Items where Subject is "W600 Cinematics and Photography"

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Number of items at this level: 161.

A

Armitage, John (2013) Flying into the unknown: cinematic cultures of war and the aesthetics of disappearance. In: From above: War, Violence and Verticality. Hurst, London. ISBN 9781849042987

Armitage, John (2012) Paul Virilio as twentieth-century military strategist: war, cinema, and the logistics of perception. In: The Edinburgh companion to twentieth-century British and American war literature. Edinburgh University Press, Edinburgh, pp. 406-412. ISBN 978-0748638741

Armstrong, Mark (2012) The Quentin Kind: visual narrative and The Naked Civil Servant. Doctoral thesis, Northumbria University.

Ashmore, Rupert (2011) Landscape and Crisis in Northern England: The Representation of Communal Trauma in Film and Photography. Doctoral thesis, Northumbria University.

Ashmore, Rupert (2013) 'Suddenly There Was Nothing’: foot and mouth, communal trauma and landscape photography. Photographies, 6 (2). pp. 289-306. ISSN 1754-0763

B

Baker-Alder, Helen (2009) Performance Now and Then. [Show/Exhibition]

Barron, Lee (2012) Fantasy meets electronica: legend and the music of Tangerine Dream. In: The Music of Fantasy Cinema. Genre, Music and Sound . Equinox Publishing, Sheffield, UK, pp. 79-94. ISBN 978-1845535322

Barron, Lee (2011) What if Zarathustra had not spoken? Alex North's counterfactual soundtrack to 2001: A Space Odyssey. New Review of Film and Television Studies, 9 (1). pp. 84-94. ISSN 1740-0309

Baxter, Katherine (2011) Memory and photography: Rethinking postcolonial trauma studies. Journal of Postcolonial Writing, 47 (1). pp. 18-29. ISSN 1744-9855

Bosch, Johanna Titia (2009) The strategic studio: how to access and assess decision-making in visual art practice. Doctoral thesis, Northumbria University.

Bowen, Sian (2006) Shift. [Show/Exhibition]

Brettle, Jane (2007) Beyond black. [Show/Exhibition]

Brettle, Jane (2006) Everything is wrong. [Show/Exhibition]

C

Campbell, David and Durden, Mark (2013) Warhol always gives us more: The Chelsea Girls, Melodramatic Naturalism and Controlled Distraction. In: Warhol in Ten Takes. British Film Institute, London. ISBN 9781844574018

Campbell, David, Durden, Mark and Brown, Ian (2010) Bad Faith. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2008) Different Dimension. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2008) OPEN/INVITED e v+ a 2008, Too Early for Vacation. [Show/Exhibition]

Campbell, David, Durden, Mark and Brown, Ian (2009) Tales from the Trophy Room. [Show/Exhibition]

Collin, Len (2017) Sanctuary. [Broadcast]

Cook, Tina and Hess, Elsa (2007) What the camera sees and from whose perspective? Childhood, 14 (1). pp. 29-46. ISSN 0907-5682

Crisp, Fiona (2009) Foto Grafia: international photography festival, Rome. [Show/Exhibition]

Crisp, Fiona (2009) Hyper passive. Matt's Gallery. ISBN 9780907623656

Crisp, Fiona (2015) Negative Capability: Imaging and Imagining Fundamental Science Through Productive Doubt. GeoHumanities, 1 (1). pp. 188-197. ISSN 2373-566X

Crisp, Fiona (2012) Research Methods. In: Behind the Image: Research in photography. Basics Creative Photography, 3 . AVA Publishing, Lausanne, Switzerland. ISBN 978-2940411665

Crisp, Fiona (2006) Stourhead series. [Show/Exhibition]

Crisp, Fiona and Wrigley, Richard (2008) Ruination : photographs of Rome. [Show/Exhibition]

Cullinane, Michael (2011) The memory of Theodore Roosevelt through motion pictures. In: A Companion to Theodore Roosevelt. Blackwell Companions to American History . Wiley-Blackwell, Oxford, pp. 502-520. ISBN 978-1-4443-3140-0

D

Dillon, Peter (2011) ARRIVING. [Show/Exhibition]

Dillon, Peter (2011) LEAVING. [Show/Exhibition]

Donkin, Hazel (2010) Surrealism, photography and the periodical press: an investigation into the use of photography in surrealist publications (1924 - 1969) with specific reference to themes of sexuality and their interaction with commercial photographic images of the period. Doctoral thesis, Northumbria University.

Dye, David (2004) Legerdemain. [Show/Exhibition]

Dye, David (2003) A century of artist's film in Britain. [Show/Exhibition]

F

Fisher, Austin and Walker, Johnny (2017) Italian horror cinema. Journal of Italian Cinema & Media Studies, 5 (2). pp. 153-157. ISSN 2047-7368

G

Godfrey, Sarah and Walker, Johnny (2015) From Pinter to Pimp: Danny Dyer, Class, Cultism and the Critics. Journal of British Cinema and Television, 12 (1). pp. 101-120. ISSN 1743-4521

Golding, Mike (2008) Mimic. [Show/Exhibition]

Goodfellow, Paul (2014) LIFE/FORMS. [Artefact]

Goodfellow, Paul (2013) Senefelderplatz to Kino Babylon via Rosa-­Luxemburg-­Platz, 2011-­ 2013. [Show/Exhibition]

Goodfellow, Paul (2013) Terra Incognita. [Show/Exhibition]

Guarneri, Michael (2017) The Gothic bet: Riccardo Freda’s I vampiri (1957) and the birth of Italian horror cinema from an industrial perspective. Palgrave Communications, 3 (1). p. 29. ISSN 2055-1045

Guarneri, Michael (2017) Questi fiori malati. Il cinema di Pedro Costa. Bébert edizioni, Bologna. ISBN 978-88-97967-25-5

Guarneri, Michael (2016) Re-working the Count Dracula myth, re-negotiating class identity: the transnational vampire goes to late 1950s Italy. Časopis A & P, 2. pp. 47-59. ISSN 1339-9284

H

Hickman, John (2016) The Fictional Onscreen Depiction of Looked-after Young People: “Finding someone just like me”. Doctoral thesis, Northumbria University.

Hills, Matt and Sexton, Jamie (2017) The multiplicities of transnational cult – intersecting with(in) reason [Editorial]. Transnational Cinemas, 8 (1). pp. 1-4. ISSN 2040-3526

Hochscherf, Tobias (2004) From now on, please speak in English: German-speaking émigrés in British cinema, 1927-1945. Literatur in Wissenschaft und Unterricht, 37 (4). pp. 371-394. ISSN 0024-4643

Hochscherf, Tobias and Leggott, James (2011) British science fiction film and television: critical essays. Critical Explorations in Science Fiction and Fantasy, 29 . McFarland & Co Inc, Jefferson, NC. ISBN 9780786446216

Hochscherf, Tobias and Leggott, James (2011) Introduction: British Science Fiction Beyond the TARDIS. In: British Science Fiction Film and Television: Critical Essays. Critical explorations in science fiction and fantasy, 29 . McFarland & Co Inc, Jefferson, NC, pp. 1-9. ISBN 978-0786446216

Hochscherf, Tobias and Leggott, James (2011) Working Title Films: from mid-atlantic to the heart of Europe? Film International, 8 (6). pp. 8-20. ISSN 1651-6826

Hodgson, Philip (2013) Oppositional spaces: An evaluation of post-nationalist film theory using the work of migrant, exilic and diasporic filmmakers. Doctoral thesis, Northumbria University.

Hughes, Allan (2012) Enemy Blue. [Show/Exhibition]

Hughes, Allan (2012) Enemy Blue [solo exhibition]. [Show/Exhibition]

Hughes, Allan (2011) Point Of Audition. [Show/Exhibition]

Hughes, Allan (2012) Regressions [solo exhibition]. [Show/Exhibition]

Hunt, Megan (2017) “Fictional Others”: Analyzing Hollywood's Relationship with Evangelical Christianity. Journal of American Studies, 51 (01). pp. 241-248. ISSN 0021-8758

Hunter, Russ (2010) "Didn't you used to be Dario Argento?": The Cult Reception of Dario Argento. In: Italian Film Directors in the New Millennium. Cambridge Scholars Publishing, Newcastle-upon-Tyne, pp. 63-74. ISBN 978-1443820752

Hunter, Russ (2013) Eco Zombies: The Italian horror film and political ecology. The Italianist, 33 (2). pp. 294-299. ISSN 0261-4340

Hunter, Russ (2016) Horrifically local? European horror and regional funding initiatives. Film Studies, 15 (1). pp. 66-80. ISSN 1469-0314

Hunter, Russ (2013) 'I don't wanna be dead! There's no future in it!': The US and UK critical reception of Four Lions. In: No Known Cure: The Comedy of Chris Morris. Palgrave Macmillan, Basingstoke, pp. 212-222. ISBN 9781844574797

Hunter, Russ (2017) 'I have a picture of the Monster!': Il mostro di Frankenstein and the search for Italian horror cinema. Journal of Italian Cinema & Media Studies, 5 (2). pp. 159-172. ISSN 2047-7368

Hunter, Russ (2013) Nightmare cities: Italian horror cinema and environmental discourses. In: Screening the Undead: Vampires and Zombies in Film and Television. I. B. Tauris, London, pp. 112-130. ISBN 9781848859241

Hunter, Russ (2012) The ecstasy of gold: Love, greed and homosociality in the Dollars trilogy. Studies in European Cinema, 9 (1). pp. 69-78. ISSN 1741-1548

Hutchings, Peter (2014) Adapt or die: mimicry and evolution in Guillermo del Toro's English language films. In: The Transnational Fantasies of Guillermo del Toro. Palgrave Macmillan, Basingstoke, pp. 83-98. ISBN 9781137407832

Hutchings, Peter (2008) American vampires in Britain: Richard Matheson's 'I am legend' and Hammer's 'The night creatures'. In: Sights Unseen: Unfinished British Films. Cambridge Scholars Press, Newcastle upon Tyne, pp. 53-70. ISBN 978-1847184269

Hutchings, Peter (2016) Bavaesque: the making of Mario Bava as Italian horror auteur. In: Italian Horror Cinema. Edinburgh University Press, Edinburgh, pp. 79-92. ISBN 9781474419680

Hutchings, Peter (2002) Beyond the New Wave : realism in British cinema, 1959-1963. In: The British Cinema Book. British Film Institute. ISBN 9781844572755

Hutchings, Peter (2014) By the Book: American Horror Cinema and Horror Literature of the late 1960s and 1970s. In: Merchants of Menace: The Business of Horror Cinema. Bloomsbury, London, pp. 45-60. ISBN 978-1623563943

Hutchings, Peter (2015) Deep Red: The Art of Violence. In: Il Grande "Incubo che mi son Scelto". Edizioni il Foglio, Italy, pp. 84-92. ISBN 97876065972

Hutchings, Peter (2011) Dracula’s Eastern Legacy: Japanese vampire films of the 1970s. Asian Cinema, 22 (1). pp. 10-19. ISSN 1059-440X

Hutchings, Peter (2013) Film Noir and Horror. In: A Companion to Film Noir. Wiley-Blackwell, Oxford, pp. 111-124. ISBN 978-1444336276

Hutchings, Peter (2004) The Horror Film. Inside Film . Longman, Harlow. ISBN 9780582437944

Hutchings, Peter (2014) International Horror in the 1970s. In: A Companion to the Horror Film. Wiley-Blackwell, Oxford, pp. 292-309. ISBN 9780470672600

Hutchings, Peter (2008) Monster legacies: memory, technology and horror history. In: The Shifting Definitions of Genre: Essays on Labeling Films, Television Shows and Media. McFarland, Jefferson, NC, pp. 216-228. ISBN 978-0786434305

Hutchings, Peter (2013) Northern Darkness: The Curious Case of the Swedish Vampire. In: Screening the Dead: Vampires and Zombies in Film and Television. I. B. Tauris, London, pp. 54-70. ISBN 9781848859234

Hutchings, Peter (2016) Putting the Brit into Eurohorror: Exclusions and Exchanges in the History of European Horror Cinema. Film Studies, 15 (1). pp. 54-65. ISSN 1469-0314

Hutchings, Peter (2012) Resident evil? The limits of European horror: Resident Evil versus Suspiria. In: European Nightmares: Horror Cinema in Europe since 1945. Columbia University Press, London & New York, pp. 13-24. ISBN 978-0231162098

Hutchings, Peter (2001) Terence Fisher. Manchester University Press, Manchester. ISBN 9780719056365

Hutchings, Peter (2008) Theatres of blood: Shakespeare and the horror film. In: Gothic Shakespeares. Taylor and Francis, London, pp. 153-166. ISBN 978-0415420679

Hutchings, Peter (2008) The historical dictionary of horror cinema. Scarecrow Press. ISBN 9780810855854

Hutchings, Peter (2010) The power to create catastrophe: the idea of apocalypse in 1970s British cinema. In: Don’t look now: British cinema in the 1970s. Intellect Ltd, Bristol, pp. 107-118. ISBN 978-1841503202

Hutchings, Peter (2015) The she-wolves of horror cinema. In: She-Wolf: A cultural history of female werewolves. Manchester University Press, Manchester, pp. 166-179. ISBN 9780719089343

I

Inglis, Ian (2012) Music into Movies: The Film of the Song. In: A Companion to Literature, Film, and Adaptation. Wiley-Blackwell, Oxford, pp. 312-329. ISBN 9781444334975

Inglis, Ian (2010) Popular Music and Television in Britain. Ashgate, Farnham. ISBN 9780754668640

J

Jeffries, Mike and Messer, Sebastian (2012) PlayToon. Northumbria University, School of Built and Natural Environment, Newcastle upon Tyne, UK. ISBN 9781861353771

Jess-Cooke, Carolyn (2009) Film sequels: theory and practice from Hollywood to Bollywood. Edinburgh University Press, Edinburgh. ISBN 9780748626038

Jess-Cooke, Carolyn (2010) Second takes: critical approaches to the film sequel. Horizons of Cinema . State University of New York Press, Albany. ISBN 9781438430294

Jones, Steve (2008) Against what you did: Interpersonal Distances and Morality in Decalogue 5. Cinemascope: Independent Film Journal, 11. ISSN 2240-4724

Jones, Steve (2013) No pain, no gain: strategic repulsion and The Human Centipede. Cine-Excess ejournal, 1 (1). ISSN 2053-0706

Jones, Steve (2010) Time is wasting: con/sequence and s/pace in the Saw series. Horror Studies, 1 (2). pp. 225-239. ISSN 2040-3275

Jones, Steve (2015) Torture Pornopticon: (In)security Cameras, Self-Governance and Autonomy. In: Digital Horror: Haunted Technologies, Network Panic and the Found Footage Phenomenon. I. B. Tauris, London, pp. 29-41. ISBN 9781784530259

Jones, Steve (2013) Twisted Pictures: morality, nihilism and symbolic suicide in the Saw series. In: To See the Saw Movies: Essays on Torture Porn and Post-9/11 Horror. McFarland, Jefferson, NC, pp. 105-122. ISBN 9781476603803

Jones, Steve (2013) XXXombies: economies of desire and disgust. In: Thinking Dead: What the Zombie Apocalypse Means. Lexington Books, New York, pp. 197-214. ISBN 9780739183823

K

Kolaiti, Christina (2010) The influence of photographic narrative in healthcare dialogue. Doctoral thesis, Northumbria University.

Kozlowska, Agnieszka (2014) Taking Photographs Beyond the Visual: Paper as a Material Signifier in Photographic Indexicality. Doctoral thesis, Northumbria University.

L

Land, Ellie (2014) Animating the Other Side: Animated Documentary as a Communication Tool for Exploring Displacement and Reunification in Germany. In: Displaced Heritage: Responses to Disaster, Trauma, and Loss. Heritage Matters . Boydell & Brewer, pp. 121-128. ISBN 9781843839637

Land, Ellie (2012) Centrefold screening. In: Women’s. Bodies. Politics Conference, 5 November 2012, Vienna, Austria.

Land, Ellie (2012) Giving life to stills. In: Underwire Film Festival: celebrating shorts by women, 20- 24 November 2012, London, UK.

Land, Ellie (2012) The art of science. In: Underwire Film Festival: celebrating shorts by women, 20- 24 November 2012, London, UK.

Land, Ellie and Patrick, Ruth (2014) The Process of Using Participatory Research Methods with Film-Making to Disseminate Research: Challenges and Potential. SAGE, SAGE Research Methods Cases (online).

Lea, Sharron (2009) Arts activism and the democratisation of the photographic image. Criminal Justice Matters, 78 (1). pp. 21-22. ISSN 0962-7251

Lee, Rona (2009) Calenture I / II. [Show/Exhibition]

Lee, Rona (2010) Truthing Gap - imagining a relational geography of the uninhabitable. In: Emerging Landscapes - between Production and Representation, 25-27 June 2010, University of Westminster.

Leggott, James (2016) Come to Daddy? Claiming Chris Cunningham for British Art Cinema. Journal of British Cinema and Television, 13 (2). pp. 243-261. ISSN 1743-4521

Leggott, James (2013) Contemporary British Cinema. In: The Media in Contemporary Britain: A Critical Approach. Palgrave Macmillan, Basingstoke. ISBN 978-0-2305-5183-1

Leggott, James (2008) Contemporary British cinema: from heritage to horror. Wallflower Press. ISBN 9781905674718

Leggott, James (2014) “It's not clever, it's not funny, and it's not period!”: Costume Comedy and British Television. In: Upstairs and Downstairs: British Costume Drama Television from The Forstye Saga to Downton Abbey. Rowman and Littlefield, Lanham, pp. 37-52. ISBN 9781442244825

Leggott, James (2004) Like father? : Failing parents and angelic children in contemporary British social realist cinema. In: The trouble with men : masculinities in European and Hollywood cinema. Wallflower Press, London, pp. 163-173. ISBN 1904764088

Leggott, James (2008) Nothing to do around here: British realist cinema in the 1970s. In: Seventies British Cinema. Palgrave Macmillan, Basingstoke, pp. 94-104. ISBN 978-1844572748

Leggott, James (2017) The rise and fall of practically everyone? The independent British film production sector from the 1980s to the present. In: The Routledge Companion to British Cinema History. Taylor & Francis, Abingdon. ISBN 9780415706193

Leggott, James and Hochscherf, Tobias (2008) From Marks and Spencer to Marx and Engels : a transnational DEFA and Amber Film documentary project across the Iron Curtain. Studies in Documentary Film, 2 (2). pp. 123-135. ISSN 1750-3280

Lewis, Simon John (2012) The aesthetics of spectacle in mainstream cinema. Doctoral thesis, Northumbria University.

M

Mack, Jonathan (2015) (Indie)mediality: Intermediality in Contemporary American Independent Film. Doctoral thesis, Northumbria University.

Mathijs, Ernest and Hunter, Russ (2012) Refusing to look at rape: the reception of British horror cinema. In: European Nightmares: European Horror Cinema since 1945. Columbia University Press, London & New York, pp. 35-48. ISBN 978-0231162098

Mathijs, Ernest and Sexton, Jamie (2011) Cult Cinema: An Introduction. John Wiley & Sons, Malden, MA. ISBN 9781405173735

McCarthy, Leon (2016) Steering Audience Engagement During Audio-Visual Performance. Doctoral thesis, Northumbria University.

McCrea, Ronan (2011) Autodidact. [Show/Exhibition]

McCrea, Ronan (2009) School Play. [Show/Exhibition]

McDonnell, Sarah (2011) Style without Boundaries. [Show/Exhibition]

McIntyre, Keith (2011) Wee timorous beasties. [Show/Exhibition]

McLaughlin, Noel (2011) Rattling out of control: A comparison of U2 and Joy Division on film. Film, Fashion & Consumption, 1 (1). pp. 101-120. ISSN 2044-2823

Messer, Sebastian and Jeffries, Mike (2012) PlayToon. [Show/Exhibition]

Mullins, Kimberley (2006) The politician as performer : a practical and theoretical assessment. Doctoral thesis, Northumbria University.

P

Pavey, Liz (2012) Dancer. Peter Dillon.

Peirse, Alison (2013) After Dracula: The 1930s Horror Film. I. B. Tauris, London. ISBN 9781848855311

Peirse, Alison (2011) Horrible women: abjection, gender and ageing in nip/tuck. In: Nip/tuck: television that gets under your skin. I. B. Tauris, London, pp. 66-86. ISBN 978-1845118624

Peirse, Alison (2010) In a lonely place? Dexter and film noir. In: Dexter: investigating cutting edge television. Investigating Cult TV . I. B. Tauris, London, pp. 189-204. ISBN 978-1848852655

Peirse, Alison (2012) Ocularcentrism, horror and The Lord of the Rings films. Journal of Adaptation in Film & Performance, 5 (1). pp. 41-50. ISSN 17536421

Peirse, Alison (2009) Supernatural. In: The Essential Cult TV Reader. The University Press of Kentucky, pp. 260-267. ISBN 978-0813125688

Peirse, Alison (2011) Tracing tradition in Korean horror film. Asian Cinema, 22 (1). pp. 31-44. ISSN 1059-440X

Peirse, Alison (2009) The impossibility of vision: vampirism, formlessness and horror in Vampyr. Studies in European Cinema, 5 (3). pp. 161-170. ISSN 1741-1548

Peirse, Alison and Byrne, James (2013) Creepy Liver-Eating Fox Ladies: The Thousand Year Old Fox and Korea’s Gumiho. In: Korean Horror Cinema. Edinburgh University Press, Edinburgh, pp. 35-47. ISBN 9780748643097

Peirse, Alison and Martin, Daniel (2013) Korean Horror Cinema. Edinburgh University Press, Edinburgh. ISBN 9780748643097

Pencak, Claire and Pavey, Liz (2012) Pollination Project. [Show/Exhibition]

R

Reed, Ginny (2009) Desaturated. [Show/Exhibition]

Reed, Ginny (2008) Dis/enchantment. [Show/Exhibition]

Reed, Ginny (2009) Tiny Shiny. [Show/Exhibition]

Reed, Ginny and Rigg, Richard (2008) Draw a line, follow it. [Show/Exhibition]

S

Scanlon, Julie (2011) Dystopia. In: Encyclopedia of Religion and Film. ABC-CLIO, Santa Barbara, California, pp. 163-166. ISBN 978-0313330728

Sexton, Jamie (2008) Alternative film culture in inter-war Britain. University of Exeter Press, Exeter. ISBN 978-0859898102

Sexton, Jamie (2015) Creeping decay: cult soundtracks, residual media, and digital technologies. New Review of Film and Television Studies, 13 (1). pp. 12-30. ISSN 1740-0309

Sexton, Jamie (2014) Excavating Authenticity: Surveying the Indie Rock-Doc. In: Music and Sound in Documentary Film. Routledge Music and Screen Media Series . Routledge, London, pp. 151-165. ISBN 9780415728614

Sexton, Jamie (2014) From bad to good and back to bad again? Cult Cinema and its unstable trajectory. In: B for Bad Cinema: aesthetics, politics and cultural value. SUNY Press, Detroit, USA. ISBN 978-1-4384-4995-1

Sexton, Jamie (2016) Independent Intersections: Indie Music Cultures and American Indie Cinema. In: A Companion to American Indie Film. Wiley-Blackwell, Malden, pp. 106-128. ISBN 978-1-118-75832-8

Stockwell, Richard (2011) Future Shock. [Performance]

Stokoe, Brian (2014) Class tourism and photography: The typological portraits of EO Hoppe and J.D. Beresford. In: Royal Anthropological Institute Conference: Anthropology and Photography 2014, 29-31 May 2014, The British Museum. (Unpublished)

Stokoe, Brian (2009) E. O. Hoppé's Australia. History of Photography, 33 (1). pp. 94-105. ISSN 0308-7298

Stokoe, Brian (2011) E. O. Hoppé's London Types. The London Journal, 36 (2). pp. 161-185. ISSN 0305-8034

Stokoe, Brian (2014) The Exemplary Career of EO Hoppé: Photography, Modernism and Modernity. History of Photography, 38 (1). pp. 73-93. ISSN 0308-7298

Stokoe, Brian (2008) High society and low life: celebrities and social types in the portrait photography of E.O. Hoppé. Visual Culture in Britain, 9 (2). pp. 21-41. ISSN 1471-4787

Stokoe, Brian (2013) The Photobook: From Talbot to Ruscha and Beyond. History of Photography, 37 (4). pp. 464-466. ISSN 0308-7298

W

Walker, Johnny (2015) Contemporary British Horror Cinema: Industry, Genre and Society. Edinburgh University Press, Edinburgh. ISBN 9780748689736

Walker, Johnny (2011) Nasty visions: violent spectacle in contemporary British horror cinema. Horror Studies, 2 (1). pp. 115-130. ISSN 2040-3275

Walker, Johnny (2017) Rewind, playback: re-viewing the "video boom" in Britain. In: The Routledge Companion to British Cinema History. Taylor & Francis, Abingdon. ISBN 9780415706193

Walker, Johnny (2012) A wilderness of horrors? British horror cinema in the new millennium. Journal of British Cinema and Television, 9 (3). pp. 436-456. ISSN 1743-4521

Waters, Melanie (2011) Introduction: screening women and women on screen. In: Women on screen: feminism and femininity in visual culture. Palgrave Macmillan, Basingstoke, pp. 1-16. ISBN 978-0230229655

Waters, Melanie (2011) Women On Screen: Feminism And Femininity In Visual Culture. Palgrave Macmillan, Basingstoke. ISBN 9780230229655

Waters, Melanie (2011) The horrors of home: feminism and femininity in the suburban Gothic. In: Women on Screen: feminism and femininity in visual culture. Palgrave Macmillan, Basingstoke, pp. 58-76. ISBN 978-0230229655

Wharton, Chris and Longstaff, Jacky (2008) Room: Town Moor, Newcastle upon Tyne. [Show/Exhibition]

Wharton, Chris and Longstaff, Jacky (2008) Room: Town Moor, Newcastle upon Tyne. Dewi Lewis Publishing, Stockport. ISBN 9781904587620

White, Rosie (2011) Alias: quality television and the new woman professional. In: Women on Screen: feminism and femininity in visual culture. Palgrave Macmillan, Basingstoke, pp. 45-57. ISBN 978-0230229655

White, Rosie (2014) Funny Old Girls: Representing older women in British television comedy. In: Ageing, Popular Culture and Contemporary Feminism: Harleys and Hormones. Palgrave Macmillan, Basingstoke, pp. 155-171. ISBN 9781137376527

White, Rosie (2008) Violent Femmes: Donne-spia de Mata Hari ad Alias. Odoya Media e Società . Odoya, Italy. ISBN 9788862880114

Y

Yan, Ruomei and Shao, Ling (2016) Blind Estimation of Blur Kernels and Parameters from a Single Image. IEEE Transactions on Image Processing, 25 (4). pp. 1910-11921. ISSN 1057-7149

This list was generated on Fri Nov 24 07:34:18 2017 UTC.

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