Briggs, Jo and Blythe, Mark (2013) Apps for art’s sake: resistance and innovation. In: Proceedings of 15th International Conference on Human-Computer Interaction with Mobile Devices and Services, MobileHCI 2013. Association for Computing Machinery, New York, pp. 45-54. ISBN 9781450322737
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Abstract
The paper reports on the growing phenomena of art-making on mobile devices and contributes findings from two studies of artists' responses to iPad painting apps: the first is a series of exploratory workshops where artists were recruited to engage with a range of art apps, the second is a series of in-depth interviews with two artists who had incorporated the device and Brushes app into their painting practice over a period of months and years. The artists in both studies generally agreed that the devices and apps were easy to use and enjoyable but remained ambivalent about the technologies and outcomes. Although there was excitement around new creative possibilities there were also tensions around the status of the work being produced. The paper reflects on the role of popular digital production apparatus and information exchange on the constitution of artist-identities at a time of rapid techno-cultural change. It argues that while tablet computing and art apps have democratized certain artistic processes these technologies have generated conflict with traditional conceptions of art and curation.
Item Type: | Book Section |
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Uncontrolled Keywords: | Digital culture; digital art; apps; tablet devices; iPad; leisure; identity; authorship |
Subjects: | G900 Others in Mathematical and Computing Sciences W100 Fine Art W200 Design studies |
Department: | Faculties > Arts, Design and Social Sciences > Design |
Depositing User: | Jo Briggs |
Date Deposited: | 19 Dec 2016 12:15 |
Last Modified: | 01 Aug 2021 12:47 |
URI: | http://nrl.northumbria.ac.uk/id/eprint/28934 |
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- Apps for art’s sake: resistance and innovation. (deposited 19 Dec 2016 12:15) [Currently Displayed]
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