Gibson, Steve (2018) Opto-Phono-Kinesia (OPK): Designing Motion-Based Interaction for Expert Performers. In: Twelfth International Conference on Tangible, Embedded and Embodied Interactions, 18-21 March 2018, Stockholm.
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Abstract
Opto-Phono-Kinesia (OPK) is an audio-visual performance piece in which all media elements are controlled by the body movements of a single performer. The title is a play on a possible synesthetic state involving connections between vision, sound and body motion. Theoretically, for a person who experiences this state, a specific colour could trigger both a sound and a body action. This synesthetic intersection is simulated in OPK by simultaneity of body movement, and audio-visual result.
Using the Gesture and Media System 3.0 motion-tracking system, the performer can dynamically manipulate an immersive environment using two small infrared trackers. The project employs a multipart interface design based on a formal model of increasing complexity in visual-sound-body mapping, and is therefore best performed by an expert performer with strong spatial memory and advanced musical ability. OPK utilizes the “body as experience, instrument and interface” [1] for control of a large-scale environment.
Item Type: | Conference or Workshop Item (Paper) |
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Uncontrolled Keywords: | Immersive environments; motion-tracking; live audiovisuals; synesthesia; ephemeral interfaces; multimodal experiences; interaction design; media art |
Subjects: | W200 Design studies W900 Others in Creative Arts and Design |
Department: | Faculties > Arts, Design and Social Sciences > Design |
Depositing User: | Becky Skoyles |
Date Deposited: | 16 Jan 2018 14:51 |
Last Modified: | 01 Aug 2021 08:36 |
URI: | http://nrl.northumbria.ac.uk/id/eprint/33125 |
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