Gilligan, Sarah and Collins, Jacky (2021) Fashion-forward killer: Villanelle, costuming and queer style in Killing Eve. Film, Fashion & Consumption, 10 (2). pp. 353-376. ISSN 2044-2823
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Abstract
Costuming within the BBC television drama series 'Killing Eve' (2018–) functions as a spectacular dressing-up box to support the representation of Villanelle (Jodie Comer) as the glamorous globe-trotting assassin. This article will argue that Villanelle’s fashion-forward wardrobe offers a multifarious representation of contemporary queer styling. Her costuming is characterized by gender fluidity and a play with the dominant codes and signifiers of lesbian style and identity. Villanelle’s looks move beyond the stereotyped constraints of the butch-femme binary to construct a polymorphous representation of femininity with broad cross-over appeal. In offering a striking silhouette that draws attention away from the material body onto costuming, Villanelle’s representation highlights the fluidity of gendered and sexual identities. Her costuming may appear to reduce Villanelle to a series of surface appearances, yet these iterations result in a significant queer representation on mainstream contemporary television.
Item Type: | Article |
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Additional Information: | Funding information: Research funded by British Academy (Rising Star Engagement Award). EN\170029. An earlier version of this article was presented as a conference paper at Critical Costume (August 2020). |
Uncontrolled Keywords: | Killing Eve, Villanelle, butch-femme, costuming, fashion, lesbian style, queer style, television drama |
Subjects: | W200 Design studies |
Department: | Faculties > Arts, Design and Social Sciences > Design |
Depositing User: | John Coen |
Date Deposited: | 26 Nov 2021 12:20 |
Last Modified: | 26 Nov 2021 12:30 |
URI: | http://nrl.northumbria.ac.uk/id/eprint/47848 |
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