Briggs, Jo and Blythe, Mark (2012) No Oil Painting: digital originals and slow prints. In: Slow Technology: Critical Reflection and Future Directions (in conjunction with DIS 2012), 12th Jun 2012, Newcastle upon Tyne, UK.
This is the latest version of this item.
|
Text
11_JoBriggsMarkBlythe_DIS_MB_JB_camera_ready.pdf - Published Version Download (715kB) | Preview |
Abstract
Slow technology is…in part a reaction against the impulses toward instantaneity afforded by digital technology.
This paper explores the slow work of a contemporary ‘analogue’ painter in the context of current research enquiry into digital art, authenticity and value. A group of artists were recruited to take part in in depth interviews conducted in their studios. The paper describes the artist’s resolutely non digital practice and outlines a concept design for a ‘slow print’ based on his work.
| Item Type: | Conference or Workshop Item (Paper) |
|---|---|
| Subjects: | J900 Others in Technology W200 Design studies W900 Others in Creative Arts and Design |
| Department: | Faculties > Arts, Design and Social Sciences > Design |
| Related URLs: | |
| Depositing User: | Jo Briggs |
| Date Deposited: | 14 Aug 2017 11:00 |
| Last Modified: | 01 Aug 2021 05:20 |
| URI: | http://nrl.northumbria.ac.uk/id/eprint/31571 |
Available Versions of this Item
- No Oil Painting: digital originals and slow prints. (deposited 14 Aug 2017 11:00) [Currently Displayed]
Actions (login required)
 |
View Item |
Downloads
Downloads per month over past year
