Items where Author is "Sexton, Jamie"
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Article
Sexton, Jamie (2022) ‘Everything About Being Indie Is All Tied to Not Being Black’: Indie Music, Race and Identity in Medicine for Melancholy and Pariah. Music, Sound, and the Moving Image, 16 (2). pp. 129-152. ISSN 1753-0768
Hills, Matt and Sexton, Jamie (2017) Editorial Introduction: The multiplicities of transnational cult – intersecting with(in) reason [Editorial]. Transnational Cinemas, 8 (1). pp. 1-4. ISSN 2040-3526
Sexton, Jamie (2017) The allure of otherness: transnational cult film fandom and the exoticist assumption. Transnational Cinemas, 8 (1). pp. 5-19. ISSN 2040-3526
Hills, Matt and Sexton, Jamie (2015) Cult cinema and technological change [editorial]. New Review of Film and Television Studies, 13 (1). pp. 1-11. ISSN 1740-0309
Sexton, Jamie (2015) Creeping decay: cult soundtracks, residual media, and digital technologies. New Review of Film and Television Studies, 13 (1). pp. 12-30. ISSN 1740-0309
Sexton, Jamie (2012) US "Indie-Horror": critical reception, genre construction, and suspect hybridity. Cinema Journal, 51 (2). pp. 67-86. ISSN 1527-2087
Sexton, Jamie (2012) Weird Britain in exile: Ghost Box, hauntology and alternative heritage. Popular Music and Society, 35 (4). pp. 561-584. ISSN 0300-7766
Book Section
Sexton, Jamie (2019) Low Budget Audio-visual Aesthetics in Indie Music Video and Feature Filmmaking: The Works of Steve Hanft and Danny Perez. In: The Bloomsbury Handbook of Popular Music Video Analysis. Bloomsbury Handbooks . Bloomsbury, New York, NY, pp. 27-46. ISBN 9781501342363, 9781501342349, 9781501342356, 9781501342332
Sexton, Jamie (2016) Independent Intersections: Indie Music Cultures and American Indie Cinema. In: A Companion to American Indie Film. Wiley-Blackwell, Malden, pp. 106-128. ISBN 978-1-118-75832-8
Sexton, Jamie (2014) Excavating Authenticity: Surveying the Indie Rock-Doc. In: Music and Sound in Documentary Film. Routledge Music and Screen Media Series . Routledge, London, pp. 151-165. ISBN 9780415728614
Sexton, Jamie (2014) From bad to good and back to bad again? Cult Cinema and its unstable trajectory. In: B for Bad Cinema: aesthetics, politics and cultural value. SUNY Press, Detroit, USA. ISBN 978-1-4384-4995-1
Sexton, Jamie (2013) Lost in techno trance: dance culture, drugs and the digital image in Jam. In: No Known Cure: The Comedy of Chris Morris. Palgrave Macmillan, Basingstoke, 141 -160. ISBN 9781844574797
Sexton, Jamie (2013) I don't wanna be dead! There's no future in it!: the US and UK critical reception of Four Lions. In: No known cure: the comedy of Chris Morris. British Film Institute, London, pp. 212-222. ISBN 9781844574803
Sexton, Jamie (2012) Prisoner of Cool: Chloë Sevigny, alternative stardom and image management. In: Cult Film Stardom: offbeat attractions and processes of cultification. Palgrave Macmillan, Basingstoke, pp. 73-89. ISBN 978-0230293694
Sexton, Jamie (2009) Avant garde film: sound, music and avant-garde film culture before 1939. In: Sound and music in film and visual media: an overview. Continuum International Publishing Group Ltd. ISBN 978-0826458247
Sexton, Jamie (2008) Digital music: production, distribution and consumption. In: Digital culture: understanding new media. Open University Press, Maidenhead, UK, pp. 92-106. ISBN 978-0335221974
Book
Sexton, Jamie (2018) Stranger Than Paradise. Columbia University Press. ISBN 9780231180559
Jones, Steve, Hunter, Russ, Egan, Kate, Sexton, Jamie, Peče, Masa, Dariš, Metka, Krajnc, Maja, Nikolič, Pia and Lovrenov, Maja (2017) Kurja Polt: Kulti, Klasike in Žanrski Odpadniki na 35 mm. Slovenska kinoteka, Ljublana, Slovenia.
Leggott, James and Sexton, Jamie (2013) No known cure: the comedy of Chris Morris. British Film Institute, London. ISBN 9781844574803
Mathijs, Ernest and Sexton, Jamie (2011) Cult Cinema: An Introduction. John Wiley & Sons, Malden, MA. ISBN 9781405173735, 9781405173742, 9781444396447, 9781444396430, 9781444396423
Sexton, Jamie (2008) Alternative film culture in inter-war Britain. University of Exeter Press, Exeter. ISBN 978-0859898102