Shaw, Katy (2011) (Dis)locations: Post-Industrial Gothic in David Peace's Red Riding Quartet. Review of Contemporary Fiction, 32 (3). ISSN 0276-0045
Full text not available from this repository.Abstract
This article explores how and why Peace’s Red Riding Quartet represents the North of England as both a place apart from the rest of the UK and the logical representation of its Gothic underside during the 1970s and 80s. Together, the four novels represent an effective no-man’s land, a Yorkshire in transition and in dispute. Re-inscribing fresh meanings on an area historically defined by associations with the Brontës, the industrial revolution and heavy industry, the Quartet establishes a new post-industrial ‘mythology of the North’.
Item Type: | Article |
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Subjects: | Q300 English studies |
Department: | Faculties > Arts, Design and Social Sciences > Humanities |
Depositing User: | Paul Burns |
Date Deposited: | 12 Mar 2018 15:40 |
Last Modified: | 11 Oct 2019 21:31 |
URI: | http://nrl.northumbria.ac.uk/id/eprint/33698 |
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