Briggs, Jo (2012) Investigating situated cultural practices through cross-sectoral digital collaborations: policies, processes, insights. Digital Creativity, 23 (2). pp. 98-112. ISSN 1462-6268
|
PDF
Briggs_J_investigating_situated_cultural_practices.pdf - Accepted Version Download (182kB) | Preview |
Abstract
The (Belfast) Good Friday Agreement represents a major milestone in Northern Ireland's recent political history, with complex conditions allowing for formation of a ‘cross-community’ system of government enabling power sharing between parties representing Protestant/loyalist and Catholic/nationalist constituencies. This article examines the apparent flourishing of community-focused digital practices over the subsequent ‘post-conflict’ decade, galvanised by Northern Irish and EU policy initiatives armed with consolidating the peace process. Numerous digital heritage and storytelling projects have been catalysed within programmes aiming to foster social processes, community cohesion and cross-community exchange. The article outlines two projects—‘digital memory boxes’ and ‘interactive galleon’—developed during 2007–2008 within practice-led PhD enquiry conducted in collaboration with the Nerve Centre, a third-sector media education organisation. The article goes on to critically examine the processes involved in practically realising, and creatively and theoretically reconciling, community-engaged digital production in a particular socio-political context of academic-community collaboration.
Item Type: | Article |
---|---|
Uncontrolled Keywords: | socially-engaged, cross-sectoral, digital arts, policy, Good Friday Agreement |
Subjects: | W900 Others in Creative Arts and Design |
Department: | Faculties > Arts, Design and Social Sciences > Design |
Depositing User: | Jo Briggs |
Date Deposited: | 30 Jul 2012 08:30 |
Last Modified: | 17 Dec 2023 14:47 |
URI: | https://nrl.northumbria.ac.uk/id/eprint/8236 |
Downloads
Downloads per month over past year