Boehringer, Jorge, Pietruszewski, Marcin, Bowers, John, Hogg, Bennett, Newbold, Joseph, Sharma, Gerriet, Shaw, Tim and Vickers, Paul (2022) Listener-centred Sonification Practice as Transdisciplinary Experimental Artistic Engagement. In: New Paradigms for Music Research: Art, Society and Technology. ARTSLAB Contemporary Art Education . Publicacions Universitat de València, Valencia, Spain, pp. 165-194. ISBN 9788491335320
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Abstract
Project RADICAL presents sonification research and practice as a listener-centred, transdisciplinary activity. In this chapter, authors discuss sonification from perspectives of artistic and musical practice. Particular emphasis is placed on spatial listening, embodied experience, environmental interaction, and communication, resulting in an interroga- tion of methodology, objects and foundations often assumed for sonifica- tion. The reader is invited to apply an ethnographic ear to a roundtable presentation investigating new sonic and musical practices that converge upon a reframing of sonification as engaged aesthetic activity productive of and carrying new technical and epistemic knowledge.
| Item Type: | Book Section |
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| Uncontrolled Keywords: | ethnography, embodied listening, phenomenology, aesthetics, space, sonification |
| Subjects: | G500 Information Systems |
| Department: | Faculties > Engineering and Environment > Computer and Information Sciences |
| Depositing User: | Elena Carlaw |
| Date Deposited: | 28 Feb 2023 17:46 |
| Last Modified: | 28 Feb 2023 17:46 |
| URI: | https://nrl.northumbria.ac.uk/id/eprint/51515 |
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