Jones, Steve (2010) Time is wasting: con/sequence and s/pace in the Saw series. Horror Studies, 1 (2). pp. 225-239. ISSN 2040-3275
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Abstract
Horror film sequels have not received as much serious critical attention as they deserve this is especially true of the Saw franchise, which has suffered a general dismissal under the derogatory banner Torture Porn. In this article I use detailed textual analysis of the Saw series to expound how film sequels employ and complicate expected temporal and spatial relations in particular, I investigate how the Saw sequels tie space and time into their narrative, methodological and moral sensibilities. Far from being a gimmick or a means of ensuring loyalty to the franchise (one has to be familiar with the events of previous episodes to ascertain what is happening), it is my contention that the Saw cycle directly requests that we examine the nature of space and time, in terms of both cinematic technique and our lived, off-screen temporal/spatial orientations.
Item Type: | Article |
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Uncontrolled Keywords: | Saw, horror film, sequels, space, time, torture porn |
Subjects: | P300 Media studies W600 Cinematics and Photography |
Department: | Faculties > Arts, Design and Social Sciences > Design |
Related URLs: | |
Depositing User: | Steve Jones |
Date Deposited: | 29 Nov 2012 12:08 |
Last Modified: | 17 Dec 2023 13:46 |
URI: | https://nrl.northumbria.ac.uk/id/eprint/9132 |
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