Items where Subject is "W400 Drama"

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Number of items at this level: 117.

A

Anan, Nobuko (2012) Identity Politics in Women's Performance in Japan. Theatre Research International, 37 (01). pp. 68-70. ISSN 0307-8833

Anan, Nobuko (2009) KATHY's Parody of Singin' in the Rain. In: Portrayals of Americans on the World Stage: Critical Essays. Macfarland & Company, Jefferson, NC, USA, pp. 134-154. ISBN 978-0786444199

Anan, Nobuko (2011) Two-Dimensional Imagination in Contemporary Japanese Women's Performance. TDR/The Drama Review, 55 (4). pp. 96-112. ISSN 1054-2043

Anan, Nobuko and Chang, Franklin (2012) Can Eros Be the Basis for Resistance? (Erosu wa teiko no kyoten to nariuru ka). [Performance] (Unpublished)

Arnfield, Jane (2008) The Gymnast. [Performance]

Arnfield, Jane (2011) Nixon Can Dance. [Performance] (Unpublished)

Arnfield, Jane (2009) Tent. [Performance]

Arnfield, Jane (2012) The Tin Ring - A work in progress. [Performance] (Unpublished)

Arnfield, Jane (2011) The Tin Ring. [Performance] (Unpublished)

B

Baker-Alder, Helen (2009) Performance Now and Then. [Show/Exhibition]

Baxter, Katherine (2009) Comedy and Romance: A New Look at Shakespeare and Conrad. In: Joseph Conrad and the Performing Arts. Ashgate Publishing, Farnham, pp. 111-125. ISBN 978-0754664901

Baxter, Katherine and Hand, Richard (2009) Joseph Conrad and the Performing Arts. Ashgate Publishing, Farnham. ISBN 9780754664901

Brayshaw, Teresa, Craddock, Kate and McCaw, Dick (2014) Training grounds editorial. Theatre, Dance and Performance Training, 5 (2). p. 216. ISSN 1944-3927

Brown, Bryan and Duffy, Jenny (2013) The heart of teaching: Empowering students in the performing arts [Review]. Theatre, Dance and Performance Training, 4 (3). pp. 431-434. ISSN 19443927

C

Chambers, Steve (2012) Derailed omnibus. [Broadcast]

Chambers, Steve (2010) Hysteria. [Broadcast]

Chambers, Steve (2009) My Dark Places. [Broadcast]

Chambers, Steve (2009) Robinson Crusoe. [Broadcast]

Chambers, Steve (2007) Scandinavian dreams. [Broadcast]

Chambers, Steve (2007) To make the people smile again. [Broadcast]

Chambers, Steve (2003) The ice factory. [Broadcast]

Chambers, Steve (2005) The recall man: Best forgotten. [Broadcast]

Chambers, Steve and Nodding, Phil (2009) HighLites. [Broadcast]

Chambers, Steve and Nodding, Phil (2012) HighLites: Retouched. [Broadcast]

Craddock, Kate (2010) BLINK! [Performance]

Craddock, Kate (2009) By Your Side. [Show/Exhibition]

Craddock, Kate (2008) Contamination. [Show/Exhibition]

Craddock, Kate (2011) A Gift for Djakovo. [Performance]

Craddock, Kate (2012) 'Presents' at GIFT. Gateshead International Festival of Theatre.

Craddock, Kate (2008) A River Runs Through Us. [Show/Exhibition]

Craddock, Kate (2009) TRIO. [Show/Exhibition]

Craddock, Kate (2008) Under the Stairs. [Show/Exhibition]

Craddock, Kate (2010) Virtual Jukebox. [Performance]

Craddock, Kate and Brayshaw, Teresa (2011) The Cradshaw Encounter. [Performance]

Craddock, Kate and Gilroy, Steve (2013) The GB Project. [Performance]

Craddock, Kate and Gilroy, Steve (2008) Hand Me Down. [Performance]

Craddock, Kate, McCaw, Dick, Mitra, Royona and Wilson, Thomas (2015) Training Grounds Editorial. Theatre, Dance and Performance Training, 6 (3). pp. 353-354. ISSN 1944-3927

Crawshaw, Julie (2016) Getting to know the island: Artistic experiments in rural community development. Journal of Rural Studies, 43. pp. 134-144. ISSN 0743-0167

Croteau, Melissa and Jess-Cooke, Carolyn (2009) Apocalyptic Shakespeare: essays on visions of chaos and revelation in recent film adaptations. McFarland, Jefferson, NC. ISBN 9780786433926

Cull, Laura (2011) Collective creation as a theatre of immanence : Deleuze & The Living Theatre. In: Northumbria Research Conference, 5 May - 6 May 2011, Northumbria University, Newcastle-upon-Tyne.

Cull, Laura (2009) How do you make yourself a theatre without organs? Deleuze, Artaud and the concept of differential presence. Theatre Research International, 34 (3). pp. 243-255. ISSN 0307-8833

Cull, Laura (2012) Performance as Philosophy: Responding to the Problem of ‘Application’. Theatre Research International, 37 (1). pp. 20-27. ISSN 0307-8833

Cull, Laura (2011) Performing Presence, Affirming Difference: Deleuze and the Minor Theatres of Georges Lavaudant and Carmelo Bene. In: Contemporary French Theatre and Performance. Palgrave Macmillan, Basingstoke, pp. 99-110. ISBN 978-0230580510

Cull, Laura and Gritzner, Karoline (2011) Editorial. Performance Research, 16 (4). pp. 1-6. ISSN 1352-8165

G

Gee, Emma and Hargrave, Matt (2011) A proper actor? The politics of training for learning disabled actors. Theatre, Dance and Performance Training, 2 (1). pp. 34-53. ISSN 1944-3927

Gilroy, Steve (2010) The Durham Mystery Plays (Lazarus). [Performance] (Unpublished)

Gilroy, Steve (2017) Each Piece. [Performance]

Gilroy, Steve (2010) Facts on the Ground. [Performance] (Unpublished)

Gilroy, Steve (2015) In the Middle of the West/The Oklahoma Bombing Project. [Performance]

Gilroy, Steve (2008) Me and Cilla. [Show/Exhibition]

Gilroy, Steve (2009) Motherland. [Performance] (Unpublished)

Gilroy, Steve (2010) Motherland. Oberon Books, London. ISBN 9781840029482

Gilroy, Steve (2010) Reality. [Performance] (Unpublished)

Gilroy, Steve (2013) States of Descent. [Performance]

Gilroy, Steve and Sellar, Paul (2012) Green Cabaret. [Performance] (Unpublished)

Gilroy, Steve and Stockwell, Richard (2012) The Prize. [Performance] (Unpublished)

Gilroy, Steve and Stockwell, Richard (2012) The prize. Oberon Books, London. ISBN 9781849434393

Godfrey, Sarah and Walker, Johnny (2015) From Pinter to Pimp: Danny Dyer, Class, Cultism and the Critics. Journal of British Cinema and Television, 12 (1). pp. 101-120. ISSN 1743-4521

Green, Michael (1987) The politics of loving: Athol Fugard and the metropolis. World Literature Written in English, 27 (1). pp. 5-17. ISSN 0093-1705

H

Hargrave, Matt (2007) Good, bad or just plain ugly? Changing perceptions of the learning disabled actor. In: Planting trees of drama with global vision in local knowledge: IDEA 2007 dialogues. IDEA Publications, Hong Kong, pp. 171-191. ISBN 978-9628321858

Hargrave, Matt (2009) Pure products go crazy. Research in Drama Education: The Journal of Applied Theatre and Performance, 14 (1). pp. 37-54. ISSN 1356-9783

Hargrave, Matt (2010) Side effects: an analysis of Mind the Gap's Boo and the reception of theatre involving learning disabled actors. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 497-511. ISSN 1356-9783

Hargrave, Matt (2015) Theatres of learning disability: Good, bad, or plain ugly? Palgrave Macmillan, Basingstoke, pp. 1-290. ISBN 978-1-137-50438-8

Hepplewhite, Kay (2014) Here's another nice mess: using video in reflective dialogue research method. Research in Drama Education: Journal of Applied Theatre and Performance, 19 (3). pp. 326-335. ISSN 1356-9783

Hepplewhite, Kay (2013) Here's one I made earlier: dialogues on the construction of an applied theatre practitioner. Theatre, Dance and Performance Training, 4 (1). pp. 52-72. ISSN 1944-3927

Hepplewhite, Kay (2016) More than a Sum of Parts? Responsivity and Respond-ability in Applied Theatre Practitioner Expertise. In: Facilitation. Applied Theatre . Bloomsbury, London, pp. 165-188. ISBN 9781472576927

Hepplewhite, Kay (2015) The applied theatre practitioner as dialogic hero. Research in Drama Education: The Journal of Applied Theatre and Performance, 20 (2). pp. 182-185. ISSN 1356-9783

J

Jennings, Matthew (2012) Crossing Places: Acknowledging the Spiritual in Northern Ireland Community Drama. In: Community, Art, Power: Essays from ICAF 2011. International Community Arts Festival, Rotterdam.

Jennings, Matthew (2009) Playing Your Role: identity and community-based performance in Contemporary Northern Ireland. About Performance, 9. pp. 103-126. ISSN 1342-6089

Jennings, Matthew and Baldwin, Andrea (2010) “Filling out the Forms was a Nightmare”: project evaluation and the reflective practitioner in community theatre in contemporary Northern Ireland. Music and Arts in Action, 2 (2). pp. 72-89. ISSN 1754-7105

Jennings, Matthew and Grant, David (2012) Peace industry propaganda or ‘Troubles Porn’? In: Community, Art, Power: Essays from ICAF 2011. International Community Arts Festival, Rotterdam.

L

Lawson, Jenny (2012) Especially For You. [Performance]

Leggott, James (2016) Fair do’s: Tom Hadaway and the regional voice in 1970s British television. Historical Journal of Film, Radio and Television. ISSN 0143-9685 (In Press)

Lennox, Solomon (2016) Essai: Liminal spaces and experimental practices in the Warrior Muay Thai training camp. Theatre, Dance and Performance Training, 7 (3). pp. 494-497. ISSN 1944-3927

Lennox, Solomon (2012) The training of boxer-entertainers in Brendan Ingle's gym. Theatre, Dance and Performance Training, 3 (2). pp. 208-215. ISSN 1944-3927

Lennox, Solomon and Pettit, Fiona (2016) DOC: The Narrative Performance of Expertise. In: Performance and the Medical Body. Bloomsbury, London, pp. 115-128. ISBN 978-1-4725-7078-9

Lennox, Solomon and Rodosthenous, George (2016) The boxer–trainer, actor–director relationship: an exploration of creative freedom. Sport in Society, 19 (2). pp. 147-158. ISSN 1743-0437

M

MacPherson, Fiona (2012) The Awkward Squad. [Performance]

MacPherson, Fiona (2015) The Awkward Squad: Is there a place for the feminist play in contemporary mainstream popular theatre? In: Congruence and Contestation: Contemporary Feminism and Performance, 4th September 2015, London, UK.

MacPherson, Fiona (2010) Durham Mysteries: Cain and Abel. [Performance]

MacPherson, Fiona (2009) Stand 'n' tan. [Show/Exhibition]

MacPherson, Fiona (2008) A twist of lemon. [Show/Exhibition]

MacPherson, Fiona and Pavey, Liz (2014) Get Up and Tie Your Fingers. [Performance]

Mahoney, Cat (2015) “Not Bad for a Few Ordinary Girls in a Tin Hut” – Re-Imagining Women’s Social Experience of the Second World War Through Female Ensemble Drama. Frames Cinema Journal (7). ISSN 2053-8812

Mathijs, Ernest and Hunter, Russ (2012) Refusing to look at rape: the reception of British horror cinema. In: European Nightmares: European Horror Cinema since 1945. Columbia University Press, London & New York, pp. 35-48. ISBN 978-0231162098

McIntyre, Keith (2010) Raspberry. [Performance]

McIntyre, Keith (2007) The Unconquered. [Performance]

McIntyre, Keith and Wimhurst, Karen (2009) Darwin's barnacle. [Performance] (Unpublished)

McLaughlin, Noel (2009) Rock, fashion and performativity. In: The Men's fashion reader. Berg Publishers, London. ISBN 978-1845207878

P

Pearlman, Lazlo (2015) ‘Dissemblage’ and ‘Truth Traps’: Creating Methodologies of Resistance in Queer Autobiographical Theatre. Theatre Research International, 40 (01). pp. 88-91. ISSN 0307-8833

Phethean, Ellen and Phethean, Fred (2010) Cain and Abel. [Performance] (Unpublished)

Power, Cormac (2009) ‘Bringing the Story to Life’: Presenting history as text in The World in Pictures. Performance Research, 14 (1). pp. 115-122. ISSN 1352-8165

Power, Cormac (2010) Making Nothing Out of Something: Concepts of Nothingness, Sartre and the Theatre of Peter Brook. Consciousness, Literature and the Arts, 11 (3). ISSN 1470-5648

Power, Cormac (2008) Presence in play: a critique of theories of presence in the theatre. Rodopi. ISBN 9789042023819

Power, Cormac (2012) The Space of Doubt: The Chairs and the aesthetics of failure. Performance Research, 17 (1). pp. 68-76. ISSN 1352-8165

Prebble, Lucy, Calvert, Mark, Roxburgh, Emma, Ryder, Anna and Pavey, Liz (2014) Enron. [Performance]

Price, David and Barron, Lee (1999) Developing Independence: The experience of the Lawnmowers Theatre Company. Disability & Society, 14 (6). pp. 819-829. ISSN 0968-7599

S

Smialkowska, Monika (2009) Hungry shadows or nourishing meats? The functions and representations of food in the Stuart court masque. University Centre Doncaster Journal of Research and Scholarship, 1 (1). pp. 45-54.

Smialkowska, Monika (2013) Julius Caesar. Directed by Gregory Doran for the Royal Shakespeare Company at the Theatre Royal, Newcastle. In: A Year of Shakespeare: Re-living the World Shakespeare Festival. Shakespeare Studies and Criticism . The Arden Shakespeare, Bloomsbury, London, pp. 91-94. ISBN 9781408188149

Smialkowska, Monika (2013) West Side Story, by Leonard Bernstein and Stephen Sondheim, directed and choreographed by Will Tuckett for the Royal Shakespeare Company’s Open Stages and The Sage at Hall One, The Sage, Gateshead. In: A Year of Shakespeare: Re-living the World Shakespeare Festival. The Arden Shakespeare, Bloomsbury, London, pp. 184-187. ISBN 9781408188149

Smialkowska, Monika (2010) "A democratic art at a democratic price”: The American Celebrations of the Shakespeare Tercentenary, 1916. Transatlantica, 1. ISSN 1765-2766

Stockwell, Richard (2013) 17th October 1962 and other facts. [Performance]

Stockwell, Richard (2004) Bad Blood. Samuel French, London. ISBN 9780573019944

Stockwell, Richard (2003) Bad blood. [Performance] (Unpublished)

Stockwell, Richard (2010) Continuum. [Performance] (Unpublished)

Stockwell, Richard (2014) Continuum [2nd Ed.]. [Performance]

Stockwell, Richard (2001) Eastenders. Episodes 126, 162, 1050, 1090. [Performance] (Unpublished)

Stockwell, Richard (2011) Future Shock. [Performance]

Stockwell, Richard (2011) Future Shock. Drama Association of Wales, Cardiff.

Stockwell, Richard (1997) Killing time. [Performance] (Unpublished)

T

Taylor, Julie (2011) Revising The Antiphon, Restaging Trauma; or, where sexual politics meet textual history. Modernism/modernity, 18 (1). pp. 125-147. ISSN 1080-6601

Taylor, Linda (2014) ‘There are more of you than there are of us’: Forced Entertainment and the Critique of the Neoliberal Subject. In: Žižek and Performance. Performance Philosophy . Palgrave Macmillan, Basingstoke, pp. 126-141. ISBN 9781137410900

Taylor, Linda (2013) Unsettling Narratives: a renegotiation of the on- and off-stage dialogues of the performance maker. In: Performing Narrative: Narration, "denarration", fracture, and absence in contemporary performance practice. Manchester Metropolitan University Press, Manchester. ISBN 9781905476886

Taylor, Louise and Parkinson, David (2012) The Creak of the Back Gate: playwriting techniques in a service design concept. Touchpoint, 4 (2). pp. 38-41. ISSN 1868-6052

W

Wang, Ding, Kang, Jinsheng and Qin, Sheng-feng (2014) The significance of information visualisation based on the symbolic semantics of Peking Opera painted faces (POPF). In: 20th International Conference on Automation and Computing (ICAC), 12th - 13th September 2014, Cranfield.

Ward, Brian (2014) “Music, Musical Theater and the Imagined South in Interwar Britain”. Journal of Southern History, 80 (1). pp. 39-72. ISSN 0022-4642

Wharton, Chris (2013) Kate Dorney,The changing language of modern English drama 1945–2005. Palgrave Macmillan, 2009. ISBN:9780230013292 [Book review]. Critical Discourse Studies, 10 (2). pp. 241-244. ISSN 1740-5904

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