The Interconnection of Religious, Social and Musical Networks: Creating a Context for the Keyboard Music of Peter Philips and its Dissemination

Smith, David J. (2013) The Interconnection of Religious, Social and Musical Networks: Creating a Context for the Keyboard Music of Peter Philips and its Dissemination. In: Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries. Ashgate, Farnham, pp. 11-30. ISBN 9781472411983

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Abstract

The earliest published continental source of the pavan is Dalza's Intabulatura de lauto, which contains five pavane alla venetiana and four pavane alla ferrarese. Exactly when the dance and its music arrived in England is open to debate, but the Emperor Charles V performed the new-fangled dance on his visit to Henry VIII in Windsor in 1522. It was during the last quarter of the sixteenth century that the pavan really came of age as a piece of serious art music for English composers, whether writing for keyboard, lute or consort. A further indication of the pavan's coming of age as a vehicle for artistic enterprise is a network of musical connections that can be traced between different composers' work in the years around 1600. One of the last English composers to exploit the opportunities provided by the pavan for the 'art and profundity' that so appealed to Thomas Mace was Thomas Tomkins.

Item Type:	Book Section
Uncontrolled Keywords:	Peter Philips, English keyboard music, Networks, Recusant, Francis Tregian, Jan Pieterszoon Sweelinck, Richard Verstegan, Robert Parsons, William Stanley, William Byrd, Archducal court Brussels
Subjects:	V300 History by topic W300 Music
Department:	Faculties > Arts, Design and Social Sciences > Humanities
Related URLs:	Publisher
Depositing User:	Paul Burns
Date Deposited:	03 May 2019 10:24
Last Modified:	10 Oct 2019 19:16
URI:	http://nrl.northumbria.ac.uk/id/eprint/39176

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