Campbell, David (2011) ‘Warhol’s Commodity Ogling’. Every Real Moment – Time in Andy Warhol’s Art. In: Every Real Moment— Time in Andy Warhol’s Art One-Day Symposium, 20 May 2011, John Hansard Gallery, University of Southampton..
|
PDF (Conference Programme)
Warhol_Symposium_programme.pdf - Supplemental Material Download (82kB) | Preview |
Abstract
The paper explores the period of transition in the early 1960's when Andy Warhol successfully engineered his rebranding, from being identified as a successful commercial artist to become the preeminent artist of New York's art scene. Set against the backdrop of America's booming culture of consumption and the legacy of Abstract Expressionism, Warhol's relationship to the commodity form is explored through a comparison with the work of Robert Rauschenberg and the differing modes of perception their work induced.
| Item Type: | Conference or Workshop Item (Paper) |
|---|---|
| Subjects: | W100 Fine Art |
| Department: | Faculties > Arts, Design and Social Sciences > Arts |
| Depositing User: | David Campbell |
| Date Deposited: | 11 May 2012 13:37 |
| Last Modified: | 17 Dec 2023 12:47 |
| URI: | https://nrl.northumbria.ac.uk/id/eprint/6958 |
Actions (login required)
 |
View Item |
Downloads
Downloads per month over past year
