Items where Author is "Sexton, Jamie"

Sexton, Jamie (2022) ‘Everything About Being Indie Is All Tied to Not Being Black’: Indie Music, Race and Identity in Medicine for Melancholy and Pariah. Music, Sound, and the Moving Image, 16 (2). pp. 129-152. ISSN 1753-0768

Sexton, Jamie (2019) Low Budget Audio-visual Aesthetics in Indie Music Video and Feature Filmmaking: The Works of Steve Hanft and Danny Perez. In: The Bloomsbury Handbook of Popular Music Video Analysis. Bloomsbury Handbooks . Bloomsbury, New York, NY, pp. 27-46. ISBN 9781501342363, 9781501342349, 9781501342356, 9781501342332

Sexton, Jamie (2018) Stranger Than Paradise. Columbia University Press. ISBN 9780231180559

Hills, Matt and Sexton, Jamie (2017) Editorial Introduction: The multiplicities of transnational cult – intersecting with(in) reason [Editorial]. Transnational Cinemas, 8 (1). pp. 1-4. ISSN 2040-3526

Sexton, Jamie (2017) The allure of otherness: transnational cult film fandom and the exoticist assumption. Transnational Cinemas, 8 (1). pp. 5-19. ISSN 2040-3526

Jones, Steve, Hunter, Russ, Egan, Kate, Sexton, Jamie, Peče, Masa, Dariš, Metka, Krajnc, Maja, Nikolič, Pia and Lovrenov, Maja (2017) Kurja Polt: Kulti, Klasike in Žanrski Odpadniki na 35 mm. Slovenska kinoteka, Ljublana, Slovenia.

Sexton, Jamie (2016) Independent Intersections: Indie Music Cultures and American Indie Cinema. In: A Companion to American Indie Film. Wiley-Blackwell, Malden, pp. 106-128. ISBN 978-1-118-75832-8

Hills, Matt and Sexton, Jamie (2015) Cult cinema and technological change [editorial]. New Review of Film and Television Studies, 13 (1). pp. 1-11. ISSN 1740-0309

Sexton, Jamie (2015) Creeping decay: cult soundtracks, residual media, and digital technologies. New Review of Film and Television Studies, 13 (1). pp. 12-30. ISSN 1740-0309

Sexton, Jamie (2014) Excavating Authenticity: Surveying the Indie Rock-Doc. In: Music and Sound in Documentary Film. Routledge Music and Screen Media Series . Routledge, London, pp. 151-165. ISBN 9780415728614

Sexton, Jamie (2014) From bad to good and back to bad again? Cult Cinema and its unstable trajectory. In: B for Bad Cinema: aesthetics, politics and cultural value. SUNY Press, Detroit, USA. ISBN 978-1-4384-4995-1

Sexton, Jamie (2013) Lost in techno trance: dance culture, drugs and the digital image in Jam. In: No Known Cure: The Comedy of Chris Morris. Palgrave Macmillan, Basingstoke, 141 -160. ISBN 9781844574797

Sexton, Jamie (2013) I don't wanna be dead! There's no future in it!: the US and UK critical reception of Four Lions. In: No known cure: the comedy of Chris Morris. British Film Institute, London, pp. 212-222. ISBN 9781844574803

Leggott, James and Sexton, Jamie (2013) No known cure: the comedy of Chris Morris. British Film Institute, London. ISBN 9781844574803

Sexton, Jamie (2012) Prisoner of Cool: Chloë Sevigny, alternative stardom and image management. In: Cult Film Stardom: offbeat attractions and processes of cultification. Palgrave Macmillan, Basingstoke, pp. 73-89. ISBN 978-0230293694

Sexton, Jamie (2012) US "Indie-Horror": critical reception, genre construction, and suspect hybridity. Cinema Journal, 51 (2). pp. 67-86. ISSN 1527-2087

Sexton, Jamie (2012) Weird Britain in exile: Ghost Box, hauntology and alternative heritage. Popular Music and Society, 35 (4). pp. 561-584. ISSN 0300-7766

Mathijs, Ernest and Sexton, Jamie (2011) Cult Cinema: An Introduction. John Wiley & Sons, Malden, MA. ISBN 9781405173735, 9781405173742, 9781444396447, 9781444396430, 9781444396423

Sexton, Jamie (2009) Avant garde film: sound, music and avant-garde film culture before 1939. In: Sound and music in film and visual media: an overview. Continuum International Publishing Group Ltd. ISBN 978-0826458247

Sexton, Jamie (2008) Digital music: production, distribution and consumption. In: Digital culture: understanding new media. Open University Press, Maidenhead, UK, pp. 92-106. ISBN 978-0335221974

Sexton, Jamie (2008) Alternative film culture in inter-war Britain. University of Exeter Press, Exeter. ISBN 978-0859898102