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Anan, Nobuko (2012) Identity Politics in Women's Performance in Japan. Theatre Research International, 37 (01). pp. 68-70. ISSN 0307-8833
Anan, Nobuko (2009) KATHY's Parody of Singin' in the Rain. In: Portrayals of Americans on the World Stage: Critical Essays. Macfarland & Company, Jefferson, NC, USA, pp. 134-154. ISBN 9780786444199
Anan, Nobuko (2011) Two-Dimensional Imagination in Contemporary Japanese Women's Performance. TDR/The Drama Review, 55 (4). pp. 96-112. ISSN 1054-2043
Anan, Nobuko and Chang, Franklin (2012) Can Eros Be the Basis for Resistance? (Erosu wa teiko no kyoten to nariuru ka). [Performance] (Unpublished)
Arnfield, Jane (2008) The Gymnast. [Performance]
Arnfield, Jane (2011) Nixon Can Dance. [Performance] (Unpublished)
Arnfield, Jane (2009) Tent. [Performance]
Arnfield, Jane (2012) The Tin Ring - A work in progress. [Performance] (Unpublished)
Arnfield, Jane (2011) The Tin Ring. [Performance] (Unpublished)
Baker-Alder, Helen (2009) Performance Now and Then. [Show/Exhibition]
Baxter, Katherine (2009) Comedy and Romance: A New Look at Shakespeare and Conrad. In: Joseph Conrad and the Performing Arts. Ashgate Publishing, Farnham, pp. 111-125. ISBN 9780754664901
Baxter, Katherine and Hand, Richard J. (2009) Joseph Conrad and the Performing Arts. Ashgate Publishing, Farnham. ISBN 9780754664901
Chambers, Steve (2012) Derailed omnibus. [Broadcast]
Chambers, Steve (2010) Hysteria. [Broadcast]
Chambers, Steve (2009) My Dark Places. [Broadcast]
Chambers, Steve (2009) Robinson Crusoe. [Broadcast]
Chambers, Steve (2007) Scandinavian dreams. [Broadcast]
Chambers, Steve and Nodding, Phil (2009) HighLites. [Broadcast]
Chambers, Steve and Nodding, Phil (2012) HighLites: Retouched. [Broadcast]
Craddock, Kate (2010) BLINK! [Performance]
Craddock, Kate (2009) By Your Side. [Show/Exhibition]
Craddock, Kate (2008) Contamination. [Show/Exhibition]
Craddock, Kate (2012) GIFT: Gateshead International Festival of Theatre. Gateshead International Festival of Theatre.
Craddock, Kate (2011) A Gift for Djakovo. [Performance]
Craddock, Kate (2008) A River Runs Through Us. [Show/Exhibition]
Craddock, Kate (2009) TRIO. [Show/Exhibition]
Craddock, Kate (2008) Under the Stairs. [Show/Exhibition]
Craddock, Kate (2010) Virtual Jukebox. [Performance]
Craddock, Kate and Brayshaw, Teresa (2011) The Cradshaw Encounter. [Performance]
Craddock, Kate and Gilroy, Steve (2008) Hand Me Down. [Performance]
Cull, Laura (2011) Collective creation as a theatre of immanence : Deleuze & The Living Theatre. In: Northumbria Research Conference, 5 May - 6 May 2011, Northumbria University, Newcastle-upon-Tyne.
Cull, Laura (2009) How do you make yourself a theatre without organs? Deleuze, Artaud and the concept of differential presence. Theatre Research International, 34 (3). pp. 243-255. ISSN 0307-8833
Cull, Laura (2012) Performance as Philosophy: Responding to the Problem of ‘Application’. Theatre Research International, 37 (1). pp. 20-27. ISSN 0307-8833
Cull, Laura (2011) Performing Presence, Affirming Difference: Deleuze and the Minor Theatres of Georges Lavaudant and Carmelo Bene. In: Contemporary French Theatre and Performance. Palgrave Macmillan, Basingstoke, pp. 99-110. ISBN 9780230580510
Cull, Laura and Gritzner, Karoline (2011) Editorial. Performance Research, 16 (4). pp. 1-6. ISSN 1352-8165
Gee, Emma and Hargrave, Matt (2011) A proper actor? The politics of training for learning disabled actors. Theatre, Dance and Performance Training, 2 (1). pp. 34-53. ISSN 1944-3927
Gilroy, Steve (2010) The Durham Mystery Plays (Lazarus). [Performance] (Unpublished)
Gilroy, Steve (2010) Facts on the Ground. [Performance] (Unpublished)
Gilroy, Steve (2009) Motherland. [Performance] (Unpublished)
Gilroy, Steve (2010) Motherland. Oberon Books, London. ISBN 9781840029482
Gilroy, Steve (2010) Reality. [Performance] (Unpublished)
Gilroy, Steve and Sellar, Paul (2012) Green Cabaret. [Performance] (Unpublished)
Gilroy, Steve and Stockwell, Richard (2012) The Prize. [Performance] (Unpublished)
Gilroy, Steve and Stockwell, Richard (2012) The prize. Oberon Books, London. ISBN 9781849434393
Green, Michael (1987) The politics of loving: Athol Fugard and the metropolis. World Literature Written in English, 27 (1). pp. 5-17. ISSN 0093-1705
Hargrave, Matt (2010) Side effects: an analysis of Mind the Gap's Boo and the reception of theatre involving learning disabled actors. Research in Drama Education: The Journal of Applied Theatre and Performance , 15 (4). pp. 497-511. ISSN 1356-9783
Jennings, Matthew (2012) Crossing Places: Acknowledging the Spiritual in Northern Ireland Community Drama. In: Community, Art, Power: Essays from ICAF 2011. International Community Arts Festival, Rotterdam.
Jennings, Matthew (2009) Playing Your Role: identity and community-based performance in Contemporary Northern Ireland. About Performance, 9. pp. 103-126. ISSN 1342-6089
Jennings, Matthew and Baldwin, Andrea (2010) “Filling out the Forms was a Nightmare”: project evaluation and the reflective practitioner in community theatre in contemporary Northern Ireland. Music and Arts in Action, 2 (2). pp. 72-89. ISSN 1754-7105
Jennings, Matthew and Grant, David (2012) Peace industry propaganda or ‘Troubles Porn’? In: Community, Art, Power: Essays from ICAF 2011. International Community Arts Festival, Rotterdam.
Lawson, Jenny (2012) Especially For You. [Performance]
MacPherson, Fiona (2012) The Awkward Squad. [Performance]
MacPherson, Fiona (2010) Durham Mysteries: Cain and Abel. [Performance]
Mathijs, Ernest and Hunter, Russ (2012) Refusing to look at rape: the reception of British horror cinema. In: European Nightmares: European Horror Cinema since 1945. Columbia University Press, London & New York, pp. 35-48. ISBN 9780231162098
McIntyre, Keith (2010) Raspberry. [Performance]
McIntyre, Keith (2007) The Unconquered. [Performance]
McLaughlin, Noel (2009) Rock, fashion and performativity. In: The men's fashion reader. Berg Publishers, London. ISBN 9781845207878
Phethean, Ellen and Phethean, Fred (2010) Cain and Abel. [Performance] (Unpublished)
Power, Cormac (2009) ‘Bringing the Story to Life’: Presenting history as text in The World in Pictures. Performance Research, 14 (1). pp. 115-122. ISSN 1352-8165
Power, Cormac (2010) Making Nothing Out of Something: Concepts of Nothingness, Sartre and the Theatre of Peter Brook. Consciousness, Literature and the Arts, 11 (3). ISSN 1470-5648
Power, Cormac (2012) The Space of Doubt: The Chairs and the aesthetics of failure. Performance Research, 17 (1). pp. 68-76. ISSN 1352-8165
Smialkowska, Monika (2009) Hungry shadows or nourishing meats? The functions and representations of food in the Stuart court masque. University Centre Doncaster Journal of Research and Scholarship, 1 (1). pp. 45-54.
Smialkowska, Monika (2013) Julius Caesar. Directed by Gregory Doran for the Royal Shakespeare Company at the Theatre Royal, Newcastle. In: A Year of Shakespeare: Re-living the World Shakespeare Festival. Shakespeare Studies and Criticism . The Arden Shakespeare, Bloomsbury, London, pp. 91-94. ISBN 9781408188149
Smialkowska, Monika (2013) West Side Story, by Leonard Bernstein and Stephen Sondheim, directed and choreographed by Will Tuckett for the Royal Shakespeare Company’s Open Stages and The Sage at Hall One, The Sage, Gateshead. In: A Year of Shakespeare: Re-living the World Shakespeare Festival. The Arden Shakespeare, Bloomsbury, London, pp. 184-187. ISBN 9781408188149
Smialkowska, Monika (2010) "A democratic art at a democratic price”: The American Celebrations of the Shakespeare Tercentenary, 1916. Transatlantica, 1. ISSN 1765-2766
Stockwell, Richard (2004) Bad Blood. Samuel French, London. ISBN 9780573019944
Stockwell, Richard (2003) Bad blood. [Performance] (Unpublished)
Stockwell, Richard (2010) Continuum. [Performance] (Unpublished)
Stockwell, Richard (2001) Eastenders. Episodes 126, 162, 1050, 1090. [Performance] (Unpublished)
Stockwell, Richard (2011) Future Shock. [Performance]
Stockwell, Richard (2011) Future Shock. Drama Association of Wales, Cardiff.
Taylor, Julie (2011) Revising The Antiphon, Restaging Trauma; or, where sexual politics meet textual history. Modernism/modernity, 18 (1). pp. 125-147. ISSN 1080-6601
Taylor, Louise and Parkinson, David (2012) The Creak of the Back Gate: playwriting techniques in a service design concept. Touchpoint , 4 (2). pp. 40-43. ISSN 1868-6052
Wharton, Chris (2013) Kate Dorney,The changing language of modern English drama 1945–2005. Palgrave Macmillan, 2009. ISBN:9780230013292 [Book review]. Critical Discourse Studies, 10 (2). pp. 241-244. ISSN 1740-5904