Not Necessarily In The Right Order, An Exhibition by Common Culture.

Campbell, David, Durden, Mark and Brown, Ian (2013) Not Necessarily In The Right Order, An Exhibition by Common Culture. [Show/Exhibition]

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Abstract

Not Necessarily in the Right Order is an audio-video installation that responds to Nottingham’s diverse multi-cultural demographic, exploring the social significance of ‘carnival’ and ‘festival’ as one of the few public opportunities to celebrate cultural diversity. Using these observations as a starting point, the work has evolved to become an exploration of what it means to be British in the 21st century.

The work, a commission by New Art Exchange (NAE) by artist collective Common Culture - David Campbell, Mark Durden and Ian Brown - is the result of more than a year’s research into the diverse communities and vibrant festivals taking place in NAE’s local area, Hyson Green, home to the largest ethnic minority population in the county and vibrant diaspora communities from Pakistan, India, Africa, Eastern Europe, the Caribbean and the Middle East.

Common Culture artist David Campbell said that during research for the piece - which brings together a number of locally based folk musicians, singers and dancers, suggesting the rehearsal for an enigmatic festival of the future - it became evident that place was inextricably linked to the issue of identity.
“It seemed to us that what underpins all of the manifestation of Carnival, Mela or Goose Fair is a desire to reiterate a sense of place, belonging, social and cultural binding through displays of identification,” he said.

Conscious of their own lack of intimacy with the local area, Common Culture made the strategic decision to find ways of engaging with Nottingham’s traditions of carnival by working with local musicians and performers to explore the wider meaning and function of carnival in contemporary Britain. To this end the work explores the relationship between identity and a sense of place, borrowing conventions from science-fiction (and science-fiction based musical alter-egos) to foreground issues of belonging and exclusion. The work plays with different narrative voices, musical styles and subject positions in order to disrupt familiar assumptions of identification. For example, the piece features a young actor who adopts different voices and subject positions to forge identifications with the viewer in a series of monologues that build up to an argument orchestrated between the same actor, but delivered through three distinct characters and accents.
The work is an important and poignant reflection on the area and its diverse festivals that include: Caribbean Carnival, The Goose Fair, Nottingham Pride, Nottingham Mela and Ishraqah (a festival of Middle Eastern culture). These are all important events, according to Director of Programme’s at NAE Melanie Kidd, to preserve cultural identity.

“Festivals are also equally powerful as a platform to influence and therefore diversify broader communities. Brutishness, like all cultures, has always been hybrid and out identity will continue to shift,” she said.

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