almodóvar. Film, Fashion & Consumption, 8 (2). pp. 147-169. ISSN 2044-2823

Godfrey, Sarah and Walker, Johnny (2015) From Pinter to Pimp: Danny Dyer, Class, Cultism and the Critics. Journal of British Cinema and Television, 12 (1). pp. 101-120. ISSN 1743-4521

Golding, Mike (2008) Mimic. [Show/Exhibition]

Goodfellow, Paul (2014) LIFE/FORMS. [Artefact]

Goodfellow, Paul (2019) Reframing the Horizon within the Algorithmic Landscape of Northern Britain. Arts, 8 (3). ISSN 2076-0752

Goodfellow, Paul (2013) Senefelderplatz to Kino Babylon via Rosa-­Luxemburg-­Platz, 2011-­ 2013. [Show/Exhibition]

Goodfellow, Paul (2013) Terra Incognita. [Show/Exhibition]

Guarneri, Michael (2017) The First-Degree Milan Trial for Obscenity against Salò o le 120 giornate di Sodoma. L'avventura, 2017 (2). pp. 201-218. ISSN 2421-6496

Guarneri, Michael (2017) The Gothic bet: Riccardo Freda’s I vampiri (1957) and the birth of Italian horror cinema from an industrial perspective. Palgrave Communications, 3 (1). p. 29. ISSN 2055-1045

Guarneri, Michael (2017) Questi fiori malati. Il cinema di Pedro Costa. Bébert edizioni, Bologna. ISBN 978-88-97967-25-5

Guarneri, Michael (2016) Re-working the Count Dracula myth, re-negotiating class identity: the transnational vampire goes to late 1950s Italy. Časopis A & P, 2. pp. 47-59. ISSN 1339-9284

Guarneri, Michael (2018) Sanguisughe Sexy: Vampires in Italian Genre Cinema between 1956 and 1975. Doctoral thesis, Northumbria University.

H

Hair, Melissa (2019) “I’d like an abortion please”: rethinking unplanned pregnancy narratives in contemporary American cinema. Feminist Media Studies, 19 (3). pp. 380-395. ISSN 1468-0777

Hann, Rachel (2022) The New Meyerhold Theatre: Visualising A Lost Architectural Experiment. In: The Routledge Companion to Vsevolod Meyerhold. Routledge Companions . Taylor & Francis, London, pp. 453-470. ISBN 9780367627843, 9781003110804

Hassan, Navid, Ghassemlooy, Zabih, Zvanovec, Stanislav, Luo, Pengfei and Le Minh, Hoa (2018) Non-line-of-sight 2 × N indoor optical camera communications. Applied Optics, 57 (7). B144-B149. ISSN 1559-128X

Hickman, John (2016) The Fictional Onscreen Depiction of Looked-after Young People: “Finding someone just like me”. Doctoral thesis, Northumbria University.

Hills, Matt and Sexton, Jamie (2015) Cult cinema and technological change [editorial]. New Review of Film and Television Studies, 13 (1). pp. 1-11. ISSN 1740-0309

Hills, Matt and Sexton, Jamie (2017) Editorial Introduction: The multiplicities of transnational cult – intersecting with(in) reason [Editorial]. Transnational Cinemas, 8 (1). pp. 1-4. ISSN 2040-3526

Hochscherf, Tobias (2004) From now on, please speak in English: German-speaking émigrés in British cinema, 1927-1945. Literatur in Wissenschaft und Unterricht, 37 (4). pp. 371-394. ISSN 0024-4643

Hochscherf, Tobias and Leggott, James (2011) British science fiction film and television: critical essays. Critical Explorations in Science Fiction and Fantasy, 29 . McFarland & Co Inc, Jefferson, NC. ISBN 9780786446216

Hochscherf, Tobias and Leggott, James (2011) Introduction: British Science Fiction Beyond the TARDIS. In: British Science Fiction Film and Television: Critical Essays. Critical explorations in science fiction and fantasy, 29 . McFarland & Co Inc, Jefferson, NC, pp. 1-9. ISBN 978-0786446216

Hochscherf, Tobias and Leggott, James (2011) Working Title Films: from mid-atlantic to the heart of Europe? Film International, 8 (6). pp. 8-20. ISSN 1651-6826

Hodgson, Philip (2013) Oppositional spaces: An evaluation of post-nationalist film theory using the work of migrant, exilic and diasporic filmmakers. Doctoral thesis, Northumbria University.

Holt, Ysanne and Ashmore, Rupert (2020) Introduction: Layered Landscapes. Arts, 9 (1). p. 31. ISSN 2076-0752

Horvat, Anamarija (2023) Bring on The Parade: Queer Cinema, Memories of War and Transnationalism in Srđan Dragojević’s Parada (2011). Transnational Screens, 14 (1). pp. 47-63. ISSN 2578-5273

Hughes, Allan (2012) Enemy Blue. [Show/Exhibition]

Hughes, Allan (2012) Enemy Blue [solo exhibition]. [Show/Exhibition]

Hughes, Allan (2011) Point Of Audition. [Show/Exhibition]

Hughes, Allan (2012) Regressions [solo exhibition]. [Show/Exhibition]

Hunt, Megan (2017) “Fictional Others”: Analyzing Hollywood's Relationship with Evangelical Christianity. Journal of American Studies, 51 (01). pp. 241-248. ISSN 0021-8758

Hunter, Russ (2022) Capturing European crime: European Crime Cinema at European Film Festivals. Alphaville: Journal of Film and Screen Media (22). pp. 31-41. ISSN 2009-4078

Hunter, Russ (2010) "Didn't you used to be Dario Argento?": The Cult Reception of Dario Argento. In: Italian Film Directors in the New Millennium. Cambridge Scholars Publishing, Newcastle-upon-Tyne, pp. 63-74. ISBN 978-1443820752

Hunter, Russ (2013) Eco Zombies: The Italian horror film and political ecology. The Italianist, 33 (2). pp. 294-299. ISSN 0261-4340

Hunter, Russ (2016) Horrifically local? European horror and regional funding initiatives. Film Studies, 15 (1). pp. 66-80. ISSN 1469-0314

Hunter, Russ (2013) 'I don't wanna be dead! There's no future in it!': The US and UK critical reception of Four Lions. In: No Known Cure: The Comedy of Chris Morris. Palgrave Macmillan, Basingstoke, pp. 212-222. ISBN 9781844574797

Hunter, Russ (2017) 'I have a picture of the Monster!': Il mostro di Frankenstein and the search for Italian horror cinema. Journal of Italian Cinema & Media Studies, 5 (2). pp. 159-172. ISSN 2047-7368

Hunter, Russ (2018) Morasta mesta. Italijanski film okoljski diskurzi. Kino!, 36. pp. 144-158. ISSN 1854-9375

Hunter, Russ (2013) Nightmare cities: Italian horror cinema and environmental discourses. In: Screening the Undead: Vampires and Zombies in Film and Television. I.B. Tauris, London, pp. 112-130. ISBN 9781848859241

Hunter, Russ (2016) Preferisco l’inferno: Early Italian horror cinema. In: Italian Horror Cinema. Edinburgh University Press. ISBN 978-1474419680

Hunter, Russ (2012) The ecstasy of gold: Love, greed and homosociality in the Dollars trilogy. Studies in European Cinema, 9 (1). pp. 69-78. ISSN 1741-1548

Hunter, Russ (2021) The sign of the cross: Georges Melies and early Satanic cinema. In: Giving the Devil His Due: Satan and Cinema. Fordham University Press, New York, pp. 15-26. ISBN 9780823297900

Hunter, Russ and Street, Joe (2023) Prometheus by the Bay: Hollywood and tech capitalism in Silicon Valley. Journal of Popular Culture. ISSN 0022-3840 (In Press)

Hutchings, Peter (2014) Adapt or die: mimicry and evolution in Guillermo del Toro's English language films. In: The Transnational Fantasies of Guillermo del Toro. Palgrave Macmillan, Basingstoke, pp. 83-98. ISBN 9781137407832

Hutchings, Peter (2008) American vampires in Britain: Richard Matheson's 'I am legend' and Hammer's 'The night creatures'. In: Sights Unseen: Unfinished British Films. Cambridge Scholars Press, Newcastle upon Tyne, pp. 53-70. ISBN 978-1847184269

Hutchings, Peter (2016) Bavaesque: the making of Mario Bava as Italian horror auteur. In: Italian Horror Cinema. Edinburgh University Press, Edinburgh, pp. 79-92. ISBN 9781474419680

Hutchings, Peter (2002) Beyond the New Wave : realism in British cinema, 1959-1963. In: The British Cinema Book. British Film Institute. ISBN 9781844572755

Hutchings, Peter (2014) By the Book: American Horror Cinema and Horror Literature of the late 1960s and 1970s. In: Merchants of Menace: The Business of Horror Cinema. Bloomsbury, London, pp. 45-60. ISBN 978-1623563943

Hutchings, Peter (2015) Deep Red: The Art of Violence. In: Il Grande "Incubo che mi son Scelto". Edizioni il Foglio, Italy, pp. 84-92. ISBN 97876065972

Hutchings, Peter (2011) Dracula’s Eastern Legacy: Japanese vampire films of the 1970s. Asian Cinema, 22 (1). pp. 10-19. ISSN 1059-440X

Hutchings, Peter (2013) Film Noir and Horror. In: A Companion to Film Noir. Wiley-Blackwell, Oxford, pp. 111-124. ISBN 978-1444336276

Hutchings, Peter (2004) The Horror Film. Inside Film . Longman, Harlow. ISBN 9780582437944

Hutchings, Peter (2014) International Horror in the 1970s. In: A Companion to the Horror Film. Wiley-Blackwell, Oxford, pp. 292-309. ISBN 9780470672600

Hutchings, Peter (2008) Monster legacies: memory, technology and horror history. In: The Shifting Definitions of Genre: Essays on Labeling Films, Television Shows and Media. McFarland, Jefferson, NC, pp. 216-228. ISBN 978-0786434305

Hutchings, Peter (2013) Northern Darkness: The Curious Case of the Swedish Vampire. In: Screening the Dead: Vampires and Zombies in Film and Television. I.B. Tauris, London, pp. 54-70. ISBN 9781848859234

Hutchings, Peter (2016) Putting the Brit into Eurohorror: Exclusions and Exchanges in the History of European Horror Cinema. Film Studies, 15 (1). pp. 54-65. ISSN 1469-0314

Hutchings, Peter (2012) Resident evil? The limits of European horror: Resident Evil versus Suspiria. In: European Nightmares: Horror Cinema in Europe since 1945. Columbia University Press, London & New York, pp. 13-24. ISBN 978-0231162098

Hutchings, Peter (2001) Terence Fisher. Manchester University Press, Manchester. ISBN 9780719056365

Hutchings, Peter (2008) Theatres of blood: Shakespeare and the horror film. In: Gothic Shakespeares. Taylor and Francis, London, pp. 153-166. ISBN 9780415420679, 9780415420662, 9780203885741

Hutchings, Peter (2008) The historical dictionary of horror cinema. Scarecrow Press. ISBN 9780810855854

Hutchings, Peter (2010) The power to create catastrophe: the idea of apocalypse in 1970s British cinema. In: Don’t look now: British cinema in the 1970s. Intellect Ltd, Bristol, pp. 107-118. ISBN 978-1841503202

Hutchings, Peter (2015) The she-wolves of horror cinema. In: She-Wolf: A cultural history of female werewolves. Manchester University Press, Manchester, pp. 166-179. ISBN 9780719089343

I

Inglis, Ian (2012) Music into Movies: The Film of the Song. In: A Companion to Literature, Film, and Adaptation. Wiley-Blackwell, Oxford, pp. 312-329. ISBN 9781444334975

Inglis, Ian (2010) Popular Music and Television in Britain. Ashgate, Farnham. ISBN 9780754668640

J

Jeffries, Mike and Messer, Sebastian (2012) PlayToon. Northumbria University, School of Built and Natural Environment, Newcastle upon Tyne, UK. ISBN 9781861353771

Jess-Cooke, Carolyn (2009) Film sequels: theory and practice from Hollywood to Bollywood. Edinburgh University Press, Edinburgh. ISBN 9780748626038

Jess-Cooke, Carolyn (2010) Second takes: critical approaches to the film sequel. Horizons of Cinema . State University of New York Press, Albany. ISBN 9781438430294

Jones, Steve (2008) Against what you did: Interpersonal Distances and Morality in Decalogue 5. Cinemascope: Independent Film Journal, 11. ISSN 2240-4724

Jones, Steve (2018) Cartesianism and Intersubjectivity in Paranormal Activity and the Philosophy of Mind. Kino!, 36. ISSN 1854-9375

Jones, Steve (2019) Issues with the BBFC’S 2018 consultation exercise. Screening Sex.

Jones, Steve (2013) No pain, no gain: strategic repulsion and The Human Centipede. Cine-Excess ejournal, 1 (1). ISSN 2053-0706

Jones, Steve (2022) Od postmodernega k metamodernemu slasherju: From the postmodern to the metamodern slasher. KINO, 46/47. ISSN 1854-9375

Jones, Steve (2021) Playground – Plac Zabaw (2016). In: Evil seeds: the ultimate movie guide to villainous children. UNSPECIFIED, Sint-Pieters-Woluwe, Belgium, pp. 425-426. ISBN 9798537415541

Jones, Steve (2018) Preserved for Posterity? Present Bias and the Status of Grindhouse Films in the “Home Cinema” Era. Journal of Film and Video, 70 (1). pp. 3-16. ISSN 0742-4671

Jones, Steve (2019) Spierig Brothers' Jigsaw (2017) - Torture Porn Rebooted? In: Horror: A Companion. Peter Lang, Oxford, pp. 85-92. ISBN 9781787079199

Jones, Steve (2021) Them – Ils (2006). In: Evil seeds: the ultimate movie guide to villainous children. UNSPECIFIED, Sint-Pieters-Woluwe, Belgium, pp. 299-300. ISBN 9798537415541

Jones, Steve (2010) Time is wasting: con/sequence and s/pace in the Saw series. Horror Studies, 1 (2). pp. 225-239. ISSN 2040-3275

Jones, Steve (2015) Torture Pornopticon: (In)security Cameras, Self-Governance and Autonomy. In: Digital Horror: Haunted Technologies, Network Panic and the Found Footage Phenomenon. I.B. Tauris, London, pp. 29-41. ISBN 9781784530259

Jones, Steve (2017) 'Tvoja Zgodba je Resnična in Ljudje to Čutijo’: Mučenje v Kontekstu. Kino!, 31/32. ISSN 1854-9375

Jones, Steve (2013) Twisted Pictures: morality, nihilism and symbolic suicide in the Saw series. In: To See the Saw Movies: Essays on Torture Porn and Post-9/11 Horror. McFarland, Jefferson, NC, pp. 105-122. ISBN 9781476603803, 9780786470891

Jones, Steve (2013) XXXombies: economies of desire and disgust. In: Thinking Dead: What the Zombie Apocalypse Means. Lexington Books, New York, pp. 197-214. ISBN 9780739183823

Jones, Steve (2020) Zmrcvarjen do smrti: cikel slasherjev. Kino!, 40/41. ISSN 1854-9375

Jones, Steve (2017) The origin of the faeces. Porn Studies, 4 (4). pp. 473-476. ISSN 2326-8743

Jones, Steve, Hunter, Russ, Egan, Kate, Sexton, Jamie, Peče, Masa, Dariš, Metka, Krajnc, Maja, Nikolič, Pia and Lovrenov, Maja (2017) Kurja Polt: Kulti, Klasike in Žanrski Odpadniki na 35 mm. Slovenska kinoteka, Ljublana, Slovenia.

K

Kolaiti, Christina (2010) The influence of photographic narrative in healthcare dialogue. Doctoral thesis, Northumbria University.

Kozlowska, Agnieszka (2014) Taking Photographs Beyond the Visual: Paper as a Material Signifier in Photographic Indexicality. Doctoral thesis, Northumbria University.

L

Land, Ellie (2014) Animating the Other Side: Animated Documentary as a Communication Tool for Exploring Displacement and Reunification in Germany. In: Displaced Heritage: Responses to Disaster, Trauma, and Loss. Heritage Matters . Boydell & Brewer, pp. 121-128. ISBN 9781843839637

Land, Ellie (2012) Centrefold screening. In: Women’s. Bodies. Politics Conference, 5 November 2012, Vienna, Austria.

Land, Ellie (2012) Giving life to stills. In: Underwire Film Festival: celebrating shorts by women, 20- 24 November 2012, London, UK.

Land, Ellie (2012) The art of science. In: Underwire Film Festival: celebrating shorts by women, 20- 24 November 2012, London, UK.

Land, Ellie and Patrick, Ruth (2014) The Process of Using Participatory Research Methods with Film-Making to Disseminate Research: Challenges and Potential. SAGE, SAGE Research Methods Cases (online).

Lea, Sharron (2009) Arts activism and the democratisation of the photographic image. Criminal Justice Matters, 78 (1). pp. 21-22. ISSN 0962-7251

Lee, Rona (2009) Calenture I / II. [Show/Exhibition]

Lee, Rona (2017) A Necessary Darkness. [Show/Exhibition]

Lee, Rona (2010) Truthing Gap - imagining a relational geography of the uninhabitable. In: Emerging Landscapes - between Production and Representation, 25-27 June 2010, University of Westminster.

Leggott, James (2016) Come to Daddy? Claiming Chris Cunningham for British Art Cinema. Journal of British Cinema and Television, 13 (2). pp. 243-261. ISSN 1743-4521

Leggott, James (2013) Contemporary British Cinema. In: The Media in Contemporary Britain: A Critical Approach. Palgrave Macmillan, Basingstoke. ISBN 978-0-2305-5183-1

Leggott, James (2008) Contemporary British cinema: from heritage to horror. Wallflower Press. ISBN 9781905674718

Leggott, James (2014) “It's not clever, it's not funny, and it's not period!”: Costume Comedy and British Television. In: Upstairs and Downstairs: British Costume Drama Television from The Forstye Saga to Downton Abbey. Rowman and Littlefield, Lanham, pp. 37-52. ISBN 9781442244825

Leggott, James (2004) Like father? : Failing parents and angelic children in contemporary British social realist cinema. In: The trouble with men : masculinities in European and Hollywood cinema. Wallflower Press, London, pp. 163-173. ISBN 1904764088

Leggott, James (2008) Nothing to do around here: British realist cinema in the 1970s. In: Seventies British Cinema. Palgrave Macmillan, Basingstoke, pp. 94-104. ISBN 978-1844572748

Leggott, James (2017) The rise and fall of practically everyone? The independent British film production sector from the 1980s to the present. In: The Routledge Companion to British Cinema History. Taylor & Francis, Abingdon. ISBN 9780415706193

Leggott, James and Hochscherf, Tobias (2008) From Marks and Spencer to Marx and Engels : a transnational DEFA and Amber Film documentary project across the Iron Curtain. Studies in Documentary Film, 2 (2). pp. 123-135. ISSN 1750-3280

Lewis, Simon John (2012) The aesthetics of spectacle in mainstream cinema. Doctoral thesis, Northumbria University.

M

Mack, Jonathan (2015) (Indie)mediality: Intermediality in Contemporary American Independent Film. Doctoral thesis, Northumbria University.

Mathijs, Ernest and Hunter, Russ (2012) Refusing to look at rape: the reception of British horror cinema. In: European Nightmares: European Horror Cinema since 1945. Columbia University Press, London & New York, pp. 35-48. ISBN 978-0231162098

Mathijs, Ernest and Sexton, Jamie (2011) Cult Cinema: An Introduction. John Wiley & Sons, Malden, MA. ISBN 9781405173735, 9781405173742, 9781444396447, 9781444396430, 9781444396423

McCarthy, Leon (2016) Steering Audience Engagement During Audio-Visual Performance. Doctoral thesis, Northumbria University.

McCrea, Ronan (2011) Autodidact. [Show/Exhibition]

McCrea, Ronan (2009) School Play. [Show/Exhibition]

McDonnell, Sarah (2011) Style without Boundaries. [Show/Exhibition]

McIntyre, Keith (2011) Wee timorous beasties. [Show/Exhibition]

McLaughlin, Noel (2011) Rattling out of control: A comparison of U2 and Joy Division on film. Film, Fashion & Consumption, 1 (1). pp. 101-120. ISSN 2044-2823

Messer, Sebastian and Jeffries, Mike (2012) PlayToon. [Show/Exhibition]

Mullins, Kimberley (2006) The politician as performer : a practical and theoretical assessment. Doctoral thesis, Northumbria University.

N

Nisa, Ami (2024) The camera as character: theorising the camera’s agency in found-footage horror film. Doctoral thesis, Northumbria University.

O

O'Sullivan, Tom (2018) A Glasgow Spectacular (or the experience being an experience like the experience you just had). [Show/Exhibition]

O'Sullivan, Tom and Tatham, Joanne (2018) A Proposal To Ask Where Does A Threshold Begin & End. [Show/Exhibition]

O'Sullivan, Tom and Tatham, Joanne (2018) A Successful Proposition for the Great North Exhibition. [Show/Exhibition]

Orzech, Kathryn, Moncur, Wendy, Durrant, Abigail, James, Stuart and Collomosse, John (2017) Digital photographic practices as expressions of personhood and identity: variations across school leavers and recent retirees. Visual Studies, 32 (4). pp. 313-328. ISSN 1472-586X

P

Pavey, Liz (2012) Dancer. Peter Dillon.

Peirse, Alison (2013) After Dracula: The 1930s Horror Film. I.B. Tauris, London. ISBN 9781848855311

Peirse, Alison (2011) Horrible women: abjection, gender and ageing in nip/tuck. In: Nip/tuck: television that gets under your skin. I.B. Tauris, London, pp. 66-86. ISBN 978-1845118624

Peirse, Alison (2010) In a lonely place? Dexter and film noir. In: Dexter: investigating cutting edge television. Investigating Cult TV . I.B. Tauris, London, pp. 189-204. ISBN 978-1848852655

Peirse, Alison (2012) Ocularcentrism, horror and The Lord of the Rings films. Journal of Adaptation in Film & Performance, 5 (1). pp. 41-50. ISSN 17536421

Peirse, Alison (2009) Supernatural. In: The Essential Cult TV Reader. The University Press of Kentucky, pp. 260-267. ISBN 978-0813125688

Peirse, Alison (2011) Tracing tradition in Korean horror film. Asian Cinema, 22 (1). pp. 31-44. ISSN 1059-440X

Peirse, Alison (2009) The impossibility of vision: vampirism, formlessness and horror in Vampyr. Studies in European Cinema, 5 (3). pp. 161-170. ISSN 1741-1548

Peirse, Alison and Byrne, James (2013) Creepy Liver-Eating Fox Ladies: The Thousand Year Old Fox and Korea’s Gumiho. In: Korean Horror Cinema. Edinburgh University Press, Edinburgh, pp. 35-47. ISBN 9780748643097

Peirse, Alison and Martin, Daniel (2013) Korean Horror Cinema. Edinburgh University Press, Edinburgh. ISBN 9780748643097

Pencak, Claire and Pavey, Liz (2012) Pollination Project. [Show/Exhibition]

R

Reed, Ginny (2009) Desaturated. [Show/Exhibition]

Reed, Ginny (2008) Dis/enchantment. [Show/Exhibition]

Reed, Ginny (2009) Tiny Shiny. [Show/Exhibition]

Reed, Ginny and Rigg, Richard (2008) Draw a line, follow it. [Show/Exhibition]

Ross, Andrew J. (2022) The Harley Quinn experience: retrogenesis and remediation within a transmedia fictional universe. Doctoral thesis, Northumbria University.

S

Scanlon, Julie (2011) Dystopia. In: Encyclopedia of Religion and Film. ABC-CLIO, Santa Barbara, California, pp. 163-166. ISBN 978-0313330728

Schmidt, Albrecht, Pfleging, Bastian, Holz, Christian and Holmquist, Lars (2014) From Photography to Ubiquitous Capture Systems. IEEE Pervasive Computing, 13 (1). pp. 10-13. ISSN 1536-1268

Sexton, Jamie (2008) Alternative film culture in inter-war Britain. University of Exeter Press, Exeter. ISBN 978-0859898102

Sexton, Jamie (2015) Creeping decay: cult soundtracks, residual media, and digital technologies. New Review of Film and Television Studies, 13 (1). pp. 12-30. ISSN 1740-0309

Sexton, Jamie (2014) Excavating Authenticity: Surveying the Indie Rock-Doc. In: Music and Sound in Documentary Film. Routledge Music and Screen Media Series . Routledge, London, pp. 151-165. ISBN 9780415728614

Sexton, Jamie (2014) From bad to good and back to bad again? Cult Cinema and its unstable trajectory. In: B for Bad Cinema: aesthetics, politics and cultural value. SUNY Press, Detroit, USA. ISBN 978-1-4384-4995-1

Sexton, Jamie (2016) Independent Intersections: Indie Music Cultures and American Indie Cinema. In: A Companion to American Indie Film. Wiley-Blackwell, Malden, pp. 106-128. ISBN 978-1-118-75832-8

Sexton, Jamie (2019) Low Budget Audio-visual Aesthetics in Indie Music Video and Feature Filmmaking: The Works of Steve Hanft and Danny Perez. In: The Bloomsbury Handbook of Popular Music Video Analysis. Bloomsbury Handbooks . Bloomsbury, New York, NY, pp. 27-46. ISBN 9781501342363, 9781501342349, 9781501342356, 9781501342332

Sexton, Jamie (2018) Stranger Than Paradise. Columbia University Press. ISBN 9780231180559

Smith, Clarissa (2021) Putting Porn Studies (back) into Porn Literacy. Synoptique, 9 (2). pp. 160-182. ISSN 1715-7641

Smith, Martin (2019) Researching memories of The Exorcist: An introduction to grounded audience studies. Participations, 16 (1). pp. 844-864. ISSN 1749-8716

Smith, Martin (2015) Revulsion and Derision: 'Antichrist', 'The Human Centipede II' and the British Press. Film International. ISSN 1651-6826

Smith, Martin (2018) Serb Your Enthusiasm: Anti-fandom and 'A Serbian Film'. Participations, 15 (2). pp. 115-134. ISSN 1749-8716

Smith, Martin (2019) Shock Value: Audiences on the Censorship of 'A Serbian Film'. Journal of British Cinema and Television, 16 (2). pp. 191-212. ISSN 1743-4521

Smith, Martin Ian (2019) Remembering “the scariest movie of all time” : A grounded audience study of the exorcist. Doctoral thesis, Northumbria University.

Stenbom, Cecilia (2018) BEAM REACH BLASTING. [Artefact]

Stenbom, Cecilia (2013) The Case. [Artefact]

Stenbom, Cecilia (2019) Diem. [Artefact]

Stenbom, Cecilia (2014) In Waiting. [Artefact]

Stenbom, Cecilia (2014) The List. [Show/Exhibition]

Stenbom, Cecilia (2016) Parallel. [Artefact]

Stenbom, Cecilia (2018) Rules of Engagement. [Artefact]

Stenbom, Cecilia (2014) SYSTEM. [Artefact]

Stockwell, Richard (2011) Future Shock. [Performance]

Stokoe, Brian (2014) Class tourism and photography: The typological portraits of EO Hoppe and J.D. Beresford. In: Royal Anthropological Institute Conference: Anthropology and Photography 2014, 29-31 May 2014, The British Museum. (Unpublished)

Stokoe, Brian (2009) E. O. Hoppé's Australia. History of Photography, 33 (1). pp. 94-105. ISSN 0308-7298

Stokoe, Brian (2011) E. O. Hoppé's London Types. The London Journal, 36 (2). pp. 161-185. ISSN 0305-8034

Stokoe, Brian (2014) The Exemplary Career of EO Hoppé: Photography, Modernism and Modernity. History of Photography, 38 (1). pp. 73-93. ISSN 0308-7298

Stokoe, Brian (2008) High society and low life: celebrities and social types in the portrait photography of E.O. Hoppé. Visual Culture in Britain, 9 (2). pp. 21-41. ISSN 1471-4787

Stokoe, Brian (2013) The Photobook: From Talbot to Ruscha and Beyond. History of Photography, 37 (4). pp. 464-466. ISSN 0308-7298

T

Taylor, Julie (2020) Mechanical Reproduction: The Photograph and the Child in the Crisis and The Brownies’ Book. Journal of American Studies, 54 (4). pp. 737-774. ISSN 0021-8758

V

Vice, Sue and Williams, Dominic (2021) “Non-sites of memory”. Alphaville: Journal of Film and Screen Media (21). pp. 35-54. ISSN 2009-4078

W

Walker, Johnny (2022) Activist Horror Film: The Genre as Tool for Change. New Review of Film and Television Studies, 20 (2). pp. 194-219. ISSN 1740-0309

Walker, Johnny (2015) Contemporary British Horror Cinema: Industry, Genre and Society. Edinburgh University Press, Edinburgh. ISBN 9780748689736

Walker, Johnny (2022) Less Punk, More Splatter: Heavy Metal, Horror Video and the Literary Nasties of Shaun Hutson. Journal of Popular Culture, 55 (5). pp. 1122-1143. ISSN 0022-3840

Walker, Johnny (2011) Nasty visions: violent spectacle in contemporary British horror cinema. Horror Studies, 2 (1). pp. 115-130. ISSN 2040-3275

Walker, Johnny (2017) Rewind, playback: re-viewing the "video boom" in Britain. In: The Routledge Companion to British Cinema History. Taylor & Francis, Abingdon. ISBN 9780415706193

Walker, Johnny (2012) A wilderness of horrors? British horror cinema in the new millennium. Journal of British Cinema and Television, 9 (3). pp. 436-456. ISSN 1743-4521

Waters, Melanie (2011) Introduction: screening women and women on screen. In: Women on screen: feminism and femininity in visual culture. Palgrave Macmillan, Basingstoke, pp. 1-16. ISBN 978-0230229655

Waters, Melanie (2011) Women On Screen: Feminism And Femininity In Visual Culture. Palgrave Macmillan, Basingstoke. ISBN 9780230229655

Waters, Melanie (2011) The horrors of home: feminism and femininity in the suburban Gothic. In: Women on Screen: feminism and femininity in visual culture. Palgrave Macmillan, Basingstoke, pp. 58-76. ISBN 978-0230229655

Weatherston, Jack (2018) How the West has Warmed: Climate Change in the Contemporary Western. Doctoral thesis, Northumbria University.

Wharton, Chris and Longstaff, Jacky (2008) Room: Town Moor, Newcastle upon Tyne. [Show/Exhibition]

Wharton, Chris and Longstaff, Jacky (2008) Room: Town Moor, Newcastle upon Tyne. Dewi Lewis Publishing, Stockport. ISBN 9781904587620

White, Rosie (2011) Alias: quality television and the new woman professional. In: Women on Screen: feminism and femininity in visual culture. Palgrave Macmillan, Basingstoke, pp. 45-57. ISBN 978-0230229655

White, Rosie (2014) Funny Old Girls: Representing older women in British television comedy. In: Ageing, Popular Culture and Contemporary Feminism: Harleys and Hormones. Palgrave Macmillan, Basingstoke, pp. 155-171. ISBN 9781137376527

White, Rosie (2008) Violent Femmes: Donne-spia de Mata Hari ad Alias. Odoya Media e Società . Odoya, Italy. ISBN 9788862880114

Wiegand, Erin (2019) The Margins of Mondo: Tracing genre through 1960s American 'mondo' film discourse. Film International, 17 (2). pp. 15-23. ISSN 1651-6826

Wiegand, Erin Elise (2022) Mondo movies: a historical study of a polysemous genre. Doctoral thesis, Northumbria University.

Y

Yan, Ruomei and Shao, Ling (2016) Blind Estimation of Blur Kernels and Parameters from a Single Image. IEEE Transactions on Image Processing, 25 (4). pp. 1910-11921. ISSN 1057-7149