Mussi, Francesca (2018) The TRC and Njabulo Ndebele’s The Cry of Winnie Mandela: Claiming an Ordinary Female Space. Anglistica Pisana, XIII (1-2). pp. 79-100. ISSN 1827-4951
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Abstract
Starring from an overview relating to the crucial role and ethical agenda of the Truth and Reconciliation Commission, this paper proceeds to investigate the narrative and representational strategies through which, in The Cry of Winnie Mandela (2003), South African writer and academic Njabulo Ndebele turns away from the "spectacular" towards a more nuanced and introspective dimension. While inspired by the TRC's hearings concerning gross violations of human rights, this dimension foregrounds (black) women's endurance, suffering, and psychological distress. My essay highlights the lyrical intensity and open-minded approach informing Ndebele's portrayal of Winnie Mandela and the imaginary conversations that the (fictionalized) "Mother of the Nation" holds with other four women, whose historical models are similarly linked to the TRC's hearings. The theme of the "women-in-waiting" (for their husbands' return, but also for their voices to be heard) is examined in connection with the archetypal figure of Penelope, a Western myth which Ndebele borrows and moulds in African terms.
Item Type: | Article |
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Additional Information: | Issue date of journal is 2016. |
Uncontrolled Keywords: | South African Truth and Reconciliation Commission, women's testimonies, the fictionalization of Winnie Mandela, Penelope myth, the politics of Ndebele's creative writing |
Subjects: | L700 Human and Social Geography Q300 English studies |
Department: | Faculties > Arts, Design and Social Sciences > Humanities |
Depositing User: | Paul Burns |
Date Deposited: | 08 Nov 2018 12:09 |
Last Modified: | 28 Nov 2019 11:01 |
URI: | http://nrl.northumbria.ac.uk/id/eprint/36554 |
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