Pale rider

Richardson, Craig (2008) Pale rider. In: Shifts: Wong Hoy Cheong, 2002-2007. NUS Museum/Galeri Petronas. ISBN 978-9810812812

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Abstract

The imperative of Hoy Cheong's artwork is an examination and interrogation of spheres of influence. This involves the creation of ethical or critical situations, some of which have more or less immediate currency while others are more historically grounded. This essay considers two such works made in England in the same year, with one such sphere of interest being Oxford's Pit Rivers Museum's resident anthropological collection and museum architectural features which are unavoidably imbued and inflected with debates surrounding transnationality, postcolonialism, cultural memory. As with his other works, its context is not a site which demands 'solutions'; Hoy Cheong's 're-rendering' installation slight shifts (2004) represented the site as a space of artifice and a sociable site with new narratives which held a variety of other cultural considerations.

Item Type: Book Section
Additional Information: 'Shifts: Wong Hoy Cheong, 2002-2007' was published on the occasion of the exhibition 'Bound for glory'.
Subjects: W100 Fine Art
Department: Faculties > Arts, Design and Social Sciences > School of Arts and Social Sciences > Arts
Related URLs:
Depositing User: EPrints Services
Date Deposited: 20 Apr 2011 10:44
Last Modified: 10 Aug 2015 10:57
URI: http://nrl.northumbria.ac.uk/id/eprint/831

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