Items where Subject is "W400 Drama"

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Number of items at this level: 132.

Article

Anan, Nobuko (2012) Identity Politics in Women's Performance in Japan. Theatre Research International, 37 (01). pp. 68-70. ISSN 0307-8833

Anan, Nobuko (2011) Two-Dimensional Imagination in Contemporary Japanese Women's Performance. TDR/The Drama Review, 55 (4). pp. 96-112. ISSN 1054-2043

Brayshaw, Teresa, Craddock, Kate and McCaw, Dick (2014) Training grounds editorial. Theatre, Dance and Performance Training, 5 (2). p. 216. ISSN 1944-3927

Brown, Bryan and Duffy, Jenny (2013) The heart of teaching: Empowering students in the performing arts [Review]. Theatre, Dance and Performance Training, 4 (3). pp. 431-434. ISSN 19443927

Craddock, Kate, McCaw, Dick, Mitra, Royona and Wilson, Thomas (2015) Training Grounds Editorial. Theatre, Dance and Performance Training, 6 (3). pp. 353-354. ISSN 1944-3927

Crawshaw, Julie (2016) Getting to know the island: Artistic experiments in rural community development. Journal of Rural Studies, 43. pp. 134-144. ISSN 0743-0167

Crawshaw, Julie (2017) Island Making: Planning artistic collaboration. Landscape Research. ISSN 0142-6397 (In Press)

Cull, Laura (2009) How do you make yourself a theatre without organs? Deleuze, Artaud and the concept of differential presence. Theatre Research International, 34 (3). pp. 243-255. ISSN 0307-8833

Cull, Laura (2012) Performance as Philosophy: Responding to the Problem of ‘Application’. Theatre Research International, 37 (1). pp. 20-27. ISSN 0307-8833

Cull, Laura and Gritzner, Karoline (2011) Editorial. Performance Research, 16 (4). pp. 1-6. ISSN 1352-8165

Gee, Emma and Hargrave, Matt (2011) A proper actor? The politics of training for learning disabled actors. Theatre, Dance and Performance Training, 2 (1). pp. 34-53. ISSN 1944-3927

Godfrey, Sarah and Walker, Johnny (2015) From Pinter to Pimp: Danny Dyer, Class, Cultism and the Critics. Journal of British Cinema and Television, 12 (1). pp. 101-120. ISSN 1743-4521

Green, Michael (1987) The politics of loving: Athol Fugard and the metropolis. World Literature Written in English, 27 (1). pp. 5-17. ISSN 0093-1705

Hargrave, Matt (2009) Pure products go crazy. Research in Drama Education: The Journal of Applied Theatre and Performance, 14 (1). pp. 37-54. ISSN 1356-9783

Hargrave, Matt (2010) Side effects: an analysis of Mind the Gap's Boo and the reception of theatre involving learning disabled actors. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 497-511. ISSN 1356-9783

Hepplewhite, Kay (2014) Here's another nice mess: using video in reflective dialogue research method. Research in Drama Education: Journal of Applied Theatre and Performance, 19 (3). pp. 326-335. ISSN 1356-9783

Hepplewhite, Kay (2013) Here's one I made earlier: dialogues on the construction of an applied theatre practitioner. Theatre, Dance and Performance Training, 4 (1). pp. 52-72. ISSN 1944-3927

Hepplewhite, Kay (2017) Responsivity in Applied Theatre Practitioner Expertise: Introducing Identifying Patterns and Names. ARTSPRAXIS, 4 (1). pp. 1-13. ISSN 1552-5236

Hepplewhite, Kay (2015) The applied theatre practitioner as dialogic hero. Research in Drama Education: The Journal of Applied Theatre and Performance, 20 (2). pp. 182-185. ISSN 1356-9783

Jennings, Matthew (2009) Playing Your Role: identity and community-based performance in Contemporary Northern Ireland. About Performance, 9. pp. 103-126. ISSN 1342-6089

Jennings, Matthew and Baldwin, Andrea (2010) “Filling out the Forms was a Nightmare”: project evaluation and the reflective practitioner in community theatre in contemporary Northern Ireland. Music and Arts in Action, 2 (2). pp. 72-89. ISSN 1754-7105

Leggott, James (2017) Fair do’s: Tom Hadaway and the regional voice in 1970s British television. Historical Journal of Film, Radio and Television, 37 (4). pp. 683-702. ISSN 0143-9685

Lennox, Solomon (2016) Essai: Liminal spaces and experimental practices in the Warrior Muay Thai training camp. Theatre, Dance and Performance Training, 7 (3). pp. 494-497. ISSN 1944-3927

Lennox, Solomon (2012) The training of boxer-entertainers in Brendan Ingle's gym. Theatre, Dance and Performance Training, 3 (2). pp. 208-215. ISSN 1944-3927

Lennox, Solomon and Rodosthenous, George (2016) The boxer–trainer, actor–director relationship: an exploration of creative freedom. Sport in Society, 19 (2). pp. 147-158. ISSN 1743-0437

Mahoney, Cat (2015) “Not Bad for a Few Ordinary Girls in a Tin Hut” – Re-Imagining Women’s Social Experience of the Second World War Through Female Ensemble Drama. Frames Cinema Journal (7). ISSN 2053-8812

Pearlman, Lazlo (2015) ‘Dissemblage’ and ‘Truth Traps’: Creating Methodologies of Resistance in Queer Autobiographical Theatre. Theatre Research International, 40 (01). pp. 88-91. ISSN 0307-8833

Power, Cormac (2009) ‘Bringing the Story to Life’: Presenting history as text in The World in Pictures. Performance Research, 14 (1). pp. 115-122. ISSN 1352-8165

Power, Cormac (2010) Making Nothing Out of Something: Concepts of Nothingness, Sartre and the Theatre of Peter Brook. Consciousness, Literature and the Arts, 11 (3). ISSN 1470-5648

Power, Cormac (2012) The Space of Doubt: The Chairs and the aesthetics of failure. Performance Research, 17 (1). pp. 68-76. ISSN 1352-8165

Power, Cormac (2017) Stoicism and Performativity: Identity, Resistance, Performance. TDR/The Drama Review, 61 (1). pp. 56-67. ISSN 1054-2043

Price, David and Barron, Lee (1999) Developing Independence: The experience of the Lawnmowers Theatre Company. Disability & Society, 14 (6). pp. 819-829. ISSN 0968-7599

Smialkowska, Monika (2009) Hungry shadows or nourishing meats? The functions and representations of food in the Stuart court masque. University Centre Doncaster Journal of Research and Scholarship, 1 (1). pp. 45-54.

Smialkowska, Monika (2010) "A democratic art at a democratic price”: The American Celebrations of the Shakespeare Tercentenary, 1916. Transatlantica, 1. ISSN 1765-2766

Taylor, Julie (2011) Revising The Antiphon, Restaging Trauma; or, where sexual politics meet textual history. Modernism/modernity, 18 (1). pp. 125-147. ISSN 1080-6601

Taylor, Louise and Parkinson, David (2012) The Creak of the Back Gate: playwriting techniques in a service design concept. Touchpoint, 4 (2). pp. 38-41. ISSN 1868-6052

Ward, Brian (2014) “Music, Musical Theater and the Imagined South in Interwar Britain”. Journal of Southern History, 80 (1). pp. 39-72. ISSN 0022-4642

Wharton, Chris (2013) Kate Dorney,The changing language of modern English drama 1945–2005. Palgrave Macmillan, 2009. ISBN:9780230013292 [Book review]. Critical Discourse Studies, 10 (2). pp. 241-244. ISSN 1740-5904

Book Section

Anan, Nobuko (2009) KATHY's Parody of Singin' in the Rain. In: Portrayals of Americans on the World Stage: Critical Essays. Macfarland & Company, Jefferson, NC, USA, pp. 134-154. ISBN 978-0786444199

Baxter, Katherine (2009) Comedy and Romance: A New Look at Shakespeare and Conrad. In: Joseph Conrad and the Performing Arts. Ashgate Publishing, Farnham, pp. 111-125. ISBN 978-0754664901

Cull, Laura (2011) Performing Presence, Affirming Difference: Deleuze and the Minor Theatres of Georges Lavaudant and Carmelo Bene. In: Contemporary French Theatre and Performance. Palgrave Macmillan, Basingstoke, pp. 99-110. ISBN 978-0230580510

Hargrave, Matt (2007) Good, bad or just plain ugly? Changing perceptions of the learning disabled actor. In: Planting trees of drama with global vision in local knowledge: IDEA 2007 dialogues. IDEA Publications, Hong Kong, pp. 171-191. ISBN 978-9628321858

Hepplewhite, Kay (2018) In their shoes: participation, social change and empathy in Open Clasp’s 'Key Change’. In: Applied Theatre: Women and the Criminal Justice System. Applied Theatre . Bloomsbury, London. ISBN 9781474262552 (In Press)

Hepplewhite, Kay (2016) More than a Sum of Parts? Responsivity and Respond-ability in Applied Theatre Practitioner Expertise. In: Facilitation. Applied Theatre . Bloomsbury, London, pp. 165-188. ISBN 9781472576927

Jennings, Matthew (2012) Crossing Places: Acknowledging the Spiritual in Northern Ireland Community Drama. In: Community, Art, Power: Essays from ICAF 2011. International Community Arts Festival, Rotterdam.

Jennings, Matthew and Grant, David (2012) Peace industry propaganda or ‘Troubles Porn’? In: Community, Art, Power: Essays from ICAF 2011. International Community Arts Festival, Rotterdam.

Lennox, Solomon and Pettit, Fiona (2016) DOC: The Narrative Performance of Expertise. In: Performance and the Medical Body. Bloomsbury, London, pp. 115-128. ISBN 978-1-4725-7078-9

Mathijs, Ernest and Hunter, Russ (2012) Refusing to look at rape: the reception of British horror cinema. In: European Nightmares: European Horror Cinema since 1945. Columbia University Press, London & New York, pp. 35-48. ISBN 978-0231162098

McLaughlin, Noel (2009) Rock, fashion and performativity. In: The Men's fashion reader. Berg Publishers, London. ISBN 978-1845207878

Smialkowska, Monika (2013) Julius Caesar. Directed by Gregory Doran for the Royal Shakespeare Company at the Theatre Royal, Newcastle. In: A Year of Shakespeare: Re-living the World Shakespeare Festival. Shakespeare Studies and Criticism . The Arden Shakespeare, Bloomsbury, London, pp. 91-94. ISBN 9781408188149

Smialkowska, Monika (2013) West Side Story, by Leonard Bernstein and Stephen Sondheim, directed and choreographed by Will Tuckett for the Royal Shakespeare Company’s Open Stages and The Sage at Hall One, The Sage, Gateshead. In: A Year of Shakespeare: Re-living the World Shakespeare Festival. The Arden Shakespeare, Bloomsbury, London, pp. 184-187. ISBN 9781408188149

Stephens, Randall (2017) "Culture, Entertainment, and Religion in America". In: Oxford Research Encyclopedia of Religion. Oxford University Press.

Taylor, Linda (2014) ‘There are more of you than there are of us’: Forced Entertainment and the Critique of the Neoliberal Subject. In: Žižek and Performance. Performance Philosophy . Palgrave Macmillan, Basingstoke, pp. 126-141. ISBN 9781137410900

Taylor, Linda (2013) Unsettling Narratives: a renegotiation of the on- and off-stage dialogues of the performance maker. In: Performing Narrative: Narration, "denarration", fracture, and absence in contemporary performance practice. Manchester Metropolitan University Press, Manchester. ISBN 9781905476886

Conference or Workshop Item

Cull, Laura (2011) Collective creation as a theatre of immanence : Deleuze & The Living Theatre. In: Northumbria Research Conference, 5 May - 6 May 2011, Northumbria University, Newcastle-upon-Tyne.

Innocenti, Perla and Richards, John (2012) Preservation through access: the AHDS performing arts collections in ECLAP and Europeana. In: iPRES 2012 – 9th International Conference on Preservation of Digital Objects, 1-5 Oct 2012, Toronto.

MacPherson, Fiona (2015) The Awkward Squad: Is there a place for the feminist play in contemporary mainstream popular theatre? In: Congruence and Contestation: Contemporary Feminism and Performance, 4th September 2015, London, UK.

Stephenson, Carol, MacPherson, Fiona and Coulthard, Sarah (2017) Get up and Tie your Fingers: Eyemouth 2016, Reflections on community performance of shared maritime heritage. In: MARE Conference: People & the Sea IX: Dealing with Maritime Mobilities, 5-7 July 2017, Amsterdam.

Wang, Ding, Kang, Jinsheng and Qin, Sheng-feng (2014) The significance of information visualisation based on the symbolic semantics of Peking Opera painted faces (POPF). In: 20th International Conference on Automation and Computing (ICAC), 12th - 13th September 2014, Cranfield.

Book

Baxter, Katherine and Hand, Richard (2009) Joseph Conrad and the Performing Arts. Ashgate Publishing, Farnham. ISBN 9780754664901

Croteau, Melissa and Jess-Cooke, Carolyn (2009) Apocalyptic Shakespeare: essays on visions of chaos and revelation in recent film adaptations. McFarland, Jefferson, NC. ISBN 9780786433926

Gilroy, Steve (2010) Motherland. Oberon Books, London. ISBN 9781840029482

Gilroy, Steve and Stockwell, Richard (2012) The prize. Oberon Books, London. ISBN 9781849434393

Hargrave, Matt (2015) Theatres of learning disability: Good, bad, or plain ugly? Palgrave Macmillan, Basingstoke, pp. 1-290. ISBN 978-1-137-50438-8

Power, Cormac (2008) Presence in play: a critique of theories of presence in the theatre. Rodopi. ISBN 9789042023819

Stockwell, Richard (2004) Bad Blood. Samuel French, London. ISBN 9780573019944

Stockwell, Richard (2011) Future Shock. Drama Association of Wales, Cardiff.

Show/Exhibition

Baker-Alder, Helen (2009) Performance Now and Then. [Show/Exhibition]

Craddock, Kate (2009) By Your Side. [Show/Exhibition]

Craddock, Kate (2008) Contamination. [Show/Exhibition]

Craddock, Kate (2008) A River Runs Through Us. [Show/Exhibition]

Craddock, Kate (2009) TRIO. [Show/Exhibition]

Craddock, Kate (2008) Under the Stairs. [Show/Exhibition]

Gilroy, Steve (2008) Me and Cilla. [Show/Exhibition]

Performance

Anan, Nobuko and Chang, Franklin (2012) Can Eros Be the Basis for Resistance? (Erosu wa teiko no kyoten to nariuru ka). [Performance] (Unpublished)

Arnfield, Jane (2008) The Gymnast. [Performance]

Arnfield, Jane (2011) Nixon Can Dance. [Performance] (Unpublished)

Arnfield, Jane (2009) Tent. [Performance]

Arnfield, Jane (2012) The Tin Ring - A work in progress. [Performance] (Unpublished)

Arnfield, Jane (2011) The Tin Ring. [Performance] (Unpublished)

Coburn, Ann and MacPherson, Fiona (2005) Get Up and Tie Your Fingers (2005 tour). [Performance]

Coburn, Ann, MacPherson, Fiona and Pavey, Liz (2014) Get Up and Tie Your Fingers (2014 tour). [Performance]

Craddock, Kate (2010) BLINK! [Performance]

Craddock, Kate (2011) A Gift for Djakovo. [Performance]

Craddock, Kate (2010) Virtual Jukebox. [Performance]

Craddock, Kate and Brayshaw, Teresa (2011) The Cradshaw Encounter. [Performance]

Craddock, Kate and Gilroy, Steve (2013) The GB Project. [Performance]

Craddock, Kate and Gilroy, Steve (2008) Hand Me Down. [Performance]

Darling, Julia and MacPherson, Fiona (1988) Growing Pains. [Performance]

Darling, Julia and MacPherson, Fiona (1991) Victory Harvest. [Performance]

Dillon, Peter and MacPherson, Fiona (2013) GUTS. [Performance]

Gilroy, Steve (2010) The Durham Mystery Plays (Lazarus). [Performance] (Unpublished)

Gilroy, Steve (2017) Each Piece. [Performance]

Gilroy, Steve (2010) Facts on the Ground. [Performance] (Unpublished)

Gilroy, Steve (2015) In the Middle of the West/The Oklahoma Bombing Project. [Performance]

Gilroy, Steve (2009) Motherland. [Performance] (Unpublished)

Gilroy, Steve (2010) Reality. [Performance] (Unpublished)

Gilroy, Steve (2013) States of Descent. [Performance]

Gilroy, Steve and Sellar, Paul (2012) Green Cabaret. [Performance] (Unpublished)

Gilroy, Steve and Stockwell, Richard (2012) The Prize. [Performance] (Unpublished)

Lawson, Jenny (2012) Especially For You. [Performance]

MacPherson, Fiona (2012) The Awkward Squad. [Performance]

MacPherson, Fiona (2010) Durham Mysteries: Cain and Abel. [Performance]

MacPherson, Fiona (2008) A Twist of Lemon. [Performance]

McHugh, Catrina and MacPherson, Fiona (1999) After Her Death. [Performance]

McHugh, Catrina and MacPherson, Fiona (2004) Stand 'n' Tan. [Performance]

McHugh, Catrina and MacPherson, Fiona (2007) Tonic. [Performance]

McHugh, Catrina, Mace, Kathryn and MacPherson, Fiona (2001) Falling Knives and Runaround Wives. [Performance]

McIntyre, Keith (2010) Raspberry. [Performance]

McIntyre, Keith (2007) The Unconquered. [Performance]

McIntyre, Keith and Wimhurst, Karen (2009) Darwin's barnacle. [Performance] (Unpublished)

Phethean, Ellen and Phethean, Fred (2010) Cain and Abel. [Performance] (Unpublished)

Prebble, Lucy, Calvert, Mark, Roxburgh, Emma, Ryder, Anna and Pavey, Liz (2014) Enron. [Performance]

Speyer, Chris and MacPherson, Fiona (2002) Why Do Bees Buzz? [Performance]

Stockwell, Richard (2013) 17th October 1962 and other facts. [Performance]

Stockwell, Richard (2003) Bad blood. [Performance] (Unpublished)

Stockwell, Richard (2010) Continuum. [Performance] (Unpublished)

Stockwell, Richard (2014) Continuum [2nd Ed.]. [Performance]

Stockwell, Richard (2001) Eastenders. Episodes 126, 162, 1050, 1090. [Performance] (Unpublished)

Stockwell, Richard (2011) Future Shock. [Performance]

Stockwell, Richard (1997) Killing time. [Performance] (Unpublished)

Broadcast

Chambers, Steve (2012) Derailed omnibus. [Broadcast]

Chambers, Steve (2010) Hysteria. [Broadcast]

Chambers, Steve (2009) My Dark Places. [Broadcast]

Chambers, Steve (2009) Robinson Crusoe. [Broadcast]

Chambers, Steve (2007) Scandinavian dreams. [Broadcast]

Chambers, Steve (2007) To make the people smile again. [Broadcast]

Chambers, Steve (2003) The ice factory. [Broadcast]

Chambers, Steve (2005) The recall man: Best forgotten. [Broadcast]

Chambers, Steve and Nodding, Phil (2009) HighLites. [Broadcast]

Chambers, Steve and Nodding, Phil (2012) HighLites: Retouched. [Broadcast]

Other

Craddock, Kate (2012) 'Presents' at GIFT. Gateshead International Festival of Theatre.

This list was generated on Sat Dec 16 02:44:29 2017 UTC.

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