Items where Subject is "W400 Drama"

A

Alfreds, Mike and Arnfield, Jane (2018) Year of Wonders. [Show/Exhibition]

Anan, Nobuko (2012) Identity Politics in Women's Performance in Japan. Theatre Research International, 37 (01). pp. 68-70. ISSN 0307-8833

Anan, Nobuko (2009) KATHY's Parody of Singin' in the Rain. In: Portrayals of Americans on the World Stage: Critical Essays. Macfarland & Company, Jefferson, NC, USA, pp. 134-154. ISBN 978-0786444199

Anan, Nobuko (2011) Two-Dimensional Imagination in Contemporary Japanese Women's Performance. TDR/The Drama Review, 55 (4). pp. 96-112. ISSN 1054-2043

Anan, Nobuko and Chang, Franklin (2012) Can Eros Be the Basis for Resistance? (Erosu wa teiko no kyoten to nariuru ka). [Performance] (Unpublished)

Andrews, Stuart and Duggan, Patrick (2021) Towards ‘strategy as performance’ in hazard mitigation: reflections on Performing City Resilience in New Orleans. Research in Drama Education: The Journal of Applied Theatre and Performance, 26 (1). pp. 187-201. ISSN 1356-9783

Arnfield, Jane (2008) The Gymnast. [Performance]

Arnfield, Jane (2011) Nixon Can Dance. [Performance] (Unpublished)

Arnfield, Jane (2009) Tent. [Performance]

Arnfield, Jane (2012) The Tin Ring - A work in progress. [Performance] (Unpublished)

Arnfield, Jane (2011) The Tin Ring. [Performance] (Unpublished)

Arnfield, Jane (2016) The Tin Ring. [Performance]

Arnfield, Jane (2018) The Trial of Faith. [Show/Exhibition]

B

Baker-Alder, Helen (2009) Performance Now and Then. [Show/Exhibition]

Baxter, Katherine (2009) Comedy and Romance: A New Look at Shakespeare and Conrad. In: Joseph Conrad and the Performing Arts. Ashgate Publishing, Farnham, pp. 111-125. ISBN 978-0754664901

Baxter, Katherine and Hand, Richard (2009) Joseph Conrad and the Performing Arts. Ashgate Publishing, Farnham. ISBN 9780754664901

Blythe, Mark (2017) Research Fiction. In: CHI '17 - Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems. Association for Computing Machinery, New York, USA, pp. 5400-5411. ISBN 9781450346559

Brayshaw, Teresa, Craddock, Kate and McCaw, Dick (2014) Training grounds editorial. Theatre, Dance and Performance Training, 5 (2). p. 216. ISSN 1944-3927

Brown, Bryan and Duffy, Jenny (2013) The heart of teaching: Empowering students in the performing arts [Review]. Theatre, Dance and Performance Training, 4 (3). pp. 431-434. ISSN 19443927

Burton, Alan and May, Tom (2022) ‘Treading on sacred turf’: History, Femininity and the Secret War in the Plays for Today Licking Hitler, The Imitation Game and Rainy Day Women. Journal of British Cinema and Television, 19 (3). pp. 325-359. ISSN 1743-4521

Butt, Gavin, Heathfield, Adrian and Keidan, Lois (2014) Performance Matters: Gavin Butt, Lois Keidan and Adrian Heathfield in Conversation. Contemporary Theatre Review, 24 (1). pp. 102-114. ISSN 1048-6801

C

Chambers, Steve (2012) Derailed omnibus. [Broadcast]

Chambers, Steve (2010) Hysteria. [Broadcast]

Chambers, Steve (2009) My Dark Places. [Broadcast]

Chambers, Steve (2009) Robinson Crusoe. [Broadcast]

Chambers, Steve (2007) Scandinavian dreams. [Broadcast]

Chambers, Steve (2007) To make the people smile again. [Broadcast]

Chambers, Steve (2003) The ice factory. [Broadcast]

Chambers, Steve (2005) The recall man: Best forgotten. [Broadcast]

Chambers, Steve and Nodding, Phil (2009) HighLites. [Broadcast]

Chambers, Steve and Nodding, Phil (2012) HighLites: Retouched. [Broadcast]

Coburn, Ann and MacPherson, Fiona (2005) Get Up and Tie Your Fingers (2005 tour). [Performance]

Coburn, Ann, MacPherson, Fiona and Pavey, Liz (2014) Get Up and Tie Your Fingers (2014 tour). [Performance]

Craddock, Kate (2010) BLINK! [Performance]

Craddock, Kate (2009) By Your Side. [Show/Exhibition]

Craddock, Kate (2008) Contamination. [Show/Exhibition]

Craddock, Kate (2011) A Gift for Djakovo. [Performance]

Craddock, Kate (2012) 'Presents' at GIFT. Gateshead International Festival of Theatre.

Craddock, Kate (2008) A River Runs Through Us. [Show/Exhibition]

Craddock, Kate (2009) TRIO. [Show/Exhibition]

Craddock, Kate (2008) Under the Stairs. [Show/Exhibition]

Craddock, Kate (2010) Virtual Jukebox. [Performance]

Craddock, Kate and Brayshaw, Teresa (2011) The Cradshaw Encounter. [Performance]

Craddock, Kate and Gilroy, Steve (2013) The GB Project. [Performance]

Craddock, Kate and Gilroy, Steve (2008) Hand Me Down. [Performance]

Craddock, Kate, McCaw, Dick, Mitra, Royona and Wilson, Thomas (2015) Training Grounds Editorial. Theatre, Dance and Performance Training, 6 (3). pp. 353-354. ISSN 1944-3927

Crawshaw, Julie (2016) Getting to know the island: Artistic experiments in rural community development. Journal of Rural Studies, 43. pp. 134-144. ISSN 0743-0167

Crawshaw, Julie (2018) Island Making: Planning artistic collaboration. Landscape Research, 43 (2). pp. 211-221. ISSN 0142-6397

Crews, Sarah and Lennox, Solomon (2020) Boxing, Bourdieu and Butler: repetitions of change. Studies in Theatre and Performance, 40 (2). pp. 145-161. ISSN 1468-2761

Croteau, Melissa and Jess-Cooke, Carolyn (2009) Apocalyptic Shakespeare: essays on visions of chaos and revelation in recent film adaptations. McFarland, Jefferson, NC. ISBN 9780786433926

Cull, Laura (2011) Collective creation as a theatre of immanence : Deleuze & The Living Theatre. In: Northumbria Research Conference, 5 May - 6 May 2011, Northumbria University, Newcastle-upon-Tyne.

Cull, Laura (2009) How do you make yourself a theatre without organs? Deleuze, Artaud and the concept of differential presence. Theatre Research International, 34 (3). pp. 243-255. ISSN 0307-8833

Cull, Laura (2012) Performance as Philosophy: Responding to the Problem of ‘Application’. Theatre Research International, 37 (1). pp. 20-27. ISSN 0307-8833

Cull, Laura (2011) Performing Presence, Affirming Difference: Deleuze and the Minor Theatres of Georges Lavaudant and Carmelo Bene. In: Contemporary French Theatre and Performance. Palgrave Macmillan, Basingstoke, pp. 99-110. ISBN 978-0230580510

Cull, Laura and Gritzner, Karoline (2011) Editorial. Performance Research, 16 (4). pp. 1-6. ISSN 1352-8165

D

Darling, Julia and MacPherson, Fiona (1988) Growing Pains. [Performance]

Darling, Julia and MacPherson, Fiona (1991) Victory Harvest. [Performance]

Dillon, Peter and MacPherson, Fiona (2013) GUTS. [Performance]

Duffy, Jenny (2017) Making theatre as an emerging company: Exposing trends, tactics, strategies and constraints. Doctoral thesis, Northumbria University.

Duggan, Patrick (2020) Trauma and Drama/Theatre/Performance. In: The Routledge Companion to Literature and Trauma. Routledge Literature Companions . Routledge, New York ; London. ISBN 9781138494923, 9781351025225

E

Eyres, Erica (2018) Deadpan Comedy and Personal Narratives in Contemporary Art. Doctoral thesis, Northumbria University.

F

Fusco, Maria (2012) Gonda (screenplay). Film London.

Fusco, Maria (2015) Master Rock (BBC radio broadcast). [Broadcast]

Fusco, Maria (2016) Notes on Comic Face. If A Leave Falls Press.

Fusco, Maria (2013) Populating her Sparseness: On Writing Gonda. In: But We Loved Her. Verlag für moderne Kunst. ISBN 9783869844794

Fusco, Maria (2018) VOICE OBJECT VOICE. [Broadcast]

G

Gee, Emma and Hargrave, Matt (2011) A proper actor? The politics of training for learning disabled actors. Theatre, Dance and Performance Training, 2 (1). pp. 34-53. ISSN 1944-3927

Gilroy, Steve (2010) The Durham Mystery Plays (Lazarus). [Performance] (Unpublished)

Gilroy, Steve (2017) Each Piece. [Performance]

Gilroy, Steve (2010) Facts on the Ground. [Performance] (Unpublished)

Gilroy, Steve (2015) In the Middle of the West/The Oklahoma Bombing Project. [Performance]

Gilroy, Steve (2008) Me and Cilla. [Show/Exhibition]

Gilroy, Steve (2009) Motherland. [Performance] (Unpublished)

Gilroy, Steve (2010) Motherland. Oberon Books, London. ISBN 9781840029482

Gilroy, Steve (2010) Reality. [Performance] (Unpublished)

Gilroy, Steve (2013) States of Descent. [Performance]

Gilroy, Steve and Sellar, Paul (2012) Green Cabaret. [Performance] (Unpublished)

Gilroy, Steve and Stockwell, Richard (2012) The Prize. [Performance] (Unpublished)

Gilroy, Steve and Stockwell, Richard (2012) The prize. Oberon Books, London. ISBN 9781849434393

Godfrey, Sarah and Walker, Johnny (2015) From Pinter to Pimp: Danny Dyer, Class, Cultism and the Critics. Journal of British Cinema and Television, 12 (1). pp. 101-120. ISSN 1743-4521

Green, Michael (1987) The politics of loving: Athol Fugard and the metropolis. World Literature Written in English, 27 (1). pp. 5-17. ISSN 0093-1705

H

Hann, Rachel (2021) At the borders of scenography. In: Scenography and Art History: Performance Design and Visual Culture. Bloomsbury, London, xvi-xviv. ISBN 9781350204447, 9781350204461, 9781350204454

Hann, Rachel (2022) Gender-Assemblages: The scenographics of Sin Wai Kin. In: Analysing Gender in Performance. Palgrave Macmillan, Cham, Switzerland, pp. 293-310. ISBN 9783030855734, 9783030855741

Hann, Rachel (2021) Modelling Kiesler’s Endless Theatre: approaches to paradata for heritage visualization. Theatre and Performance Design, 7 (1-2). pp. 96-115. ISSN 2332-2551

Hann, Rachel (2022) The New Meyerhold Theatre: Visualising A Lost Architectural Experiment. In: The Routledge Companion to Vsevolod Meyerhold. Routledge Companions . Taylor & Francis, London, pp. 453-470. ISBN 9780367627843, 9781003110804

Hansen, Adam (2017) The Politics of Popular Music in Contemporary Shakespearean Performance. In: Shakespeare, Music and Performance. Cambridge University Press, pp. 223-238. ISBN 9781107139336

Hargrave, Matt (2017) Dance with a Stranger: Torque Show’s Intimacy (2014) and the Experience of Vulnerability in Performance and Spectatorship. In: Risk, Participation, and Performance Practice: Critical Vulnerabilities in a Precarious World. Springer, pp. 113-130. ISBN 9783319632414

Hargrave, Matt (2007) Good, bad or just plain ugly? Changing perceptions of the learning disabled actor. In: Planting trees of drama with global vision in local knowledge: IDEA 2007 dialogues. IDEA Publications, Hong Kong, pp. 171-191. ISBN 978-9628321858

Hargrave, Matt (2009) Pure products go crazy. Research in Drama Education: The Journal of Applied Theatre and Performance, 14 (1). pp. 37-54. ISSN 1356-9783

Hargrave, Matt (2010) Side effects: an analysis of Mind the Gap's Boo and the reception of theatre involving learning disabled actors. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 497-511. ISSN 1356-9783

Hargrave, Matt (2020) Stage persona, stand-up comedy and mental health: 'Putting yourself out there'. Persona Studies, 5 (2). p. 67. ISSN 2205-5258

Hargrave, Matt (2015) Theatres of learning disability: Good, bad, or plain ugly? Palgrave Macmillan, Basingstoke, pp. 1-290. ISBN 978-1-137-50438-8

Hepplewhite, Kay (2022) Curious About Theatre: Finding the human connection in a digital learning project collaboration with Curious Monkey Theatre Company for applied theatre university students. Research in Drama Education: The Journal of Applied Theatre and Performance, 27 (2). pp. 253-269. ISSN 1356-9783

Hepplewhite, Kay (2019) Encouraging selfishness in applied theatre students – surprises arising from a community project. Theatre, Dance and Performance Training. ISSN 1944-3927

Hepplewhite, Kay (2014) Here's another nice mess: using video in reflective dialogue research method. Research in Drama Education: Journal of Applied Theatre and Performance, 19 (3). pp. 326-335. ISSN 1356-9783

Hepplewhite, Kay (2013) Here's one I made earlier: dialogues on the construction of an applied theatre practitioner. Theatre, Dance and Performance Training, 4 (1). pp. 52-72. ISSN 1944-3927

Hepplewhite, Kay (2020) In their shoes: participation, social change and empathy in Open Clasp’s 'Key Change’. In: Applied theatre: women and the criminal justice system. Applied Theatre . Bloomsbury Methuen Drama, London, pp. 229-244. ISBN 9781474262552, 9781350235984, 9781474262576, 9781474262569

Hepplewhite, Kay (2016) More than a Sum of Parts? Responsivity and Respond-ability in Applied Theatre Practitioner Expertise. In: Facilitation. Applied Theatre . Bloomsbury, London, pp. 165-188. ISBN 9781472576927

Hepplewhite, Kay (2017) Responsivity in Applied Theatre Practitioner Expertise: Introducing Identifying Patterns and Names. ARTSPRAXIS, 4 (1). pp. 1-13. ISSN 1552-5236

Hepplewhite, Kay (2015) The applied theatre practitioner as dialogic hero. Research in Drama Education: The Journal of Applied Theatre and Performance, 20 (2). pp. 182-185. ISSN 1356-9783

Holt, Ysanne and Ashmore, Rupert (2020) Introduction: Layered Landscapes. Arts, 9 (1). p. 31. ISSN 2076-0752

Hunt, Megan (2016) “Southern by the grace of God:” religion and race in Hollywood’s South since the 1960s. Doctoral thesis, Northumbria University.

I

Innocenti, Perla and Richards, John (2012) Preservation through access: the AHDS performing arts collections in ECLAP and Europeana. In: iPRES 2012 – 9th International Conference on Preservation of Digital Objects, 1-5 Oct 2012, Toronto.

J

Jennings, Matthew (2012) Crossing Places: Acknowledging the Spiritual in Northern Ireland Community Drama. In: Community, Art, Power: Essays from ICAF 2011. International Community Arts Festival, Rotterdam.

Jennings, Matthew (2009) Playing Your Role: identity and community-based performance in Contemporary Northern Ireland. About Performance, 9. pp. 103-126. ISSN 1342-6089

Jennings, Matthew and Baldwin, Andrea (2010) “Filling out the Forms was a Nightmare”: project evaluation and the reflective practitioner in community theatre in contemporary Northern Ireland. Music and Arts in Action, 2 (2). pp. 72-89. ISSN 1754-7105

Jennings, Matthew and Grant, David (2012) Peace industry propaganda or ‘Troubles Porn’? In: Community, Art, Power: Essays from ICAF 2011. International Community Arts Festival, Rotterdam.

K

Kemp, Sarah Caroline (2022) Pushing the boundaries: an exploration of the impact of actor training, based on the practices of Philippe Gaulier and Monika Pagneux, on the creativity, health and wellbeing of older people. Doctoral thesis, Northumbria University.

L

Lawson, Jenny (2012) Especially For You. [Performance]

Leggott, James (2017) Fair do’s: Tom Hadaway and the regional voice in 1970s British television. Historical Journal of Film, Radio and Television, 37 (4). pp. 683-702. ISSN 0143-9685

Leggott, James (2018) “No Need to Matronise Me!”: The Crown, the Male Consort and Conflicted Masculinity. In: Conflicting Masculinities: Men in Television Period Drama. Bloomsbury, London; New York, pp. 259-277. ISBN 9781788313353

Lennox, Solomon (2016) Essai: Liminal spaces and experimental practices in the Warrior Muay Thai training camp. Theatre, Dance and Performance Training, 7 (3). pp. 494-497. ISSN 1944-3927

Lennox, Solomon (2012) The training of boxer-entertainers in Brendan Ingle's gym. Theatre, Dance and Performance Training, 3 (2). pp. 208-215. ISSN 1944-3927

Lennox, Solomon and Pettit, Fiona (2016) DOC: The Narrative Performance of Expertise. In: Performance and the Medical Body. Bloomsbury, London, pp. 115-128. ISBN 978-1-4725-7078-9

Lennox, Solomon and Rodosthenous, George (2016) The boxer–trainer, actor–director relationship: an exploration of creative freedom. Sport in Society, 19 (2). pp. 147-158. ISSN 1743-0437

M

MacPherson, Fiona (2012) The Awkward Squad. [Performance]

MacPherson, Fiona (2015) The Awkward Squad: Is there a place for the feminist play in contemporary mainstream popular theatre? In: Congruence and Contestation: Contemporary Feminism and Performance, 4th September 2015, London, UK.

MacPherson, Fiona (2010) Durham Mysteries: Cain and Abel. [Performance]

MacPherson, Fiona (2008) A Twist of Lemon. [Performance]

Mahoney, Cat (2015) “Not Bad for a Few Ordinary Girls in a Tin Hut” – Re-Imagining Women’s Social Experience of the Second World War Through Female Ensemble Drama. Frames Cinema Journal (7). ISSN 2053-8812

Maria, Fusco (2018) ECZEMA! [Show/Exhibition]

Mathijs, Ernest and Hunter, Russ (2012) Refusing to look at rape: the reception of British horror cinema. In: European Nightmares: European Horror Cinema since 1945. Columbia University Press, London & New York, pp. 35-48. ISBN 978-0231162098

May, Thomas William (2023) A history and interpretive analysis of play for today, (BBC1, 1970-84). Doctoral thesis, Northumbria University.

May, Tom (2022) Hannah Andrews, Biographical Television Drama. Journal of British Cinema and Television, 19 (2). pp. 286-289. ISSN 1743-4521

McHugh, Catrina and MacPherson, Fiona (1999) After Her Death. [Performance]

McHugh, Catrina and MacPherson, Fiona (2004) Stand 'n' Tan. [Performance]

McHugh, Catrina and MacPherson, Fiona (2007) Tonic. [Performance]

McHugh, Catrina, Mace, Kathryn and MacPherson, Fiona (2001) Falling Knives and Runaround Wives. [Performance]

McIntyre, Keith (2010) Raspberry. [Performance]

McIntyre, Keith (2007) The Unconquered. [Performance]

McIntyre, Keith and Wimhurst, Karen (2009) Darwin's barnacle. [Performance] (Unpublished)

McLaughlin, Noel (2009) Rock, fashion and performativity. In: The Men's fashion reader. Berg Publishers, London. ISBN 978-1845207878

Mussi, Francesca (2015) Engaging with the South African Past: the TRC and how theatre performs back. Commonwealth Essays and Studies, 38 (1). pp. 91-101. ISSN 0395-6989

O

O'Brien, Laura (2021) L’émergence de l’«acteur napoléonien» au XIXe siècle. Revue Italienne d'Etudes Francaises, 11. pp. 1-12. ISSN 2240-7456

P

Parr, Connal (2017) Cultural Responses to and the Legacies of Sunningdale. In: Sunningdale, the Ulster Workers' Council Strike and the Struggle for Democracy in Northern Ireland. Manchester University Press, pp. 159-173. ISBN 9780719099519

Parr, Connal (2021) Drama as Truth Commission: Reconciliation and Dealing with the Past in South African and Irish Theatre. Interventions, 23 (1). pp. 98-119. ISSN 1369-801X

Pavey, Elizabeth and MacPherson, Fiona (2022) Get Up and Tie Your Fingers Eyemouth: Listening for dialogic resonance within a co-produced community performance. Journal of Arts & Communities, 13 (1). pp. 25-45. ISSN 1757-1936

Pearlman, Lazlo (2015) ‘Dissemblage’ and ‘Truth Traps’: Creating Methodologies of Resistance in Queer Autobiographical Theatre. Theatre Research International, 40 (01). pp. 88-91. ISSN 0307-8833

Pearlman, Lazlo and McLaughlin, Deirdre (2020) If you want to kiss her, kiss her! Gender and Queer Time in modern Meisner training. Theatre, Dance and Performance Training, 11 (3). pp. 310-323. ISSN 1944-3927

Phethean, Ellen and Phethean, Fred (2010) Cain and Abel. [Performance] (Unpublished)

Power, Cormac (2009) ‘Bringing the Story to Life’: Presenting history as text in The World in Pictures. Performance Research, 14 (1). pp. 115-122. ISSN 1352-8165

Power, Cormac (2010) Making Nothing Out of Something: Concepts of Nothingness, Sartre and the Theatre of Peter Brook. Consciousness, Literature and the Arts, 11 (3). ISSN 1470-5648

Power, Cormac (2018) Missing the target: emotion, stoic psychology and the actor. In: Beyond Failure: New Essays on the Cultural History of Failure in Theatre and Performance. Routledge, pp. 148-165. ISBN 9780815370987, 9780815370994, 9781351247733

Power, Cormac (2008) Presence in play: a critique of theories of presence in the theatre. Rodopi. ISBN 9789042023819

Power, Cormac (2012) The Space of Doubt: The Chairs and the aesthetics of failure. Performance Research, 17 (1). pp. 68-76. ISSN 1352-8165

Power, Cormac (2017) Stoicism and Performativity: Identity, Resistance, Performance. TDR/The Drama Review, 61 (1). pp. 56-67. ISSN 1054-2043

Prebble, Lucy, Calvert, Mark, Roxburgh, Emma, Ryder, Anna and Pavey, Liz (2014) Enron. [Performance]

Price, David and Barron, Lee (1999) Developing Independence: The experience of the Lawnmowers Theatre Company. Disability & Society, 14 (6). pp. 819-829. ISSN 0968-7599

R

Renwick, Chloe (2021) ‘To register her vertues, I should spend / an age of time’: political echoes in Thomas Heywood’s Ages pentalogy. Doctoral thesis, Northumbria University.

Rowson, Emily (2017) Impossible girls and tin dogs: Constructions of the gendered body in Doctor Who. Doctoral thesis, Northumbria University.

S

Smialkowska, Monika (2009) Hungry shadows or nourishing meats? The functions and representations of food in the Stuart court masque. University Centre Doncaster Journal of Research and Scholarship, 1 (1). pp. 45-54.

Smialkowska, Monika (2013) Julius Caesar. Directed by Gregory Doran for the Royal Shakespeare Company at the Theatre Royal, Newcastle. In: A Year of Shakespeare: Re-living the World Shakespeare Festival. Shakespeare Studies and Criticism . The Arden Shakespeare, Bloomsbury, London, pp. 91-94. ISBN 9781408188149

Smialkowska, Monika (2013) West Side Story, by Leonard Bernstein and Stephen Sondheim, directed and choreographed by Will Tuckett for the Royal Shakespeare Company’s Open Stages and The Sage at Hall One, The Sage, Gateshead. In: A Year of Shakespeare: Re-living the World Shakespeare Festival. The Arden Shakespeare, Bloomsbury, London, pp. 184-187. ISBN 9781408188149

Smialkowska, Monika (2010) "A democratic art at a democratic price”: The American Celebrations of the Shakespeare Tercentenary, 1916. Transatlantica, 1. ISSN 1765-2766

Speyer, Chris and MacPherson, Fiona (2002) Why Do Bees Buzz? [Performance]

Stephens, Randall (2017) "Culture, Entertainment, and Religion in America". In: Oxford Research Encyclopedia of Religion. Oxford University Press.

Stephenson, Carol, MacPherson, Fiona and Coulthard, Sarah (2017) Get up and Tie your Fingers: Eyemouth 2016, Reflections on community performance of shared maritime heritage. In: MARE Conference: People & the Sea IX: Dealing with Maritime Mobilities, 5-7 July 2017, Amsterdam.

Stockwell, Richard (2013) 17th October 1962 and other facts. [Performance]

Stockwell, Richard (2004) Bad Blood. Samuel French, London. ISBN 9780573019944

Stockwell, Richard (2003) Bad blood. [Performance] (Unpublished)

Stockwell, Richard (2010) Continuum. [Performance] (Unpublished)

Stockwell, Richard (2014) Continuum [2nd Ed.]. [Performance]

Stockwell, Richard (2001) Eastenders. Episodes 126, 162, 1050, 1090. [Performance] (Unpublished)

Stockwell, Richard (2011) Future Shock. [Performance]

Stockwell, Richard (2011) Future Shock. Drama Association of Wales, Cardiff.

Stockwell, Richard (1997) Killing time. [Performance] (Unpublished)

T

Taylor, Julie (2011) Revising The Antiphon, Restaging Trauma; or, where sexual politics meet textual history. Modernism/modernity, 18 (1). pp. 125-147. ISSN 1080-6601

Taylor, Linda (2014) ‘There are more of you than there are of us’: Forced Entertainment and the Critique of the Neoliberal Subject. In: Žižek and Performance. Performance Philosophy . Palgrave Macmillan, Basingstoke, pp. 126-141. ISBN 9781137410900, 9781349489138, 9781137403193

Taylor, Linda (2019) Towards a concept of inefficiency in performance and dialogue practice. Research in Drama Education: The Journal of Applied Theatre and Performance, 24 (3). pp. 333-351. ISSN 1356-9783

Taylor, Linda (2013) Unsettling Narratives: a renegotiation of the on- and off-stage dialogues of the performance maker. In: Performing Narrative: Narration, "denarration", fracture, and absence in contemporary performance practice. Manchester Metropolitan University Press, Manchester. ISBN 9781905476886

Taylor, Louise and Parkinson, David (2012) The Creak of the Back Gate: playwriting techniques in a service design concept. Touchpoint, 4 (2). pp. 38-41. ISSN 1868-6052

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Wang, Ding, Kang, Jinsheng and Qin, Sheng-feng (2014) The significance of information visualisation based on the symbolic semantics of Peking Opera painted faces (POPF). In: 20th International Conference on Automation and Computing (ICAC), 12th - 13th September 2014, Cranfield.

Ward, Brian (2014) Music, Musical Theater, and the Imagined South in Interwar Britain. Journal of Southern History, 80 (1). pp. 39-72. ISSN 0022-4642

Wharton, Chris (2013) Kate Dorney,The changing language of modern English drama 1945–2005. Palgrave Macmillan, 2009. ISBN:9780230013292 [Book review]. Critical Discourse Studies, 10 (2). pp. 241-244. ISSN 1740-5904

Wilson-Menzfeld, Gemma and Ackley, Jonathan (2023) The theatre as therapy for military veterans? Exploring the mechanisms which impact psychosocial well-being and social connections during theatre-based programmes. Arts and Health, 15 (1). pp. 53-70. ISSN 1753-3015